{"title":"CDs","description":"","products":[{"product_id":"manual-azure-vista-2015-remaster-cd-dd","title":"Manual - Azure Vista","description":"\u003cp\u003e\u003cstrong\u003eRelease date: 4\/19\/2005\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA new remastered and expanded edition of the most popular of Manual records - the 2005 shoegaze classic Azure Vista. Jonas Munk aka Manual remastered the original six album tracks and added seven live tracks performed in Chicago and Los Angeles on Manual's 2007 US tour. Long time friend and partner in music Jakob Skott redesigned the artwork for this 2xCD edition, which comes in a six panel Eco-wallet.\u003cbr\u003e\u003cbr\u003e10 years after its release, Azure Vista still feels like a bold, and highly original work that's near-impossible to categorize. There's a definite dream-pop influence, occasionally recalling Robin Guthrie's most panoramic guitar work in Cocteau Twins, as well as Slowdive's oceanic euphoria. But this is far from being another shoegaze-homage. What really sets this set apart is the earnest and completely un-ironic incorporation of 1980s fm-radio sounds and John Hughes soundtracks, which Jonas Munk absorbed throughout his childhood and early teens - ghosts of Tears for Fears, New Order, Simple Minds and The Cure can all be heard throughout these six abundant, adventurous compositions, enveloping the ambience and electronics in a strange, nostalgic haze.\u003cbr\u003e\u003cbr\u003eThe album was partly written and conceptualized during a three month trip to California, when Munk was 22, and comes off as a crazed, innocent celebration of youth, freedom, sun and sea  gradually unfolding over the course of 47 blissful minutes. If one senses a conceptual similarity to M83's indie hit record Sartudays = Youth (as well as one or two similar synth-riffs) , it's worth noting that Azure Vista was released three years earlier (!).\u003cbr\u003e\u003cbr\u003eThe second disc features 7 live cuts performed with Jakob Skott (aka Syntaks) on synths and samplers. There's a previously unreleased track included (Untitled) as well as radically different versions of Marbella – a track Munk originally wrote with Robin Guthrie – and Rise (a Syntaks track), as well as Sal Paradise (from the collaborative Manual \u0026amp; Syntaks effort Golden Sun).\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv data-offset-key=\"2h3em-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2h3em-0-0\"\u003e\u003cspan data-offset-key=\"2h3em-0-0\"\u003e1. Clear Skies Above the Coastline Cathedral\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cec85-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cec85-0-0\"\u003e\u003cspan data-offset-key=\"cec85-0-0\"\u003e2. Summer of Freedom\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cb4c8-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cb4c8-0-0\"\u003e\u003cspan data-offset-key=\"cb4c8-0-0\"\u003e3. Twilight\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"amt43-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"amt43-0-0\"\u003e\u003cspan data-offset-key=\"amt43-0-0\"\u003e4. Tourmaline\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"6fl1b-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"6fl1b-0-0\"\u003e\u003cspan data-offset-key=\"6fl1b-0-0\"\u003e5. Neon Reverie\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"dutpv-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"dutpv-0-0\"\u003e\u003cspan data-offset-key=\"dutpv-0-0\"\u003e6. Azure Vista\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"29eb0-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"29eb0-0-0\"\u003e\u003cspan data-offset-key=\"29eb0-0-0\"\u003e7. Marbella (Live)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"8aeca-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"8aeca-0-0\"\u003e\u003cspan data-offset-key=\"8aeca-0-0\"\u003e8. Summer of Freedom (Live)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"f63e-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"f63e-0-0\"\u003e\u003cspan data-offset-key=\"f63e-0-0\"\u003e9. Rise (Live)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"dmrcn-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"dmrcn-0-0\"\u003e\u003cspan data-offset-key=\"dmrcn-0-0\"\u003e10. Blue Shibuya Dream (Live)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"a6ps9-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"a6ps9-0-0\"\u003e\u003cspan data-offset-key=\"a6ps9-0-0\"\u003e11. Sal Paradise (Live)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"7n1fi-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"7n1fi-0-0\"\u003e\u003cspan data-offset-key=\"7n1fi-0-0\"\u003e12. Neon Reverie (Live)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"7q2ta-0-0\" data-editor=\"q4lf\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"7q2ta-0-0\"\u003e\u003cspan data-offset-key=\"7q2ta-0-0\"\u003e13. Untitled (Live)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003ePast praise for Azure Vista:\u003cbr\u003e\u003cbr\u003eManual's sound is what that eighties pop fell short of: the full realization of that cathedral of sound, the swirling layers that rip your heart out and stamp on it gracefully. Rarely does electronica feel so visceral, so big, so natural and wild...Munk is blurring lines between ambience and stadium rock. The tones Munk uses, the way he manipulates them, the construction of the songs themselves, show that he has a distinct ear. We should be thankful he is sharing his aural visions with us. They're that special.\u003cbr\u003e\u003cbr\u003e- Prefixmag\u003cbr\u003e\u003cbr\u003eSonically, it’s Seefeel meets Sons And Fascination era Simple Minds meets Kevin Shields meets David Sylvian; in other words, it inhabits a world where boundaries blur and where sounds collide and move within and around each other to make something instantly, comfortingly recognizable yet with an abstract sense of the new.\u003cbr\u003e\u003cbr\u003e- Tangents\u003cbr\u003e\u003cbr\u003eThink of My Bloody Valentine, but lighter than air. Or think of what Air's soundtrack to The Virgin Suicides might have been like if they spent more time at the beach. Or think about Brian Eno, if he surfed and liked drinks with exotic names and umbrellas in them. Think about Tangerine Dream: their name even more than their sound. Think about the \"shoegazers\" gazing at a brillant blue ocean and jamming. Or think about that great wave of keyboards on the opening track of The Cure's Disintegration, but think of it not as an impending rainstorm but as a brilliant sun, a storm of sunbeams. Then think of all these things at once, and you've got a beautiful, awe-inducing force of nature.\u003cbr\u003e\u003cbr\u003e- Erasing Clouds\u003cbr\u003e\u003cbr\u003eMuch like Pygmalion, Manual’s newest record, Azure Vista, sees the artist growing upwards and outwards. Gone is the three-minute pop masterpiece that typified Ascend. Instead, we’re met with six songs and only one under seven-minutes. This is an album with epic stamped all over it.\u003cbr\u003e\u003cbr\u003e- Stylus Magazine\u003cbr\u003e\u003cbr\u003eMunk's fascination with all things tropical or celestial has not diminished, as Manual's music captures the sound of laying out on the beach in your best swim trunks and Def Leppard cut-off shirt. Songs are saturated with the same synthesized sound which drenched the 1980s new wave pop movement. Munk, however is careful to add his own unique fringes of electronic eddies and whirlpools to the music.\u003cbr\u003e\u003cbr\u003e- Brainwashed\u003cbr\u003e\u003cbr\u003eA painstaking labour of love that principally takes Durutti Column and the Cocteau Twins as its key templates and weaves their chiming matrix into a celebratory carnival of lush colour coded ambient structures of the type so rarely heard these days. All at once sensual, invigorating, heart stopping and quite simply perfect.”\u003cbr\u003e\u003cbr\u003e- Losing Today Magazine\u003cbr\u003e\u003cbr\u003eThe musings of so many of his peers feel conceptually thin and prefabricated in comparison to Manual's wandering, curious anthems.\u003cbr\u003e\u003cbr\u003e- Pitchfork\u003c\/p\u003e","brand":"Darla","offers":[{"title":"2xCD","offer_id":4581852164,"sku":"DRL302","price":12.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":44917372676,"sku":"DRL302-3","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/Azure_Vista.jpg?v=1490420431"},{"product_id":"lorna-londons-leaving-me-cd-dd","title":"Lorna - London's Leaving Me","description":"London’s Leaving Me is the fifth record by Nottingham, England’s Lorna and finds the sextet offering another matchless collection of earnest, egoless indie-pop featuring the unmistakable voices of husband-and-wife songwriting team Mark Rolfe and Sharon Cohen-Rolfe.\u003cbr\u003e \u003cbr\u003e The nine-song album opens with “Like Alastair Sim” – a ballad in which gorgeous melodies steeped with heartfelt optimism unfold at a deliberate pace against a growing soundscape of strings, bells, and sparse electronics using the song’s acclaimed Scottish actor namesake as its thematic guide. The single \"Wayne Mills\" follows with a summery blend of Scottish and indie-pop akin to Belle \u0026amp; Sebastian and Camera Obscura in which jangly guitars, analog synths, and languid, sun-soaked melodies are showcased as the Rolfes recount a tale about a neighborhood friend. The song features a guest appearance from Andy Mellon (Bellowhead, Damon Albarn) on trumpet.\u003cbr\u003e \u003cbr\u003e As a mid-album counterpoint to the densely orchestrated pop gems that precede and follow it, Lorna offers “Smothered In Hugs” – a stark interpretation of the 1994 Guided By Voices song in which an acoustic guitar anchors the Rolfe’s richly textured vocals to create a marked contrast to the atonal low-fi buzz of the GBV original.\u003cbr\u003e \u003cbr\u003e London’s Leaving Me closes with the Matt Harrison- (flute, guitar) penned “You, Me, and the Holy Ghost” – a reverie that captures Lorna’s dual mastery of tunefulness and ambience as Sharon Cohen-Rolfe effortlessly coos melodies from the lips of Julee Cruise while patient, tremolo-infused guitars summon Angelo Badalamenti’s work on Twin Peaks.\u003cbr\u003e \u003cbr\u003e 1. Like Alistair Sim\u003cbr\u003e 2. Wayne Mills\u003cbr\u003e 3. Atlases\u003cbr\u003e 4. In Amber\u003cbr\u003e 5. Smothered In Hugs\u003cbr\u003e 6. London’s Leaving Me\u003cbr\u003e 7. Bigger Than Sound (And Greater Than Us)\u003cbr\u003e 8. St. Mary\u003cbr\u003e 9. You, Me, and the Holy Ghost","brand":"Words On Music","offers":[{"title":"CD","offer_id":4612364996,"sku":"WM42","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/WM42cover_400x400q85.jpg?v=1440740608"},{"product_id":"static-daydream-static-daydream-cd-lp-dd","title":"Static Daydream - Static Daydream","description":"Full of melancholic, romantic, distortion-fueled songs, dripping with reverb and classic songwriting.\u003cbr\u003e \u003cbr\u003e Vinyl limited to 250 high quality vinyl and sleeve with download card. 150 black, 100 Orange Crush w\/Black Haze.\u003cbr\u003e \u003cbr\u003e Static Daydream is the new project of Paul Baker (founding member of Skywave and Ceremony), and their first full-length release is comprised of 11 noisy pop songs swathed in reverb and distortion.\u003cbr\u003e \u003cbr\u003e In 2012, Paul, and his girlfriend and musical partner, Jamie Casey, began recording what would become their debut EP, \"The Only One,\" released on Moon Sounds Records in 2014 to much adoration.  Here's a review from Clank For Breakfast:\u003cbr\u003e \u003cbr\u003e \"Once you enter the door to the four melody-kisses-noise songs on this EP, you’re hooked and feel home in less than a sec. Whether it’s the dynamically circulating opener “The Only One” with its delightfully seductive, crisp chorus, the groovy “I Want To Break Your Heart” with its bittersweet charm and The Cure reminding guitar colors, the gently swirling dreampop cloud “Disbelief” featuring the fairylike, beautiful vocals by Jamie Casey and additional programming by Jake Reid (Screen Vinyl Image), or the closing noisepop candy “Inside” with its sparkling energy and sweet'n'yearning scent - this trip showcases skilful songwriting and offers embracing harmonies as well as crunchy edges, pulse-quickening, fiery moments as well as relaxed flirts\".\u003cbr\u003e \u003cbr\u003e Their self-titled album on Saint Marie Records with Moon Sounds Records, released in 2015, is full of melancholic, romantic, distortion-fueled songs, dripping with reverb and classic songwriting.  Inspired by 60's girl groups, 80's and 90's British noise-pop, and assisted by Jake Reid of Screen Vinyl Image and Ice Station Mastering, Static Daydream's debut is full of dreamy, hook-laden songs reminiscent of Skywave, The Jesus and Mary Chain and Slowdive.\u003cbr\u003e \u003cbr\u003e More Than Today\u003cbr\u003e Nowhere To Hide\u003cbr\u003e Run Into The Night\u003cbr\u003e Blue Tamborine Girl\u003cbr\u003e Just Stay\u003cbr\u003e Until You’re Mine\u003cbr\u003e Another Rainy Night Without You\u003cbr\u003e When I Turn Around You’re Gone\u003cbr\u003e The Only One\u003cbr\u003e When She Falls\u003cbr\u003e I’ve Destroyed Everything","brand":"Saint Marie","offers":[{"title":"CD","offer_id":4613107332,"sku":"SMR071-2","price":9.