Jonas Munk's work as Manual has never sought to radically reinvent itself. Rather, he has spent the time since his debut ep in 2000 perfecting and refining the sound that is so distinctly his own - with each successive album meticulously exploring certain aspects of the Manual sound. There's an ongoing insistence that there's originality and beauty in his finely crafted productions, even in times when they seem terribly out of tune with the current trends. In Munk's view originality isn't so much a constant renewal of oneself but rather the creation of a unique and confident style that is continuously relevant.
Following 2010's magnum opus, Drowned in Light, as well as a full-length collaboration with German producer Ulrich Schauss from last year, Awash sees Munk dive into a more synth-heavy sound than usual. Electronic music from the 1990s seems to be more present on this mini LP than ever before: the title track nods gently to mid-1990s Compost Records and early Air; Glide floats into early IDM territory with classic drum machines, analog basslines and thick atmospheric pads, while Saudade is Munk's ultimate perfection of the combination of hand played instruments and programmed synthesizers, and displays his singular skills for songwriting.
At the heart of Munk's music there's a fascination with basic natural phenomena: light and sky, the ebb and flow of the ocean, the change from seed to bloom. By now Munk has become a true master of his craft and these six tracks are prime examples of his unique vision.
There's so much absorbing detail in this music, words don't seem adequate enough to describe its soothing melodies, pulsating rhythms & post chill-out majesty. Existing beyond any pigeon hole, Manual straddles 40 years of blissed alternative sounds & is an absolute labour of love.
(Norman Records)
Think of what Air's soundtrack to The Virgin Suicides might have been like if they spent more time at the beach. Or think about Brian Eno, if he surfed and liked drinks with exotic names and umbrellas in them. Think about Tangerine Dream: their name even more than their sound… and you've got a beautiful, awe-inducing force of nature.” (Erasing Clouds Magazine)
As intoxicating as incense, Munk's music sometimes feels like the best instrumental bits of Cocteau Twins and Slowdive melded together into epic settings drawn from psychedelic, ambient, electronic, and shoegaze genres. (Textura)
1. Glide, 2. Awash, 3. Floating World, 4. Water and Light, 5. Saudade, 6. Shrine
$12.00
M. Grig is a multi-instrumentalist who specializes in dobro, lap steel and pedal steel guitar living in Durham, North Carolina. His songs are beautiful, slow, wistful...
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Release date: December 6, 2019This Lynchian collaboration pairs the calm, late-night vocals of Tanya Maus with the melancholic piano, sparse electronics, and foreboding processed guitar...
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On M. Ostermeier's debut full-length CD, both mood and melody come into focus. The acoustic piano provides a warmth and familiarity that offsets the abstract...
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Release date: November 22, 2019 The German label [ parvoart ] recordings released M. Ostermeier’s debut album Percolate in a numbered edition of 50...
$11.40
Poignant and at times avant-garde piano style mixed with the spare use of electronics and processed acoustic recordings. Empty space and minimalism figure heavily in...
$8.99
Darla Records is proud to offer the first digital and CD reissue of M.I.A.'s fourth and final record After the Fact, originally released on Flipside Records in early...
$5.94
A six song, digital-only EP featuring three tracks each from newly remastered albums, Notes From the Underground and After the Fact. This is the first time the two...