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/staticdaydream.jpg?v=1440743915"},{"product_id":"i-am-robot-and-proud-light-and-waves-cd","title":"I Am Robot And Proud - Light and Waves","description":"\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"475kg-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$475kg\"\u003e\u003cspan data-offset-key=\"475kg-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$475kg.0:$475kg-0-0\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"cils0-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cils0\"\u003e\u003cspan data-offset-key=\"cils0-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cils0.0:$cils0-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cils0.0:$cils0-0-0.0\"\u003e1. Colours With No Name\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"frq5o-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$frq5o\"\u003e\u003cspan data-offset-key=\"frq5o-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$frq5o.0:$frq5o-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$frq5o.0:$frq5o-0-0.0\"\u003e2. Light and Waves\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"b9gqp-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$b9gqp\"\u003e\u003cspan data-offset-key=\"b9gqp-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$b9gqp.0:$b9gqp-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$b9gqp.0:$b9gqp-0-0.0\"\u003e3. Switch and Ramp\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"cr6nl-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cr6nl\"\u003e\u003cspan data-offset-key=\"cr6nl-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cr6nl.0:$cr6nl-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cr6nl.0:$cr6nl-0-0.0\"\u003e4. Kira Kira Zig Zag\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"4etg0-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$4etg0\"\u003e\u003cspan data-offset-key=\"4etg0-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$4etg0.0:$4etg0-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$4etg0.0:$4etg0-0-0.0\"\u003e5. A Way of Organizing Time\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"2l741-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2l741\"\u003e\u003cspan data-offset-key=\"2l741-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2l741.0:$2l741-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2l741.0:$2l741-0-0.0\"\u003e6. Weird Gravity\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"c8335-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$c8335\"\u003e\u003cspan data-offset-key=\"c8335-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$c8335.0:$c8335-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$c8335.0:$c8335-0-0.0\"\u003e7. Pecah Tracks\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"81m53-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$81m53\"\u003e\u003cspan data-offset-key=\"81m53-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$81m53.0:$81m53-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$81m53.0:$81m53-0-0.0\"\u003e8. Hujan\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"e51vi-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$e51vi\"\u003e\u003cspan data-offset-key=\"e51vi-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$e51vi.0:$e51vi-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$e51vi.0:$e51vi-0-0.0\"\u003e9. Mountain\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"29h1e-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$29h1e\"\u003e\u003cspan data-offset-key=\"29h1e-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$29h1e.0:$29h1e-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$29h1e.0:$29h1e-0-0.0\"\u003e10. Magic Numbers\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"2eoqr-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2eoqr\"\u003e\u003cspan data-offset-key=\"2eoqr-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2eoqr.0:$2eoqr-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2eoqr.0:$2eoqr-0-0.0\"\u003e11. Angels (Bonus Track)\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"84ots-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$84ots\"\u003e\u003cspan data-offset-key=\"84ots-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$84ots.0:$84ots-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$84ots.0:$84ots-0-0.0\"\u003eCD in full color digipak designed by the artist includes a bonus track.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"8ouda-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8ouda\"\u003e\u003cspan data-offset-key=\"8ouda-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8ouda.0:$8ouda-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"2u5n-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2u5n\"\u003e\u003cspan data-offset-key=\"2u5n-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2u5n.0:$2u5n-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2u5n.0:$2u5n-0-0.0\"\u003eI Am Robot And Proud is the bright and beautiful electronic pop music of Shaw-Han Liem. Light and Waves is his eighth album.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"8dn4q-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8dn4q\"\u003e\u003cspan data-offset-key=\"8dn4q-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8dn4q.0:$8dn4q-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"8lg4d-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8lg4d\"\u003e\u003cspan data-offset-key=\"8lg4d-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8lg4d.0:$8lg4d-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8lg4d.0:$8lg4d-0-0.0\"\u003eLight and Waves was recorded in Toronto, Canada. The process included both traditional recording methods and forward-thinking computer-assisted compositional techniques. Analog synthesizers, drum machines, acoustic guitars, toy instruments and a science lab full of electronic equipment provide a whimsical sonic pallet for his imaginary musical worlds. Shaw-Han also created his own computer programs to generate procedural drum sequences, process and mangle the sounds from live musicians, and built custom ipad interfaces for manipulating compositions. “As a programmer and designer, I have become very interested in creating new tools for making my own music. I'm really inspired by the idea of an ‘engineer\/artist’ who can use technology to create new tools, and then use those tools to create a new kinds of work - whether that be musical, visual or interactive.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"6vatg-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6vatg\"\u003e\u003cspan data-offset-key=\"6vatg-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6vatg.0:$6vatg-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"6bmde-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6bmde\"\u003e\u003cspan data-offset-key=\"6bmde-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6bmde.0:$6bmde-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6bmde.0:$6bmde-0-0.0\"\u003eShaw-Han is an accomplished artist across the spectrum of music, technology and media art. He was Audio Director, Game Designer and composed music for the award-winning Playstation 4 game Sound Shapes, where he explored the concept of creating a new form of interactive music. His collaborations with media artists such as Daito Manabe (Perfume, Rhizmatics) and Toshio Iwai (Tenori On) have been performed across Europe and Japan. In addition to an active six album IARAP catalog on Darla, Shaw-Han's work previous includes remixes for Yellow Magic Orchestra's Yukihiro Takahashi and commissions for reputable labels such as Ghostly International, Arts \u0026amp; Crafts, Asthmatic Kitty and Avex Japan.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"9pinl-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$9pinl\"\u003e\u003cspan data-offset-key=\"9pinl-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$9pinl.0:$9pinl-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"ab33-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$ab33\"\u003e\u003cspan data-offset-key=\"ab33-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$ab33.0:$ab33-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$ab33.0:$ab33-0-0.0\"\u003eTwo of the tracks on Light and Waves are live arrangements and feature the four member live robot band from IARAP's 2015 release People Music. These songs were engineered by long time friend and collaborator Leon Taheny (Owen Pallett, Fucked Up).\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"78oot-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$78oot\"\u003e\u003cspan data-offset-key=\"78oot-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$78oot.0:$78oot-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"enhcg-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$enhcg\"\u003e\u003cspan data-offset-key=\"enhcg-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$enhcg.0:$enhcg-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$enhcg.0:$enhcg-0-0.0\"\u003eRelease of Light and Waves will be followed by Canada and Japan live dates in late September and October with the 4-piece robot band.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"5d6op-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$5d6op\"\u003e\u003cspan data-offset-key=\"5d6op-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$5d6op.0:$5d6op-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"6r571-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6r571\"\u003e\u003cspan data-offset-key=\"6r571-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6r571.0:$6r571-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6r571.0:$6r571-0-0.0\"\u003eUpcoming live dates in Canada \u0026amp; Japan tour will feature handmade responsive projections using a computer program created By Shaw-Han.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"f8nfp-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$f8nfp\"\u003e\u003cspan data-offset-key=\"f8nfp-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$f8nfp.0:$f8nfp-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"5pjvm-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$5pjvm\"\u003e\u003cspan data-offset-key=\"5pjvm-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$5pjvm.0:$5pjvm-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$5pjvm.0:$5pjvm-0-0.0\"\u003e9\/10 Toronto @ Handlebar\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"d8mmb-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$d8mmb\"\u003e\u003cspan data-offset-key=\"d8mmb-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$d8mmb.0:$d8mmb-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$d8mmb.0:$d8mmb-0-0.0\"\u003e10\/21 Mastumoto, Japan @ Alecx\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"2igb9-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2igb9\"\u003e\u003cspan data-offset-key=\"2igb9-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2igb9.0:$2igb9-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$2igb9.0:$2igb9-0-0.0\"\u003e10\/23 Kobe, Japan @ Guggenheim House\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"c04rk-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$c04rk\"\u003e\u003cspan data-offset-key=\"c04rk-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$c04rk.0:$c04rk-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$c04rk.0:$c04rk-0-0.0\"\u003e10\/24 Nagoya, Japan @ Tokuzo\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"7mots-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$7mots\"\u003e\u003cspan data-offset-key=\"7mots-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$7mots.0:$7mots-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$7mots.0:$7mots-0-0.0\"\u003e10\/25 Kyoto, Japan @ Borofesta Festival\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"6dals-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6dals\"\u003e\u003cspan data-offset-key=\"6dals-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6dals.0:$6dals-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$6dals.0:$6dals-0-0.0\"\u003e10\/26 Osaka, Japan @ Conpass\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"8l5c1-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8l5c1\"\u003e\u003cspan data-offset-key=\"8l5c1-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8l5c1.0:$8l5c1-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8l5c1.0:$8l5c1-0-0.0\"\u003e10\/28 Tokyo, Japan @ O-Nest\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"b2s7a-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$b2s7a\"\u003e\u003cspan data-offset-key=\"b2s7a-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$b2s7a.0:$b2s7a-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"89dan-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$89dan\"\u003e\u003cspan data-offset-key=\"89dan-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$89dan.0:$89dan-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$89dan.0:$89dan-0-0.0\"\u003ePersonnel:\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"c4ce1-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$c4ce1\"\u003e\u003cspan data-offset-key=\"c4ce1-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$c4ce1.0:$c4ce1-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"5micb-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$5micb\"\u003e\u003cspan data-offset-key=\"5micb-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$5micb.0:$5micb-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$5micb.0:$5micb-0-0.0\"\u003eShaw-Han Liem: Analog synthesizers, electronics, computer manipulation, sequencing, guitars, piano, toy percussion\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"8fdv-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8fdv\"\u003e\u003cspan data-offset-key=\"8fdv-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8fdv.0:$8fdv-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$8fdv.0:$8fdv-0-0.0\"\u003e#4 \u0026amp; #9 with Robin Buckley (King Cobb Steelie, Tusks): drums \u0026amp; percussion, Mike Smith (Muskox, Jennifer Castle Band): Bass, Jordan Howard (Jim Guthrie Band, The Magic, Biblical): Guitars\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"4gg3g-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$4gg3g\"\u003e\u003cspan data-offset-key=\"4gg3g-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$4gg3g.0:$4gg3g-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$4gg3g.0:$4gg3g-0-0.0\"\u003e#4 \u0026amp; #9 recorded at Union Sound Company, Toronto\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"fkkuk-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$fkkuk\"\u003e\u003cspan data-offset-key=\"fkkuk-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$fkkuk.0:$fkkuk-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$fkkuk.0:$fkkuk-0-0.0\"\u003eRecording Engineer: Leon Taheny\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"cf4u8-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cf4u8\"\u003e\u003cspan data-offset-key=\"cf4u8-0-0\" data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cf4u8.0:$cf4u8-0-0\"\u003e\u003cspan data-reactid=\".xb.1.0.1.0.0.$editor1.0.0.$cf4u8.0:$cf4u8-0-0.0\"\u003eMastered by Sandro Perri, Constellation Records.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":4894501572,"sku":"DRL307-2","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/files\/a2516145610_10.jpg?v=1758480629"},{"product_id":"my-morning-jacket-at-dawn","title":"My Morning Jacket - At Dawn","description":"\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"7a48t-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7a48t\"\u003e\u003cspan data-offset-key=\"7a48t-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7a48t.0:$7a48t-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7a48t.0:$7a48t-0-0.0\"\u003e 1. At Dawn\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"a54u5-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$a54u5\"\u003e\u003cspan data-offset-key=\"a54u5-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$a54u5.0:$a54u5-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$a54u5.0:$a54u5-0-0.0\"\u003e 2. Lowdown\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"1qqv8-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$1qqv8\"\u003e\u003cspan data-offset-key=\"1qqv8-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$1qqv8.0:$1qqv8-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$1qqv8.0:$1qqv8-0-0.0\"\u003e 3. The Way That He Sings\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"7j20c-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7j20c\"\u003e\u003cspan data-offset-key=\"7j20c-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7j20c.0:$7j20c-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7j20c.0:$7j20c-0-0.0\"\u003e 4. Death Is My Sleezy Pay\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"f2v3f-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$f2v3f\"\u003e\u003cspan data-offset-key=\"f2v3f-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$f2v3f.0:$f2v3f-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$f2v3f.0:$f2v3f-0-0.0\"\u003e 5. Hopefully\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"ac1k5-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$ac1k5\"\u003e\u003cspan data-offset-key=\"ac1k5-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$ac1k5.0:$ac1k5-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$ac1k5.0:$ac1k5-0-0.0\"\u003e 6. Bermuda Highway\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"7c13s-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7c13s\"\u003e\u003cspan data-offset-key=\"7c13s-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7c13s.0:$7c13s-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7c13s.0:$7c13s-0-0.0\"\u003e 7. Honest Man\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"54ldj-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$54ldj\"\u003e\u003cspan data-offset-key=\"54ldj-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$54ldj.0:$54ldj-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$54ldj.0:$54ldj-0-0.0\"\u003e 8. X-mas Curtain (Album Version)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"7tt36-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7tt36\"\u003e\u003cspan data-offset-key=\"7tt36-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7tt36.0:$7tt36-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$7tt36.0:$7tt36-0-0.0\"\u003e 9. Just Because I Do\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"flpv8-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$flpv8\"\u003e\u003cspan data-offset-key=\"flpv8-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$flpv8.0:$flpv8-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$flpv8.0:$flpv8-0-0.0\"\u003e 10. If It Smashes Down\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"ftci6-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$ftci6\"\u003e\u003cspan data-offset-key=\"ftci6-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$ftci6.0:$ftci6-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$ftci6.0:$ftci6-0-0.0\"\u003e 11. I Needed It Most\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"cnkou-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$cnkou\"\u003e\u003cspan data-offset-key=\"cnkou-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$cnkou.0:$cnkou-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$cnkou.0:$cnkou-0-0.0\"\u003e 12. Phone Went West\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"c697s-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$c697s\"\u003e\u003cspan data-offset-key=\"c697s-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$c697s.0:$c697s-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$c697s.0:$c697s-0-0.0\"\u003e 13. Strangulation!\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"34ud3-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$34ud3\"\u003e\u003cspan data-offset-key=\"34ud3-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$34ud3.0:$34ud3-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$34ud3.0:$34ud3-0-0.0\"\u003e 14. Untitled\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"foufl-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$foufl\"\u003e\u003cspan data-offset-key=\"foufl-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$foufl.0:$foufl-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_209g _2vxa\" data-block=\"true\" data-offset-key=\"8lbcj-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$8lbcj\"\u003e\u003cspan data-offset-key=\"8lbcj-0-0\" data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$8lbcj.0:$8lbcj-0-0\"\u003e\u003cspan data-reactid=\".0.1.0.1.0.0.$editor0.0.0.$8lbcj.0:$8lbcj-0-0.0\"\u003eMany consider their second record At Dawn (2001) their best record. Singer\/Songwriter Jim James’ soulful voice and lonely country-rock songs are more intoxicating than ever here. Jim has a voice that's both honey and charcoal, like Neil Young at his most vulnerable. The songs are great deep south gothic canvases filled in with gracious acoustic and electric guitars, painterly strokes of harpsichord, harmonica and lap steel, drums swimming in the deepest, darkest, widest pools of reverb, dirigible harmonies that will have you weeping, with incensed atmosphere so thick, it's absolutely biblical. At times melancholy to the point of desperation, there's still a fiery joy to the proceedings, the same sense of euphoria meets-tragedy that Neil Young and Johnny Cash can muster, with a serious sense of traditional folk, the collective conscious of American Blues, Country, and Rock 'n' Roll. The Country influence isn't artifice, no indeedy, it's coming straight from Jim James' soul. Check out the Allman Brothers' styled exorcism that goes by the name \"Honest Man\" if you need some heavy with your duty. James is indeed a young man with a great gift. Jim James mixed At Dawn with David Trumfio at Kingsize Sound Labs. Listen and get hooked.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":4894603268,"sku":"DRL111-2","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL111cover300dpi.JPG?v=1441521132"},{"product_id":"peyton-pinkerton-rapid-cycler","title":"Peyton Pinkerton - Rapid Cycler","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-offset-key=\"bg6eg-0-0\" data-editor=\"14l6s\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"bg6eg-0-0\"\u003e\u003cspan data-offset-key=\"bg6eg-0-0\"\u003eDarla Records is pleased to offer the second solo album, \u003cem\u003eRapid Cycler\u003c\/em\u003e, from renowned indie guitarist\/songwriter Peyton Pinkerton (New Radiant Storm King, Silver Jews, Pernice Brothers).\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"a8375-0-0\" data-editor=\"14l6s\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"a8375-0-0\"\u003e\u003cspan data-offset-key=\"a8375-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"4faml-0-0\" data-editor=\"14l6s\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"4faml-0-0\"\u003e\u003cspan data-offset-key=\"4faml-0-0\"\u003ePeyton expresses an angular, hook-filled, heartfelt six-string dexterity through his tunings, timings, textures, effects and arrangements—stamped with a rarefied and charismatic sonic intuition. In Peyton's guitar work, you can hear influences from the likes of Keith Levine, John McGeoch, Geordie Walker and Will Sergeant, all integrated into his own distinctive sound. At times his songs evoke the musings of Wire, APB, early Talking Heads, Magazine and Gang of Four—just to name a few.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"7g21a-0-0\" data-editor=\"14l6s\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"7g21a-0-0\"\u003e\u003cspan data-offset-key=\"7g21a-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2c1d6-0-0\" data-editor=\"14l6s\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2c1d6-0-0\"\u003e\u003cspan data-offset-key=\"2c1d6-0-0\"\u003ePeyton Pinkerton began to establish his songwriting skills and recognizable guitar sound in 1990 with New Radiant Storm King. NRSK recorded nine albums and several 7\" singles from 1990-2008. They also frequently played live with many of their contemporaries including Guided By Voices, Grifters, Pavement and Sebadoh. They even opened for Nirvana well before \u003cem\u003eNevermind\u003c\/em\u003e's release hit the big time. In the interim, Peyton has recorded and toured with literary underground heroes Silver Jews (Drag City) and Joe Pernice's pop ensemble Pernice Brothers (Sub Pop\/Ashmont Records).\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"1g30o-0-0\" data-editor=\"14l6s\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"1g30o-0-0\"\u003e\u003cspan data-offset-key=\"1g30o-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"i1bq-0-0\" data-editor=\"14l6s\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"i1bq-0-0\"\u003e\u003cspan data-offset-key=\"i1bq-0-0\"\u003ePeyton lives in Western Massachusetts and has maintained his relationship with studio guru Mark Alan Miller who he has worked with since 1990. Drummer J.J. O'Connell (the only other musician to appear on \u003cem\u003eRapid Cycler\u003c\/em\u003e) has been recording with Peyton since 2004. Peyton also engineers and produces records for developing solo artists, often playing most of the instruments himself.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"i1bq-0-0\"\u003e\u003cspan data-offset-key=\"i1bq-0-0\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"i1bq-0-0\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"acggj-0-0\"\u003e\n\u003cdiv data-offset-key=\"acggj-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"acggj-0-0\"\u003e1. Bender\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"a82aa-0-0\"\u003e\n\u003cdiv data-offset-key=\"a82aa-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"a82aa-0-0\"\u003e2. Lips \u0026amp; Lungs\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"6u2t9-0-0\"\u003e\n\u003cdiv data-offset-key=\"6u2t9-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"6u2t9-0-0\"\u003e3. Baseline\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"1pioq-0-0\"\u003e\n\u003cdiv data-offset-key=\"1pioq-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"1pioq-0-0\"\u003e4. Placement\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"1cvd9-0-0\"\u003e\n\u003cdiv data-offset-key=\"1cvd9-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"1cvd9-0-0\"\u003e5. Rapid Cycler\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"8trus-0-0\"\u003e\n\u003cdiv data-offset-key=\"8trus-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"8trus-0-0\"\u003e6. Gunning For\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"5mog-0-0\"\u003e\n\u003cdiv data-offset-key=\"5mog-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"5mog-0-0\"\u003e7. Letter to K.C.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"3a8il-0-0\"\u003e\n\u003cdiv data-offset-key=\"3a8il-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"3a8il-0-0\"\u003e8. Pool\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"etjdr-0-0\"\u003e\n\u003cdiv data-offset-key=\"etjdr-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"etjdr-0-0\"\u003e9. Uncivil Servant\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"bf71r\" data-offset-key=\"4ghre-0-0\"\u003e\n\u003cdiv data-offset-key=\"4ghre-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"4ghre-0-0\"\u003e10. Goodnight Sun\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":34298345412,"sku":"DRL321-2","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL321.jpg?v=1486147497"},{"product_id":"corky-carroll-and-the-piranha-blue-mango","title":"Corky Carroll and the Piranha - Blue Mango","description":"\u003cp\u003eDarla Records is proud to present a new record from everyone's favorite showman\/surfer Corky Carroll and the Piranha - a distinguished group of old friends and stars in their own right who've been Corky's band through many incarnations.\u003cbr\u003e \u003cbr\u003e Key tracks: Surf Zombie, Blue Mango Bar, Social Segregation, Suicide Chicken, Tourist Season.\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e CORKY CARROLL AND THE PIRANHA\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eCorky Carroll\u003c\/strong\u003e: Vocals and guitar\u003cbr\u003e     \u003cbr\u003e This is Corky’s 11th solo album. He also has two singles and he has performed on over 20 albums. His musical career began in the early 1970s as his professional competitive surfing career was ending. A singer\/songwriter and multi-instrumentalist as well as full time surfer who, in his own words, “got away\". Living on a tropical beach in Mexico with his beautiful wife, writing crazy songs and surfing every day. His music reflects his lifestyle. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eChris Darrow\u003c\/strong\u003e: W.M.I. (Weird Mexican Instrument) and slide guitar\u003cbr\u003e \u003cbr\u003e Chris began playing with Corky in the late 1970s and has been a major influence on his music ever since. Chris is a veteran recording artist and producer\/music publisher. As a member of \u003cstrong\u003eKaleidoscope\u003c\/strong\u003e, he played on the debut \u003cstrong\u003eLeonard Cohen\u003c\/strong\u003e album. He was a member of \u003cstrong\u003eNitty Gritty Dirt Band\u003c\/strong\u003e and worked and recorded with \u003cstrong\u003eLinda Ronstadt\u003c\/strong\u003e, \u003cstrong\u003eJames Taylor\u003c\/strong\u003e, \u003cstrong\u003eGene Vincent\u003c\/strong\u003e and many others. He has played on over 350 recordings in his half-century career.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eRichard Stekol\u003c\/strong\u003e: Guitar and lap steel\u003cbr\u003e     \u003cbr\u003e Richard is well known as the lead guitar player in \u003cstrong\u003eHonk\u003c\/strong\u003e, which is Corky’s favorite band. He also has played with the \u003cstrong\u003eFunky Kings\u003c\/strong\u003e as well as numerous other bands and has a dozen solo albums to his credit. He is also responsible for coining the Piranhas motto, “Everybody’s gotta eat!” One of the greatest musicians on the planet and beyond. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBrad Fiedel\u003c\/strong\u003e: Keyboards, harmonica and guitar\u003cbr\u003e     \u003cbr\u003e Brad Fiedel started out as a singer\/songwriter. He was signed to Paul Simon's publishing company and did a stint playing keyboards for \u003cstrong\u003eHall and Oates\u003c\/strong\u003e. He went on to write many original scores for film and television including the \u003cstrong\u003eTerminator\u003c\/strong\u003e, \u003cstrong\u003eT2\u003c\/strong\u003e, \u003cstrong\u003eTrue Lies\u003c\/strong\u003e, \u003cstrong\u003eFright Night\u003c\/strong\u003e and \u003cstrong\u003eThe Accused\u003c\/strong\u003e. He is happy to get back to playing keyboards for his good friend and surf mentor, Corky Carroll.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMatt Magiera\u003c\/strong\u003e: Drums\u003cbr\u003e \u003cbr\u003e Surfer\/Drummer. At 16 years old he was picked up by \u003cstrong\u003eCorky Carroll and The Funk Dog Surf Band\u003c\/strong\u003e. Since then he went on to do session work and play for many great artists including \u003cstrong\u003eKenny Loggins\u003c\/strong\u003e, \u003cstrong\u003eBill Medley\u003c\/strong\u003e, \u003cstrong\u003eHonk\u003c\/strong\u003e, hit songwriter \u003cstrong\u003eJack Tempchin\u003c\/strong\u003e, \u003cstrong\u003eRichard Stekol\u003c\/strong\u003e, \u003cstrong\u003eBobby Cochran\u003c\/strong\u003e, \u003cstrong\u003eThe Mersh Brothers\u003c\/strong\u003e and many others. These days he doesn't leave the house unless the waves are over 3 feet or there's a gig within walking distance.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDoug Miller\u003c\/strong\u003e: Violin\u003cbr\u003e \u003cbr\u003e Douglas Miller has been playing violin since he was 9 and is a master. He played in the original \u003cstrong\u003eCorky Carroll Band\u003c\/strong\u003e and with Corky as a duo in the mid 1970s. He's a super photographer who has taken pics of nearly everyone in the city of Laguna beach and has painted more than 16,000 paintings - showing them at the Sawdust Festival since 1971. There is also a documentary about him shown at the Newport Film Festival and The Laguna Art Museum. He is currently living in Laguna with his wife Becky and has two adult sons, Jesse and Josiah.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMatt Marshall\u003c\/strong\u003e: Bass\u003cbr\u003e \u003cbr\u003e Long time Newport Beach-Hawaii based session bassist and surfer. The “go to” guy for many of the best. Marshall plays with the likes of \u003cstrong\u003eMike Hamilton\u003c\/strong\u003e, \u003cstrong\u003eJohn Heussenstamm\u003c\/strong\u003e, \u003cstrong\u003eJohn Ferraro\u003c\/strong\u003e and the members of \u003cstrong\u003eHonk\u003c\/strong\u003e. With brother \u003cstrong\u003ePhil Marshall\u003c\/strong\u003e, \u003cstrong\u003eThe Mersh Brothers\u003c\/strong\u003e have hundreds of film scores and one album to their credit. As bassist and musical director for Hawaiian artist \u003cstrong\u003eHenry Kapono\u003c\/strong\u003e, Matt did the \u003cstrong\u003eSame World\u003c\/strong\u003e rim of fire tour.\u003cspan data-offset-key=\"9lhl1-0-0\"\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e 1. Suicide Chicken\u003c\/span\u003e\u003cspan data-offset-key=\"dfdmo-0-0\"\u003e\u003cbr\u003e 2. Bad Dog Boogie Woogie Blues\u003c\/span\u003e\u003cspan data-offset-key=\"8omr9-0-0\"\u003e\u003cbr\u003e 3. Voodoo Mary\u003c\/span\u003e\u003cspan data-offset-key=\"cigui-0-0\"\u003e\u003cbr\u003e 4. Blue Mango Bar\u003c\/span\u003e\u003cspan data-offset-key=\"3veh7-0-0\"\u003e\u003cbr\u003e 5. They Call the Wind Mariah (Lerner \u0026amp; Lowe)\u003c\/span\u003e\u003cspan data-offset-key=\"70d86-0-0\"\u003e\u003cbr\u003e 6. Surf Zombie\u003c\/span\u003e\u003cspan data-offset-key=\"7vlgh-0-0\"\u003e\u003cbr\u003e 7. Willie and the Hand Jive (Johnny Otis)\u003c\/span\u003e\u003cspan data-offset-key=\"fn7hj-0-0\"\u003e\u003cbr\u003e 8. Tropical Depression\u003c\/span\u003e\u003cspan data-offset-key=\"d71v1-0-0\"\u003e\u003cbr\u003e 9. Goin’ up the Country (Alan Wilson [Canned Heat] adapted from a song by Henry Thomas)\u003c\/span\u003e\u003cspan data-offset-key=\"3bk9p-0-0\"\u003e\u003cbr\u003e 10. Social Segregation\u003c\/span\u003e\u003cspan data-offset-key=\"f9g77-0-0\"\u003e\u003cbr\u003e 11. Tourist Season\u003c\/span\u003e\u003cspan data-offset-key=\"bet6a-0-0\"\u003e\u003cbr\u003e 12. Mexican Home (John Prine)\u003c\/span\u003e\u003cspan data-offset-key=\"a44gb-0-0\"\u003e\u003cbr\u003e \u003cbr\u003e All songs by Corky Carroll with administration via Siestas y Olas Music, BMI except tracks 5, 7, 9, 12.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e Best mastering job ever by Nate Wood, Kerseboom Mastering. \u003ca href=\"http:\/\/www.kerseboommastering.com\/home\/4574709148\" rel=\"noopener noreferrer\" target=\"_blank\" title=\"This external link will open in a new window\"\u003ehttp:\/\/www.kerseboommastering.\u003cwbr\u003ecom\/home\/4574709148\u003c\/wbr\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e Cover art by Marc Jackson, Gold Rush Tattoo, Newport Beach, CA.\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35551190852,"sku":"DRL320-2","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL320.jpg?v=1496721349"},{"product_id":"corky-carroll-the-best-of-corky-carroll","title":"Corky Carroll - The Best of Corky Carroll","description":"\u003cdiv data-offset-key=\"abjpj-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"abjpj-0-0\"\u003e\n\u003cspan data-offset-key=\"abjpj-0-0\"\u003eDarla Records is proud to present \u003cem\u003eThe Best of\u003c\/em\u003e\u003c\/span\u003e \u003cem\u003e\u003cspan data-offset-key=\"abjpj-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/em\u003e, \u003cspan data-offset-key=\"abjpj-0-0\"\u003ea 19 song collection of hits and big smile-producing favorites compiled by the world's favorite surfer himself. Corky Carroll, who has been a showman since he began surfing professionally at 16, started his career playing music at 24 and retired\u003c\/span\u003e \u003cspan data-offset-key=\"abjpj-0-0\"\u003efrom a career in professional surfing with the highest honors.\u003cbr\u003e \u003cbr\u003e Corky\u003c\/span\u003e was put on salary by Hobie Surfboards in 1964 to become the first full time professional surfer\u003cspan data-offset-key=\"abjpj-0-0\"\u003e. He won the first-ever cash-prize surfing event in 1965 and would go on to be a five-time US Surfing Champion 1966-70. His favorite achievement though, is winning Surfer Magazine's 1968 Surfer's Poll Award in which he was voted Best Surfer in the World by fans and peers.\u003cbr\u003e \u003cbr\u003e Corky Carroll has made a dozen or so records (so far), both self-released and with backing, beginning with the lovely Hawaiiana\/Californiana\/Surfiana cultural artifact, \u003cem\u003eLaid Back,\u003c\/em\u003e 1971. Corky's most popular album, \u003cem\u003eA Surfer for President\u003c\/em\u003e, 1979, promoted his \"fun little campaign\" for POTUS - a classic Corky lark, which resulted in \"more votes than most people thought possible\".\u003c\/span\u003e \u003cspan data-offset-key=\"abjpj-0-0\"\u003eThe single\u003c\/span\u003e \u003cspan data-offset-key=\"abjpj-0-0\"\u003e\"Tan Punks on Boards\" from \u003cem\u003eA Surfer for President\u003c\/em\u003e\u003c\/span\u003e \u003cspan data-offset-key=\"abjpj-0-0\"\u003eachieved gold record status -\u003c\/span\u003e \u003cspan data-offset-key=\"abjpj-0-0\"\u003e500,000 units sold.\u003c\/span\u003e \u003cspan data-offset-key=\"abjpj-0-0\"\u003eThe novelty single \"Skateboard Bill\", 1977, with awesome cover art by Rick Griffin, is simply the greatest skateboard song ever. These songs are also, of course, from the shared perspective of all of us eternal surf kids who see paradise paved and share a dream about life on an empty palm-fringed beach with perfect waves and an endless summer. Corky truly is the heart and soul of good vibrations.\u003cbr\u003e \u003cbr\u003e Corky Carroll lives with his wife, Raquel, on the beach at La Saladita, Guerero, Mexico. He records at home, surfs the world-class, reverse Malibu, 100+ yard long wave in 80 degree water every day, hosts happy surfing guests at his awesome home right on the sand and writes a hugely popular, twice weekly column for the OC Register. \u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"6jo5k-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"6jo5k-0-0\"\u003e\u003cspan data-offset-key=\"6jo5k-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"8nu1c-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"8nu1c-0-0\"\u003e\u003cspan data-offset-key=\"8nu1c-0-0\"\u003e1. \u003cstrong\u003eA Surfer for President\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"33oj-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"33oj-0-0\"\u003e\u003cspan data-offset-key=\"33oj-0-0\"\u003eCorky Carroll and the Coolwater Casuals\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"dqb9b-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"dqb9b-0-0\"\u003e\u003cspan data-offset-key=\"dqb9b-0-0\"\u003eWords and music by Jerry Waller. From the album \u003cem\u003eA Surfer for President\u003c\/em\u003e (Casual Tuna), 1979.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"flj0s-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"flj0s-0-0\"\u003e\u003cspan data-offset-key=\"flj0s-0-0\"\u003e2. \u003cstrong\u003eTan Punks on Boards\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"e5mk7-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"e5mk7-0-0\"\u003e\u003cspan data-offset-key=\"e5mk7-0-0\"\u003eCorky Carroll and the Coolwater Casuals\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"d4ql5-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"d4ql5-0-0\"\u003e\u003cspan data-offset-key=\"d4ql5-0-0\"\u003eWords and music by Corky Carroll and Chris Darrow. Produced by Michael Nesmith. From the album \u003cem\u003eA Surfer for President\u003c\/em\u003e (Casual Tuna), 1979. Also, released as a single (Pacific Arts), 1979.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"e49mu-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"e49mu-0-0\"\u003e\u003cspan data-offset-key=\"e49mu-0-0\"\u003e3. \u003cstrong\u003eFrom Pizza Towers to Defeat\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9hd6l-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9hd6l-0-0\"\u003e\u003cspan data-offset-key=\"9hd6l-0-0\"\u003eCorky Carroll and the Coolwater Casuals\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"1ahtm-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"1ahtm-0-0\"\u003e\u003cspan data-offset-key=\"1ahtm-0-0\"\u003eWords and music by Frizz Fuller. From the album \u003cem\u003eA Surfer for President\u003c\/em\u003e (Casual Tuna), 1979. Also, B side of single (Pacific Arts), 1979.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"d5b3f-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"d5b3f-0-0\"\u003e\u003cspan data-offset-key=\"d5b3f-0-0\"\u003e4. \u003cstrong\u003eMondo Condo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"6efgk-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"6efgk-0-0\"\u003e\u003cspan data-offset-key=\"6efgk-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"70tpe-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"70tpe-0-0\"\u003e\u003cspan data-offset-key=\"70tpe-0-0\"\u003eWords and music by Corky Carroll and Chris Darrow. From the album \u003cem\u003eSurf Dogs on the Range\u003c\/em\u003e (Gee-Dee Music), 1999.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9noi9-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9noi9-0-0\"\u003e\u003cspan data-offset-key=\"9noi9-0-0\"\u003e5. \u003cstrong\u003eThe Gate\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"41sq2-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"41sq2-0-0\"\u003e\u003cspan data-offset-key=\"41sq2-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cme4u-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cme4u-0-0\"\u003e\u003cspan data-offset-key=\"cme4u-0-0\"\u003eWords by Tom Morey, vocals and instruments by Corky Carroll. From the album \u003cem\u003eVisions of Paradise\u003c\/em\u003e (Little Moby), 2002.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cbqs7-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cbqs7-0-0\"\u003e\u003cspan data-offset-key=\"cbqs7-0-0\"\u003e6. \u003cstrong\u003eRosalita\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cotie-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cotie-0-0\"\u003e\u003cspan data-offset-key=\"cotie-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"chtq3-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"chtq3-0-0\"\u003e\u003cspan data-offset-key=\"chtq3-0-0\"\u003eWords by Corky Carroll, music by Levon Helm. From the album \u003cem\u003eVisions of Paradise\u003c\/em\u003e (Little Moby), 2002.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2ucqt-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2ucqt-0-0\"\u003e\u003cspan data-offset-key=\"2ucqt-0-0\"\u003e7. \u003cstrong\u003eUnder\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"fpmbs-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fpmbs-0-0\"\u003e\u003cspan data-offset-key=\"fpmbs-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"a3p6f-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"a3p6f-0-0\"\u003e\u003cspan data-offset-key=\"a3p6f-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eVisions of Paradise\u003c\/em\u003e (Little Moby), 2002.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"c9dnq-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"c9dnq-0-0\"\u003e\u003cspan data-offset-key=\"c9dnq-0-0\"\u003e8. \u003cstrong\u003eStuck up Eurobabes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ckefn-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ckefn-0-0\"\u003e\u003cspan data-offset-key=\"ckefn-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"1e9oq-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"1e9oq-0-0\"\u003e\u003cspan data-offset-key=\"1e9oq-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eCalifornia Boy\u003c\/em\u003e (Little Moby), 2001.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"fmj9d-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fmj9d-0-0\"\u003e\u003cspan data-offset-key=\"fmj9d-0-0\"\u003e9. \u003cstrong\u003eSouth Pacific\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ao9i8-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ao9i8-0-0\"\u003e\u003cspan data-offset-key=\"ao9i8-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"4i1mo-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"4i1mo-0-0\"\u003e\u003cspan data-offset-key=\"4i1mo-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eLiquid Measures\u003c\/em\u003e (Little Moby), 1998.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"fso3h-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fso3h-0-0\"\u003e\u003cspan data-offset-key=\"fso3h-0-0\"\u003e10. \u003cstrong\u003eBig Wave Rider\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"7mu56-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"7mu56-0-0\"\u003e\u003cspan data-offset-key=\"7mu56-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"c80ln-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"c80ln-0-0\"\u003e\u003cspan data-offset-key=\"c80ln-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eLiquid Measures\u003c\/em\u003e (Little Moby), 1998.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"15f98-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"15f98-0-0\"\u003e\u003cspan data-offset-key=\"15f98-0-0\"\u003e11. \u003cstrong\u003eDoctor of Surf\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"1rr2s-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"1rr2s-0-0\"\u003e\u003cspan data-offset-key=\"1rr2s-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"18g08-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"18g08-0-0\"\u003e\u003cspan data-offset-key=\"18g08-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eVisions of Paradise\u003c\/em\u003e (Little Moby), 2002.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cfsmo-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cfsmo-0-0\"\u003e\u003cspan data-offset-key=\"cfsmo-0-0\"\u003e12. \u003cstrong\u003eIsland\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"egpnv-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"egpnv-0-0\"\u003e\u003cspan data-offset-key=\"egpnv-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ff33g-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ff33g-0-0\"\u003e\u003cspan data-offset-key=\"ff33g-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eLiquid Measures\u003c\/em\u003e (Little Moby), 1998.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"516l1-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"516l1-0-0\"\u003e\u003cspan data-offset-key=\"516l1-0-0\"\u003e13. \u003cstrong\u003eSweet Chica Mala\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"28son-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"28son-0-0\"\u003e\u003cspan data-offset-key=\"28son-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"76tmf-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"76tmf-0-0\"\u003e\u003cspan data-offset-key=\"76tmf-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eBeachtown Rhapsody\u003c\/em\u003e (Little Moby), 1997.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ak1dd-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ak1dd-0-0\"\u003e\u003cspan data-offset-key=\"ak1dd-0-0\"\u003e14. \u003cstrong\u003eBad Day at Bolsa Chica\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"3a1f-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"3a1f-0-0\"\u003e\u003cspan data-offset-key=\"3a1f-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"bucd1-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"bucd1-0-0\"\u003e\u003cspan data-offset-key=\"bucd1-0-0\"\u003eMusic by Corky Carroll. From the album \u003cem\u003eBeachtown Rhapsody\u003c\/em\u003e (Little Moby), 1997.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2oklr-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2oklr-0-0\"\u003e\u003cspan data-offset-key=\"2oklr-0-0\"\u003e15. \u003cstrong\u003eMillion Dollar Cruiser\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"bludb-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"bludb-0-0\"\u003e\u003cspan data-offset-key=\"bludb-0-0\"\u003eCorky Carroll\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cm1dt-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cm1dt-0-0\"\u003e\u003cspan data-offset-key=\"cm1dt-0-0\"\u003eWords and music by Corky Carroll, From the album \u003cem\u003eWavesliders\u003c\/em\u003e (Waveslider Productions), 1990.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"amdeh-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"amdeh-0-0\"\u003e\u003cspan data-offset-key=\"amdeh-0-0\"\u003e16. \u003cstrong\u003eSkateboard Bill!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"b9j50-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"b9j50-0-0\"\u003e\u003cspan data-offset-key=\"b9j50-0-0\"\u003eCorky Carroll and the Funk Dog Surf Band\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"fn3ok-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fn3ok-0-0\"\u003e\u003cspan data-offset-key=\"fn3ok-0-0\"\u003eWords and music by Corky Carroll. 7\" single A side (Heavy), 1977.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9t14l-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9t14l-0-0\"\u003e\u003cspan data-offset-key=\"9t14l-0-0\"\u003e17. \u003cstrong\u003ePocket Rocket\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"5v97j-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"5v97j-0-0\"\u003e\u003cspan data-offset-key=\"5v97j-0-0\"\u003eCorky Carroll and the Funk Dog Surf Band\u003cbr\u003e Words and music by Corky Carroll. 7\" single B side (Heavy), 1977.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"6h2ti-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"6h2ti-0-0\"\u003e\n\u003cspan data-offset-key=\"6h2ti-0-0\"\u003e18. \u003cstrong\u003eLove Child\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"6h2ti-0-0\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003cdiv data-offset-key=\"fdt60-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fdt60-0-0\"\u003e\n\u003cspan data-offset-key=\"fdt60-0-0\"\u003eCorky Carroll\u003cbr\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"fdt60-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eCalifornia Boy\u003c\/em\u003e\u003c\/span\u003e \u003cspan data-offset-key=\"1e9oq-0-0\"\u003e(Little Moby), 2001.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-offset-key=\"6h2ti-0-0\"\u003e19. \u003cstrong\u003eNorth Shore Dog\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"fdt60-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fdt60-0-0\"\u003e\n\u003cdiv data-offset-key=\"fdt60-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fdt60-0-0\"\u003e\n\u003cspan data-offset-key=\"fdt60-0-0\"\u003eCorky Carroll\u003cbr\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"3l02k-0-0\"\u003eWords and music by Corky Carroll. From the album \u003cem\u003eCalifornia Boy\u003c\/em\u003e (Little Moby), 2001.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"f67kn-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"f67kn-0-0\"\u003e\u003cspan data-offset-key=\"f67kn-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2tq22-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2tq22-0-0\"\u003e\u003cspan data-offset-key=\"2tq22-0-0\"\u003eTHE PLAYERS\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"6ggrl-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"6ggrl-0-0\"\u003e\u003cspan data-offset-key=\"6ggrl-0-0\"\u003eSONGS 1 – 4\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"df44e-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"df44e-0-0\"\u003e\u003cspan data-offset-key=\"df44e-0-0\"\u003eCorky Carroll and the Coolwater Casuals\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"kpeg-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"kpeg-0-0\"\u003e\u003cspan data-offset-key=\"kpeg-0-0\"\u003eCorky Carroll, lead vocals and guitar\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"7kpej-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"7kpej-0-0\"\u003e\u003cspan data-offset-key=\"7kpej-0-0\"\u003eChris Darrow, guitar and slide guitar\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"d5nh8-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"d5nh8-0-0\"\u003e\u003cspan data-offset-key=\"d5nh8-0-0\"\u003eMax Budha, violin and harmonica\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"f91hg-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"f91hg-0-0\"\u003e\u003cspan data-offset-key=\"f91hg-0-0\"\u003eJerry Waller, piano and vocals\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"8apmu-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"8apmu-0-0\"\u003e\u003cspan data-offset-key=\"8apmu-0-0\"\u003ePaul Macre, bass\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"b15u9-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"b15u9-0-0\"\u003e\u003cspan data-offset-key=\"b15u9-0-0\"\u003eJohn Russell, drums\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"3cem7-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"3cem7-0-0\"\u003e\u003cspan data-offset-key=\"3cem7-0-0\"\u003eCheryl Carroll, Debbie Green, Kathy Brown (the fabulous “Corkettes”) harmony vocals\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"atj3i-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"atj3i-0-0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"7fe10-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"7fe10-0-0\"\u003e\u003cspan data-offset-key=\"7fe10-0-0\"\u003eSONGS 5, 6, 9, 12, 13, 14, 18 and 19.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2b5d4-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2b5d4-0-0\"\u003e\u003cspan data-offset-key=\"2b5d4-0-0\"\u003eCorky Carroll, vocals and all instruments\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"86bg8-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"86bg8-0-0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"gf09-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"gf09-0-0\"\u003e\u003cspan data-offset-key=\"gf09-0-0\"\u003eSONG 7\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"8gafp-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"8gafp-0-0\"\u003e\u003cspan data-offset-key=\"8gafp-0-0\"\u003eCorky Carroll, vocals\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"vrq2-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"vrq2-0-0\"\u003e\u003cspan data-offset-key=\"vrq2-0-0\"\u003eChris Darrow, guitar\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ahvfo-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ahvfo-0-0\"\u003e\u003cspan data-offset-key=\"ahvfo-0-0\"\u003eJerry Waller, piano\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"405tb-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"405tb-0-0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"133ra-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"133ra-0-0\"\u003e\u003cspan data-offset-key=\"133ra-0-0\"\u003eSONGS 8, 10 and 11\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"c1v9s-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"c1v9s-0-0\"\u003e\u003cspan data-offset-key=\"c1v9s-0-0\"\u003eCorky Carroll, vocals and guitar\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"22sul-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"22sul-0-0\"\u003e\u003cspan data-offset-key=\"22sul-0-0\"\u003eChris Darrow, guitar, slide guitar, bass and drums\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ci3ru-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ci3ru-0-0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"fkrkh-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fkrkh-0-0\"\u003e\u003cspan data-offset-key=\"fkrkh-0-0\"\u003eSONG 15\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"a7dpl-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"a7dpl-0-0\"\u003e\u003cspan data-offset-key=\"a7dpl-0-0\"\u003eCorky Carroll, vocals and guitar\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"c6o72-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"c6o72-0-0\"\u003e\u003cspan data-offset-key=\"c6o72-0-0\"\u003eChris Darrow, guitar and bass\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"a8ic4-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"a8ic4-0-0\"\u003e\u003cspan data-offset-key=\"a8ic4-0-0\"\u003eJerry Waller, piano\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"aqrd8-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"aqrd8-0-0\"\u003e\u003cspan data-offset-key=\"aqrd8-0-0\"\u003eTris Imboden, drums\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2d41r-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2d41r-0-0\"\u003e\u003cspan data-offset-key=\"2d41r-0-0\"\u003eCheryl Carroll, Debbie Green, Kathy Brown (the fabulous “Corkettes”) harmony vocals\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"35kbi-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"35kbi-0-0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"fhlgr-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"fhlgr-0-0\"\u003e\u003cspan data-offset-key=\"fhlgr-0-0\"\u003eSONGS 16 and 17\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"e1tkv-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"e1tkv-0-0\"\u003e\u003cspan data-offset-key=\"e1tkv-0-0\"\u003eCorky Carroll and the Funk Dog Surf Band\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"6tefm-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"6tefm-0-0\"\u003e\u003cspan data-offset-key=\"6tefm-0-0\"\u003eCorky Carroll, vocals and guitar\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"c6tou-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"c6tou-0-0\"\u003e\u003cspan data-offset-key=\"c6tou-0-0\"\u003eDoug Miller, violin\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"bbro8-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"bbro8-0-0\"\u003e\u003cspan data-offset-key=\"bbro8-0-0\"\u003eStuart Rabinowitz, piano\u003cbr\u003e Jack Finn, bass\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"dce77-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"dce77-0-0\"\u003e\u003cspan data-offset-key=\"dce77-0-0\"\u003eMatt Magiera, drums\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9gbui-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9gbui-0-0\"\u003e\n\u003cspan data-offset-key=\"9gbui-0-0\"\u003eCheryl Carroll, Debbie Green,\u003c\/span\u003e \u003cspan data-offset-key=\"9gbui-0-0\"\u003eKathy Brown (the fabulous “Corkettes”) harmony vocals\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"743s2-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"743s2-0-0\"\u003e\u003cspan data-offset-key=\"743s2-0-0\"\u003ePoul Pederson, harmony vocals on song 17\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2ghv6-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2ghv6-0-0\"\u003e\u003cspan data-offset-key=\"2ghv6-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"6qr2f-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"6qr2f-0-0\"\u003e\u003cspan data-offset-key=\"6qr2f-0-0\"\u003eAll songs from A Surfer for President are (p) Indian Hill Music (Chris Darrow)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"dfmsi-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"dfmsi-0-0\"\u003e\u003cspan data-offset-key=\"dfmsi-0-0\"\u003eAll the rest are (p) LITTLE MOBY MUSIC (Corky Carroll)\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"euocs-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"euocs-0-0\"\u003e\u003cspan data-offset-key=\"euocs-0-0\"\u003eThis compilation (c) 2016 Darla Records under exclusive license from Casual Tuna Records\u003cbr\u003e \u003cbr\u003e Cover photo: John Severson, from the film Pacific Vibrations, Corky Carroll riding a 7'6\" Corky Carroll Spacestick, Pipeline, 1970.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"a8k5o-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"a8k5o-0-0\"\u003e\u003cspan data-offset-key=\"a8k5o-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"3kqd7-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"3kqd7-0-0\"\u003e\n\u003cspan data-offset-key=\"3kqd7-0-0\"\u003eWhen I was 7 years old we moved into a house that had a piano. I was just learning to surf at the time and that was all I wanted to do, but my mom made me take piano lessons. Eventually surfing won out and that became my life from then until now and forever. But in High School I got interested in playing the guitar and in the last few years of my competitive professional surfing career I got serious about music and started to perform in bars and did some small concerts. This led to recording, a thing that I have loved to do since I bought my first reel-to-reel tape recorder in 1970. The Funk Dog Surf Band was formed in the mid 1970’s and was really my first serious effort at the music business. The band was influenced by Dan Hicks and his Hot Licks although the music was not similar. It was sort of a novelty band, lots of funny songs and satire. This led to the Coolwater Casuals in the later 1970s and the beginning of my longtime musical partnership with Chris Darrow. Chris was a longtime L.A. studio musician and member of bands such as the Nitty Gritty Dirt Band and the Section, which backed up Linda Rhondstat and others, as well as a very successful solo artist himself. His influence on my music has been huge and he is the one who got me into playing multiple instruments. After the Surfer for President album I got very busy working at Surfer magazine and sort of didn’t do much performing or recording until the 1990s when I started doing a solo act in the bars and clubs in the Orange County area. This led to a string of albums that I did on my own, or with Chris playing on some of the tracks. Not being a drummer I had to rely on computer based drums for some of the recording; hopefully you won’t hold that against me. I worked as the house musician at Dukes in Huntington Beach for a number of years until I moved to Mexico in 2002. Since then I have been performing the occasional dinner concert at local clubs in the Zihuatanejo area and writing new material that I hope to make into a new album in the near future. That’s pretty much the whole story in a nutshell. -- \u003cstrong\u003eCorky Carroll\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\n\u003cdiv data-contents=\"true\"\u003e\n\u003cdiv data-offset-key=\"f8uar-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"f8uar-0-0\"\u003e\u003cspan data-offset-key=\"f8uar-0-0\"\u003eThere are few names that could be as synonymous with our sport as Corky Carroll. He was the original pro surfer, winning the first cash-prizes in the 60s and picking up endorsements, which turned his hobby into a career that would change surfing forever. Although his competitive accomplishments were many (he was a three time winner of the United States Surfing Championships), it was his ambition to change the sport and larger-than-life personality that cemented his place in surfing’s history. -- \u003cstrong\u003eSurfer Magazine\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9gs8p-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9gs8p-0-0\"\u003e\u003cspan data-offset-key=\"9gs8p-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"chgop-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"chgop-0-0\"\u003e\u003cspan data-offset-key=\"chgop-0-0\"\u003eWorld champion surfer. Took the American national title at age 16, later won over 100 championships. In 1968 \"Surfer\" magazine named him the best surfer of all time. Retired from surfing at age 24, he began recording beach and surfing-themed albums in the 1970s, a career that has lasted more than 30 years.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"blqnf-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"blqnf-0-0\"\u003e\u003cspan data-offset-key=\"blqnf-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9qehq-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9qehq-0-0\"\u003e\u003cspan data-offset-key=\"9qehq-0-0\"\u003e-- \u003cstrong\u003eIMBD\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ctc2v-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ctc2v-0-0\"\u003e\u003cspan data-offset-key=\"ctc2v-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"7112v-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"7112v-0-0\"\u003e\u003cspan data-offset-key=\"7112v-0-0\"\u003eIn 1967, Carroll won the Surfer Magazine Readers Poll Award and was California's top vote-getter in Surfing magazine's Hall of Fame balloting. He was inducted into the Huntington Beach Surfing Walk of Fame in 1996.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2abaa-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2abaa-0-0\"\u003e\u003cspan data-offset-key=\"2abaa-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"bopvj-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"bopvj-0-0\"\u003e\u003cspan data-offset-key=\"bopvj-0-0\"\u003e-- \u003cstrong\u003eEncyclopedia of Surfing\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"52ffm-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"52ffm-0-0\"\u003e\u003cspan data-offset-key=\"52ffm-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"8n2ri-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"8n2ri-0-0\"\u003e\u003cspan data-offset-key=\"8n2ri-0-0\"\u003eFlamboyant goofyfooter from Surfside, California; winner of the United States Surfing Championships in 1966, 1967, and 1969, and the sport's chirruping master of media in the '60s, '70s, and '80s. \"He's been cheered and booed,\" surf journalist Jim Kempton wrote in 1998, \"reviled, honored, laughed at, accused and credited with everything from defiling the name of surfing to inventing the career of 'pro surfer.'\"\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"bin0k-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"bin0k-0-0\"\u003e\u003cspan data-offset-key=\"bin0k-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"bgq5r-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"bgq5r-0-0\"\u003e\u003cspan data-offset-key=\"bgq5r-0-0\"\u003eCarroll was born (1947) in Alhambra, California, the son of an electrician, raised in the southwest Los Angeles County town of Surfside, and got his first surfboard at age nine. He developed into a razzle-dazzle hotdogger who viewed the sport as an opportunity to entertain. \"Corky Carroll: The Clown,\" a 1964 Surf Guide magazine interview, introduced the \"controversial\" gap-toothed 16-year- old as a surfer who \"does so much so fast that spectators have trouble keeping up with him.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cl39v-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cl39v-0-0\"\u003e\u003cspan data-offset-key=\"cl39v-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"3b78m-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"3b78m-0-0\"\u003e\u003cspan data-offset-key=\"3b78m-0-0\"\u003eAlthough not a great natural talent, like silky-smooth rival David Nuuhiwa, Carroll was the most dedicated competitor of his generation, and won more surf events than anybody during the '60s and early '70s. Aside from his three U.S. titles, he won the juniors division of the 1963 West Coast Championships, placed third in the 1966 World Championships, won the 1967 Peru International, and was the United States Surfing Association season points leader in 1966 and 1967. He competed in the 1968, 1970, and 1972 World Championships without making the finals; in the 1970 event, held in Victoria, Australia, it was front-page news when he was temporarily suspended from the meet after allegedly starting a food fight during a precontest banquet. Well-muscled at 5' 10\", 160 pounds, Carroll was also among the world's top paddleboard racers, winning the pier race in the 1964 U.S. Surfing Championships.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"53on1-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"53on1-0-0\"\u003e\u003cspan data-offset-key=\"53on1-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"63tbk-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"63tbk-0-0\"\u003e\u003cspan data-offset-key=\"63tbk-0-0\"\u003eCarroll's claim to being the first professional surfer is valid, as he won a TV set for his juniors victory in the 1965 Laguna Swimwear Masters contest in Redondo Beach, and placed first in the goofyfoot division of the 1965 Tom Morey Invitational in Ventura, winning $250 in the first-ever cash-prize surfing event. But it was endorsement money that paid the bills; a 1969 Sports Illustrated article on the Smirnoff Pro-Am, held in Santa Cruz, noted that Carroll made $29,000 in 1968—all but $400 from an array of sponsors, including Hobie Surfboards, who carried an ever-changing line of Corky Carroll signature model boards.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"danba-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"danba-0-0\"\u003e\u003cspan data-offset-key=\"danba-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"5ku63-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"5ku63-0-0\"\u003e\u003cspan data-offset-key=\"5ku63-0-0\"\u003eCarroll retired from competition surfing at the end of 1972, at age 25, but kept up his bantering surf scene presence. \"Cowabunga, it was good,\" he wrote in a 1973 Surfing magazine article, describing a big summer swell at Newport Beach. \"Utter bliss and all those super-great adjectives that describe hot waves!\"\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"7jlau-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"7jlau-0-0\"\u003e\u003cspan data-offset-key=\"7jlau-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cvml5-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cvml5-0-0\"\u003e\u003cspan data-offset-key=\"cvml5-0-0\"\u003eCarroll appeared in more than two dozen surf movies, including Gun Ho! (1963), The Endless Summer (1966), Golden Breed (1968), Pacific Vibrations (1970), and Five Summer Stories (1972); in the '60s he was a guest on the Tonight Show, the Merv Griffin Show, and What's My Line? In 1972, Carroll recorded Laid Back, an album of earnest folk and blues songs; in 1977 he recorded the novelty single \"Skateboard Bill\" (with cover art by Surfer magazine cartoonist Rick Griffin); in 1978 he performed \"I Wanna Be a Surf Freak, Daddy\" on the nationally syndicated Gong Show (he was gonged); in 1979 he recorded the album A Surfer for President, which included the single \"Tan Punks on Boards.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"5fqdf-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"5fqdf-0-0\"\u003e\u003cspan data-offset-key=\"5fqdf-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"beb8b-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"beb8b-0-0\"\u003e\u003cspan data-offset-key=\"beb8b-0-0\"\u003eIn 1983, the high-voiced Carroll presented himself as the happy but perpetually jobless surfer in a nationally aired Miller Lite beer commercial; from 1987 to 1989, he had an Andy Rooney-like segment on Surfer magazine's ESPN television show. He wrote more than 25 articles and columns for surf magazines from 1964 to 2000; since 1994 he's written a weekly surf column for the Orange County Register. Surf-Dog Days and Bitchin' Nights, Carroll's bawdy autobiography, was published in 1989. Meanwhile, he was Surfer magazine's advertising director from 1977 to 1986, a Honda car salesman in 1989, and a tennis instructor from 1990 to 1996.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"1opp1-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"1opp1-0-0\"\u003e\u003cspan data-offset-key=\"1opp1-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"e39v8-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"e39v8-0-0\"\u003e\u003cspan data-offset-key=\"e39v8-0-0\"\u003eCarroll founded the Huntington Beach-based Corky Carroll Surf School in 1996, the same year he released Learn to Surf the Fast, Easy Way, an instructional video. He also founded or cofounded Corky Carroll Spacestix (1970 to 1972), Corky Carroll Coolstix (1986–90), and Corky Surfwear (1986–90).\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"4bph8-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"4bph8-0-0\"\u003e\u003cspan data-offset-key=\"4bph8-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ehgt2-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ehgt2-0-0\"\u003e\u003cspan data-offset-key=\"ehgt2-0-0\"\u003eIn 1967, Carroll won the Surfer Magazine Readers Poll Award and was California's top vote-getter in Surfing magazine's Hall of Fame balloting. He was inducted into the Huntington Beach Surfing Walk of Fame in 1996. Carroll has been married twice, has three children, and lives in Huntington Beach.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"3p68s-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"3p68s-0-0\"\u003e\u003cspan data-offset-key=\"3p68s-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"dea7-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"dea7-0-0\"\u003e\n\u003cspan data-offset-key=\"dea7-0-0\"\u003e-- \u003cstrong\u003eEncyclopedia of Surfing (update needed)\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cdiv data-contents=\"true\"\u003e\n\u003cdiv data-offset-key=\"63rpk-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"63rpk-0-0\"\u003e\u003cspan data-offset-key=\"63rpk-0-0\"\u003eThe greatest competitor of California’s Golden Age and surfing’s first real pro, five-time US Surfing Champion (1966-’70) Corky Carroll is also famous as a surf instructor, an author, a recording artist, a TV ad personality and a surfboard salesman. This animated, witty and talented rider was as famous for his mouth as he was for his huge surf knots. Charles Curtis Carroll was born in Alhambra, California, but his parents (dad an electrician, mom a singer) moved to the small colony at Surfside — between Seal and Huntington beaches — when he was a baby. He started surfing right out in front of their beach house and got his first surfboard (an 8′7″ pintail balsa gun shaped by Dick Barrymore) in 1958, just before foam boards came on the scene.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"er5mu-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"er5mu-0-0\"\u003e\u003cspan data-offset-key=\"er5mu-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"92gtg-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"92gtg-0-0\"\u003e\u003cspan data-offset-key=\"92gtg-0-0\"\u003eAs a student at Huntington Beach High School, Carroll excelled at journalism and math, played baseball, basketball and water polo,and took as many surf safaris as possible up and down the coast with good friends such as Mark Martinson, Robert August, Mickey Munoz, Billy Hamilton and Mike Doyle.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9hef3-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9hef3-0-0\"\u003e\u003cspan data-offset-key=\"9hef3-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cf6nc-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cf6nc-0-0\"\u003e\u003cspan data-offset-key=\"cf6nc-0-0\"\u003eHis first competition was the 1959 West Coast Surfing Championships at Huntington Beach, where he placed third in his Junior-division heat. His first contest victory was at the 1962 San Clemente Surf Capades. The following year, he became the US Junior Champ with a win at Huntington. So promising was the young lad that Hobie Alter decided to sponsor him, paying Carroll $80 a week to use and promote Hobie Surfboards. In 1965, along with surf celebs like John Severson and Ricky Grigg, Carroll won an endorsement sponsorship with Jantzen Sportswear for $1,500 a year.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9l4re-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9l4re-0-0\"\u003e\u003cspan data-offset-key=\"9l4re-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"aprj0-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"aprj0-0-0\"\u003e\u003cspan data-offset-key=\"aprj0-0-0\"\u003eCarroll’s style of surfing was flashy but functional. During the mid-’60s noseriding era, he was as good as anyone. He was a champion paddler with keen wave judgment and a fiery competitive spirit that usually paid off with high-scoring performances. He was the US Men’s champ in 1966, 1967 and 1969, and Overall Champion from 1966 through 1970 (he claims he was cheated out of the 1971 title). A multiple champ of the USSA and WSA in the ’60s, he placed third in the 1966 World Contest in San Diego, won the International Big Wave Championship in Peru in 1967 and the World Small Wave Championships in Florida in 1968. He won the Surfer Poll Award as the best surfer in the world in 1968 and few disagreed with that popular consensus.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"a5err-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"a5err-0-0\"\u003e\u003cspan data-offset-key=\"a5err-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"adrpk-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"adrpk-0-0\"\u003e\u003cspan data-offset-key=\"adrpk-0-0\"\u003e“Of everything I achieved in my surfing career, winning the Surfer Poll meant the most to me,” Carroll says. “To be named the best by the people was the greatest honor. It is one of the only trophies that I kept for my kids.”\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"6p19-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"6p19-0-0\"\u003e\u003cspan data-offset-key=\"6p19-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"5qirq-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"5qirq-0-0\"\u003e\u003cspan data-offset-key=\"5qirq-0-0\"\u003eThroughout those years, Carroll was at the forefront of developments in surfing equipment. His Hobie Mini Model, introduced in 1967, was the first production shortboard in America, and his Deadly Flying Glove model furthered the evolution. He was one of the first to convert to twin fins in 1971 and was featured in a number of surf films in the ’60s and ’70s, including MacGillivray-Freeman’s Five Summer Stories. When competitive surfing lost some of its luster in the early ’70s, Carroll reached into his grab bag of talent and diversified into an array of livelihoods. He taught himself to play the guitar and was soon in the studio producing spirited albums of original music such as Laid Back (1971), Surfer for President (1979) and Beachtown Rhapsody (1997). He wrote a couple of books, Surf Dog Days and Bitchin’ Nights (1988) and Pier Pressure (1998).\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"9fk7j-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"9fk7j-0-0\"\u003e\u003cspan data-offset-key=\"9fk7j-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"4chd0-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"4chd0-0-0\"\u003e\u003cspan data-offset-key=\"4chd0-0-0\"\u003eIn the ’80s, Carroll spent 10 years as advertising director of Surfer magazine, six years as a tennis pro and a couple of years as a ski instructor. Along the way he had brief stints as a bartender, waiter and\/or lounge singer; he managed a car dealership, did three movies, seven videos and some television comedy.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"b4hm9-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"b4hm9-0-0\"\u003e\u003cspan data-offset-key=\"b4hm9-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"593c7-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"593c7-0-0\"\u003e\u003cspan data-offset-key=\"593c7-0-0\"\u003eAll the while, Carroll never totally relinquished the surf scene. Now an inductee into the Surfing Hall of Fame and Huntington Beach Surfing Walk of Fame, he lives in Huntington with his wife Pamster and daughter Kasey, and he has an older son, Clint, from his first marriage.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"5cv55-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"5cv55-0-0\"\u003e\u003cspan data-offset-key=\"5cv55-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"e5pc4-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"e5pc4-0-0\"\u003e\u003cspan data-offset-key=\"e5pc4-0-0\"\u003eToday, he works a record number of part-time gigs, including designing surfboards, retail surfboard sales and writing a column for The Huntington Beach Wave. He runs the Corky Carroll Surf School — headquartered at Bolsa Chica State Park with trips to places like Puerto Vallarta and Costa Rica. He’s a regular invitee to Legends events around the world. He’s continually recording new CDs, has written a third book (Pier Pressure Book 2: Surf Bumps) and has done some heroic television commercials, most recently for Ocean Spray cranberry drinks.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"5nqkc-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"5nqkc-0-0\"\u003e\u003cspan data-offset-key=\"5nqkc-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"c3vel-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"c3vel-0-0\"\u003e\u003cspan data-offset-key=\"c3vel-0-0\"\u003eAbove all, however, Corky Carroll is most widely remembered for the 13 commercials he did for Miller Lite Beer.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"d1jom-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"d1jom-0-0\"\u003e\u003cspan data-offset-key=\"d1jom-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"cl5ab-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"cl5ab-0-0\"\u003e\u003cspan data-offset-key=\"cl5ab-0-0\"\u003eSays Carroll, “Yes, I still surf all the time, and no, I still don’t have a real job. Let’s hope it never comes to that.”\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ej8f7-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ej8f7-0-0\"\u003e\u003cspan data-offset-key=\"ej8f7-0-0\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"a35h6-0-0\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"a35h6-0-0\"\u003e\n\u003cp\u003e\u003cspan data-offset-key=\"a35h6-0-0\"\u003e– \u003cstrong\u003eDrew Kampion, October 2000\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35551190980,"sku":"DRL309-2","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/Corky_Best_of.jpg?v=1487549177"},{"product_id":"stafraenn-hakon-eternal-horse","title":"Stafraenn Hakon - Eternal Horse","description":"\u003cp\u003eFollowing their first release on Darla, Eternal Horse is the ninth album of the Icelandic ambient rock band Stafrænn Hákon.\u003cbr\u003e \u003cbr\u003e On Eternal Horse, Stafrænn Hákon move away from the DIY experimental drony ambient and the lo-fi indie-rock sounds of their last albums, Prammi and Kælir Varðhund, and revisit the sound-spectrum of their previous Darla album, Sanitas (2010).\u003cbr\u003e \u003cbr\u003e Eternal Horse contains nine pop-oriented and vocally driven melodies. The album builds on certain elements heard on Gummi (2007) and Sanitas (2010), filled with soft and floating guitars mixed with heavier guitar sounds, layers of acoustic instruments and vocals. Vocals and lyrics on the album are in the hands of Magnús Freyr Gíslason and At The Close Of Everyday frontman, Minco Eggersman, who again collaborates with the band, providing his deep and soothing vocals to three songs on the album.\u003cbr\u003e \u003cbr\u003e As heard on the opening track Bræla, Stafrænn Hákon combines heavy sonic pallette of guitars mixed with airy melodic vocals. On Frigid\/Bag a familiar tone is presented, heard on his highly acclaimed album from Ventill\/Poki (2004). The journey continues with poppier elements and almost doomy sounds of the composition \"Rene Russo\".\u003cbr\u003e \u003cbr\u003e The band´s current line up consists of guitarists Ólafur Josephsson and Lárus Siguðsson, bass guitarist Árni Þór Árnason, drummer Róbert Már Runólfsson and singer Magnús Freyr Gíslason. Eternal Horse is the first Stafrænn Hákon album featuring the whole band collaborating on the songs in their studio, making the compositions more organic and fuller. Longtime and now previous member of the band, Samuel White contributes two songs.\u003cbr\u003e \u003cbr\u003e Recorded at Vogor Studios between 2011-2015.  All songs by Stafrænn Hákon. Mixed by Daniel Lovegrove. 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My favorite music is that which is able to transport you to a better place and \u003cem\u003eWhite Sleep\u003c\/em\u003e does that right from the start. Yuta Nagashima's work accomplishes this magic as well as the very best ambient works of Brian Eno and Harold Budd.\u003cbr\u003e \u003cbr\u003e Yuta says \u003cem\u003eWhite Sleep\u003c\/em\u003e is the state of being back at our initial consciousness as a baby. There, relief and comfort are given by losing boundaries. While sleeping we experience this situation. Also this time is not objective but subjective. It is expanded or compressed depending on the mind of the individual.\u003cbr\u003e \u003cbr\u003e Yuta Nagashima was raised in and currently lives in Tokyo, Japan. He studied creation methods by electronic media at International Academy of Media Arts and Sciences (IAMAS) and Tokyo University of the Arts. His interest is creative expression for the postmodern era. His music is made by digital and acoustic instruments and field recordings for Japanese atmosphere, decentralized consciousness and nature forgotten for development.\u003cbr\u003e \u003cbr\u003e The three paintings featured on the Eco-wallet are by Yuta's Grandfather, Kikujiro Nagashima.\u003cbr\u003e \u003cbr\u003e Yuta Nagashima's first record \u003cem\u003eSunflower\u003c\/em\u003e CD\/DD (ambiencephono) was released in Japan in July 2014.\u003cbr\u003e \u003cbr\u003e 1. Fairyland\u003cbr\u003e 2. Parallel Mirror    \u003cbr\u003e 3. Open River         \u003cbr\u003e 4. White Sleep        \u003cbr\u003e 5. Here Now         \u003cbr\u003e 6. Elephant's Way        \u003cbr\u003e 7. Two Dreamers         \u003cbr\u003e 8. Vienna - Taipei - Tokyo        \u003cbr\u003e 9. 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This two-disc compilation is also a labor of love.\u003cbr\u003e \u003cbr\u003e Like it's predecessor, \u003cem\u003eLost Days, Open Skies and Streaming Tides\u003c\/em\u003e, released in 2007, disc one demonstrates Jonas Munk aka Manual's expertise in creating elegantly layered, shoegazey pop, while disc two focuses on minimalist, slow-moving pieces created mostly from processed guitars. The latter adds an excellent postscript to \u003cem\u003eConfluence\u003c\/em\u003e - an album that has gained near-classic status in ambient\/drone circles since it's release in 2008.\u003cbr\u003e \u003cbr\u003e Munk's way of remixing other artists usually involves a complete reconstruction of the original piece, rearranging heavily and adding loads of fresh layers of sound to it, which is obvious when listening to his haunting and atmospheric reworkings of \u003cstrong\u003eBlue Foundation\u003c\/strong\u003e's ballad ”Dressed in Black” or \u003cstrong\u003eMice Parade\u003c\/strong\u003e singer \u003cstrong\u003eCaroline\u003c\/strong\u003e's ”Sleep”, or the \u003cstrong\u003eRobin Guthrie\u003c\/strong\u003e produced \u003cstrong\u003eAnnie Barker\u003c\/strong\u003e track ”Cruel”. For Manual fans it's a treat to hear Munk's lush signature sound paired up with (often female) vocals. Disc 1 closes with the 17 minute Manual original ”Camellia”, the most new age-indebted piece in the Manual oeuvre, originally created for a digital-only compilation on Attack9. The track's placid sense of drift and delicately weaved harmonies makes it a standout in Munk's entire body of work.\u003cbr\u003e \u003cbr\u003e Disc 2 is darker, more ambiguous in tone, with ”Three Parts” as the center piece – an enigmatic composition originally created for Ghostly International's ambient\/drone compilation \u003cem\u003eSMM: Context\u003c\/em\u003e in 2011. Other notable selections includes  ”Fields”, a meditative collaboration with Jason Kolb from \u003cstrong\u003eAuburn Lull\u003c\/strong\u003e, and ”Memento”, a somber piece that exhibits Munk's flair for intensive guitar manipulation.\u003cbr\u003e \u003cbr\u003e Past praise for Manual:\u003cbr\u003e \u003cbr\u003e Munk has consistently proved himself as a unique voice who disregards current trends and formula in favor of maintaining his own personal vision. (Stylus Magazine)\u003cbr\u003e \u003cbr\u003e Think of what Air's soundtrack to The Virgin Suicides might have been like if they spent more time at the beach. Or think about Brian Eno, if he surfed and liked drinks with exotic names and umbrellas in them. Think about Tangerine Dream: their name even more than their sound… and you've got a beautiful, awe-inducing force of nature.” (Erasing Clouds Magazine)\u2028\u2028\u003cbr\u003e \u003cbr\u003e There's so much absorbing detail in this music, words don't seem adequate enough to describe its soothing melodies, pulsating rhythms \u0026amp; post chill-out majesty. Existing beyond any pigeon hole, Manual straddles 40 years of blissed alternative sounds \u0026amp; is an absolute labour of love.\u2028(Norman Records)\u2028\u2028As intoxicating as incense, Munk's music sometimes feels like the best instrumental bits of Cocteau Twins and Slowdive melded together into epic settings drawn from psychedelic, ambient, electronic, and shoegaze genres. (Textura)\u003cbr\u003e \u003cbr\u003e Packaging: Double eco wallet.\u003cbr\u003e \u003cbr\u003e Disc 1:\u003cbr\u003e \u003cbr\u003e 1. \u003cstrong\u003eManual\u003c\/strong\u003e: Swim\u003cbr\u003e 2. \u003cstrong\u003eSourin\u003c\/strong\u003e: Nagi (Manual remix)\u003cbr\u003e 3. \u003cstrong\u003eBlue Foundation\u003c\/strong\u003e \u003cstrong\u003efeat. 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Three Parts\u003cbr\u003e 8. Fields\u003cbr\u003e 9. Vanishing Light\u003c\/p\u003e","brand":"Darla","offers":[{"title":"2xCD","offer_id":35551191492,"sku":"DRL290","price":12.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":44917326532,"sku":"DRL290-3","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL290-2.jpeg?v=1487549861"},{"product_id":"harold-budd-jane-12-21","title":"Harold Budd - Jane 12-21","description":"\u003cp\u003e\u003cstrong\u003e2026 CD re-press. Instant download with CD order.\u003cbr\u003e\u003cbr\u003eRelease date: 9\/9\/2014\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cbr\u003eJane 12-21\u003c\/em\u003e is the companion to \u003cem\u003eJane 1-11\u003c\/em\u003e. Minimal, modern classical piano and avant-garde electronics by the master.\u003cbr\u003e\u003cbr\u003e\"It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in one day... Brad Ellis was my guide through this: An untiring day, ready to go again... To quote a letter to me from Mark Tobey: ... \"It fell off the edge of my brush.\"\" -- Harold Budd\u003cbr\u003e\u003cbr\u003eFile under Avant-garde, Electronic.\u003cbr\u003e\u003cbr\u003eRecommended if you like The Plateaux of Mirror, The Pearl, Lovely Thunder, The White Arcades.\u003cbr\u003e\u003cbr\u003eWho is Jane? Check out Jane Maru, Artist.\u003cbr\u003e\u003cbr\u003eCover art by Jane Maru.\u003cbr\u003e\u003cbr\u003e1. Jane 12, 2. Jane 13, 3. Jane 14, 4. Jane 15, 5. Jane 16, 6. Jane 17, 7. Jane 18, 8. Jane 19, 9. Jane 20, 10. Jane 21\u003cbr\u003e\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35551191620,"sku":"DRL289-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":40647781908569,"sku":"DRL289-3","price":8.0,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":40647783120985,"sku":"DRL289-4","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL289.jpg?v=1487549350"},{"product_id":"bvdub-ill-only-break-your-heart","title":"bvdub - I'll Only Break Your Heart","description":"\u003cp\u003eDarla is pleased to present a darker and deeper new album by cult ambient techno artist Brock Van Wey aka bvdub.\u003cbr\u003e \u003cbr\u003e No matter how much you give, I’ll always be empty.\u003cbr\u003e No matter how far you travel, I’ll never be there.\u003cbr\u003e No matter how much you try, I’ll never notice.\u003cbr\u003e No matter how much you miss me, I’ll never remember you.\u003cbr\u003e No matter how much you live for me, I’ll never die for you.\u003cbr\u003e No matter how much you love me, I’ll only break your heart.\u003cbr\u003e \u003cbr\u003e - Brock Van Wey\u003cbr\u003e \u003cbr\u003e 1. 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Start to finish, this is Harold at his most inspired and most tapped in to his unique gift. There is no other Harold Budd record on which he so strongly expresses his singular avant sensibility.\u003cbr\u003e\u003cbr\u003e\"It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in one day... Brad Ellis was my guide through this: An untiring day, ready to go again... To quote a letter to me from Mark Tobey: ... \"It fell off the edge of my brush.\"\" -- Harold Budd\u003cbr\u003e\u003cbr\u003eFile under Avant-garde, Electronic.\u003cbr\u003e\u003cbr\u003eRecommended if you like The Plateaux of Mirror, The Pearl, Lovely Thunder, The White Arcades.\u003cbr\u003e\u003cbr\u003eWho is Jane? Check out Jane Maru, Artist.\u003cbr\u003e\u003cbr\u003eCover art by Jane Maru.\u003cbr\u003e\u003cbr\u003e\"\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIt's simple. I broke out and broke back to my earlier days: a triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: no plan, no notes, no ideas, no microphones; except for\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003eJane 1\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eI stuck to it. My other rule -- the most important one -- was: at\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eleast\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eone piece per day, finished, mixed and not to be revisited again.\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003eJane 7,8,9\u003c\/em\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ewere done in one day... Brad Ellis was my guide through this: an untiring day, ready to go again...\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eI'm a fan of Maru's art and have been for a decade. (No artspeak here from me). I think it was November 2012, that I said to her (at an art show in Joshua Tree) that she and I will collaborate -- I'd made up my mind, rather in anger, which doesn't need going on about.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTo quote a letter to me from Mark Tobey: ... it fell of the edge of my brush\"\u003cbr\u003e\u003cbr\u003e- Harold Budd, April 7, 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e1. Jane 1\u003cbr\u003e2. 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An essential soundtrack to our time, the work does what all great works do - leave the listener strengthened with a fresh perspective and a smile.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"mainCopy\"\u003eI Am Robot And Proud is the name Toronto native Shaw-han Liem works under to create his singular brand of hypnotic, beguiling electronic pop music. Touch Tone is the highly anticipated full-length follow-up to his very popular 2008 album Uphill City. Like the previous record, Touch Tone is electronic pop music that energizes the listener and refreshes the ear yet Shaw-han's skill as clever pop composer has grown even more mesmerizing.\u003cbr\u003e\u003cbr\u003eShaw-Han mixes acoustic instrumentation; piano, guitar and drums seamlessly with his unique electronic keyboard sounds and percussive elements. This isn't difficult, experimental IDM that pulls the listener off the left side of the dial. This is complex composition that manages to simply delight. It’s an exciting sound that gives one the feeling of flying fast \u0026amp; free through a heavenly modern green world of pop, beauty, and sunshine. Your brain chemicals are sure to be balanced after the first minute into the title track.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"mainCopy\"\u003eSyncopated multi-instrumental rhythms and playful, repetitive multi-dimensional melodies -- just the elixir your head needs!\u003cbr\u003e\u003cbr\u003e1. Kresna\u003cbr\u003e2. Touch Tone     \u003cbr\u003e3. Mono the Planet\u003cbr\u003e4. Circles     \u003cbr\u003e5. Nothing Normal Sounds Good     \u003cbr\u003e6. Unfinished Buildings     \u003cbr\u003e7. Ketok Magic\u003cbr\u003e8. Summer Colour      \u003cbr\u003e9. Thunder Road     \u003cbr\u003e10. Slow Reaction\u003c\/span\u003e\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35551191940,"sku":"DRL286-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":35551192004,"sku":"DRL286-1","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL286.jpg?v=1487681172"},{"product_id":"harold-budd-avalon-sutra","title":"Harold Budd - Avalon Sutra","description":"\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e2026 2xCD re-repress and first time on vinyl 2xLP+CD is the original 2004 master.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eGet Instant download with vinyl or CD order.\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eLimited edition of 1000 2xLP+CD\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eVery few left: 500 x LP1 Agave Green color vinyl, LP2 Gold Medallion Tree yellow color vinyl+CD\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThis is the original Avalon Sutra master as released in 2005 via Samadhi Sound.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAt the time of release in 2005 Avalon Sutra was reported to be California-born American minimalist composer and pianist Harold Budd’s last recorded work. Avalon Sutra (released as a 2 disc set) is a suite of short, heartbreaking ambient pieces, featuring Budd’s delicate piano improvisations, lush string arrangements and warm electronic drones. The second disc (As Long As I Can Hold My Breath) features a startling coda by LA based electronic composer Akira Rabelais, sending Budd’s arrangements into Feldmanesque eternities of sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBest known for his collaborations with Brian Eno, contributing his stunning piano work to key recordings such as 1980’s Ambient 2: Plateau of Mirror, Budd has produced a series of remarkable minimalist compositions and recordings, including Pavilion of Dreams, The Pearl and The Room, which have earned him worldwide respect.\u003c\/p\u003e\n\u003cp\u003eOn Avalon Sutra, Budd created brief, snapshot like compositions, made all the more fragile and impermanent by his glistening piano work, Avalon Sutra has a bittersweet, autumnal quality – the composer’s trademark “loveliness” deepened and perturbed by the brevity of these pieces. If “ambient” music characteristically works to sustain a mood of intimacy, warmth, meditative ecstasy, such moods, which are certainly present in Budd’s work, are never allowed to last too long on Avalon Sutra. There’s a cumulative sadness and beauty to the way that these mood pieces linger briefly, stop and transform into something new. Budd’s gorgeous, angular string arrangements amplify this feeling.\u003c\/p\u003e\n\u003cp\u003eAvalon Sutra was expected to bring to a conclusion 30 years of sustained musical activity. Asked why, Budd said only that he felt that he had said what he has to say. With characteristic humility, he concluded, “I don’t mind disappearing!”\u003c\/p\u003e\n\u003cp\u003eFortunately, Budd was soon inspired to record again and has since been in the most prolific phase of his remarkable 40 year career.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2xLP track list:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003cbr\u003e1. Arabesque 3\u003cbr\u003e2. It's Steeper Near the Roses (For David Sylvian)\u003cbr\u003e3. L'Enfant Perdu\u003cbr\u003e4. Chrysalis Nu (To Barney's Memory)\u003cbr\u003e5. Three Faces West (Billy Al Bengston's)\u003cbr\u003e6. Arabesque 2\u003c\/p\u003e\n\u003cp\u003eSide B:\u003cbr\u003e7. Little Heart\u003cbr\u003e8. How Vacantly You Stare at Me\u003c\/p\u003e\n\u003cp\u003eSide C:\u003cbr\u003e9: A Walk in the Park with Nancy (In Memory)\u003cbr\u003e10: Rue Casimir Delavigne (For Daniel Lentz)\u003c\/p\u003e\n\u003cp\u003eSide D:\u003cbr\u003e11. Arabesque 1\u003cbr\u003e12. Porcelain Ginger\u003cbr\u003e13. Faraon\u003cbr\u003e14. As Long as I Can Hold My Breath\u003c\/p\u003e\n\u003cp\u003eCD:\u003cbr\u003e15. As Long as I Can Hold My Breath (By Night)\u003c\/p\u003e\n\u003cp\u003eCD 1:\u003cbr\u003e1: Arabesque 3\u003cbr\u003e2: It's Steeper Near the Roses (For David Sylvian)\u003cbr\u003e3: L'Enfant Perdu\u003cbr\u003e4: Chrysalis Nu (To Barney's Memory)\u003cbr\u003e5: Three Faces West (Billy Al Bengston's)\u003cbr\u003e6: Arabesque 2\u003cbr\u003e7: Little Heart\u003cbr\u003e8: How Vacantly You Stare at Me\u003cbr\u003e9: A Walk in the Park with Nancy (In Memory)\u003cbr\u003e10: Rue Casimir Delavigne (For Daniel Lentz)\u003cbr\u003e11: Arabesque 1\u003cbr\u003e12: Porcelain Ginger\u003cbr\u003e13: Faraon\u003cbr\u003e14: As Long as I Can Hold My Breath\u003c\/p\u003e\n\u003cp\u003eCD 2:\u003cbr\u003e1: As Long as I Can Hold My Breath (By Night)\u003c\/p\u003e","brand":"Darla","offers":[{"title":"2xLP+CD (Agave green + Gold Medallion tree yellow color vinyl)","offer_id":42106710884441,"sku":"DRL285-1A","price":44.0,"currency_code":"USD","in_stock":false},{"title":"2xLP+CD (Black vinyl)","offer_id":42643651035225,"sku":"DRL285-1B","price":42.0,"currency_code":"USD","in_stock":true},{"title":"2xCD (Original 2004 Master)","offer_id":35551192132,"sku":"DRL285-2","price":17.0,"currency_code":"USD","in_stock":true},{"title":"MP3 (2004 Master)","offer_id":42674987860057,"sku":"DRL285-3OG","price":10.0,"currency_code":"USD","in_stock":true},{"title":"FLAC (2004 Master)","offer_id":42675070238809,"sku":"DRL285-4OG","price":12.0,"currency_code":"USD","in_stock":true},{"title":"MP3 (2013 Remaster)","offer_id":8150128689241,"sku":"DRL285-3","price":10.0,"currency_code":"USD","in_stock":true},{"title":"FLAC (2013 Remaster)","offer_id":40584917057625,"sku":"DRL285-4","price":12.0,"currency_code":"USD","in_stock":true},{"title":"2xLP+CD (color vinyl)+Test pressing Recut 2","offer_id":42675071320153,"sku":"DRL285-1+Test Recut 2","price":94.0,"currency_code":"USD","in_stock":true},{"title":"2xLP+CD (color vinyl)+Test pressing Recut 1","offer_id":42675073220697,"sku":"DRL285-1+Test Recut 1","price":94.0,"currency_code":"USD","in_stock":true},{"title":"2xLP+CD (color vinyl)+Test pressing First Cut","offer_id":42675073974361,"sku":"DRL285-1+Test First Cut","price":94.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL285_Front1500pixRGB300dpi.jpg?v=1487549452"},{"product_id":"new-radiant-storm-king-singular-no-article","title":"New Radiant Storm King - Singular, No Article","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" color=\"#000000\" mce-data-marked=\"1\"\u003eLimited edition of 300 LP brilliantly mastered by long time Storm King compadre and engineer Mark Allan Miller at his Slaughterhouse Studio, Westhampton, MA. Manufactured at GZ Media. Released by Is It For All Time This Feeling of Joy.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eLimited edition of 300 CD in mini-gatefold eco-wallet from Discmakers \/ digital.\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eDarla Records presents a newly remastered and expanded reissue of \u003cem\u003eSingular, No Article\u003c\/em\u003e (1998), the fifth full length album by indie rockers New Radiant Storm King who grew a sizable international fan base but never achieved the success of contemporaries they shared stage and\/or split 7\" singles with: Rodan, Grifters, Sebadoh, Guided By Voices, Pavement and Nirvana.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSingular, No Article\u003c\/em\u003e, not so subtly titled to clarify the band name as they were often called The New Radiant Storm Kings, was intended for release on major indie Grass Records who dropped interest in the fiercely independent New Radiant Storm King and refocused all attention solely on new signing Creed. Rights reverted back to the Artists who then negotiated release via Rainbow Quartz; for the UK only. This is the first time \u003cem\u003eSingular, No Article\u003c\/em\u003e has been released in the US.\u003cbr\u003e\u003cbr\u003eLoose, full of chime, with playful and interlocking guitars a la Tom Verlaine\/Richard Lloyd or Thurston Moore\/Lee Ranaldo, it is both foreboding and lighthearted simultaneously. Its creative drivers Peyton Pinkerton and Matt Hunter are truly beloved insiders who brought their little band from Western Mass' fertile, Pioneer Valley, starting as freshmen at Hampshire College, to the world stage and now remain at the very heart and soul of Northeastern US indie rock lore and history.\u003cbr\u003e\u003cbr\u003eTwo bonus tracks from the period have been added. \"Mrs. Baird's Bread\", 1998 and \"Blood for a Vase (Kramer Version)\" a 1995 demo recorded by Kramer of Bongwater, Shimy Disc, were previously available on the unreleased tracks compilation \u003cem\u003eLeftover Blues 1991-2003\u003c\/em\u003e (Contraphonic).\u003cbr\u003e\u003cbr\u003eAll material has been lovingly remastered from the original master tapes by longtime New Radiant Storm King Engineer Mark Allan Miller at his Sonelab Studio, Easthampton, MA.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLP track list:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eA1 The Correct Liar \u003cbr data-mce-fragment=\"1\"\u003eA2 Barium Springs \u003cbr data-mce-fragment=\"1\"\u003eA3 Founder’s Day \u003cbr data-mce-fragment=\"1\"\u003eA4 Occidental Florist \u003cbr data-mce-fragment=\"1\"\u003eA5 Carry My Chin \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eB1 Secrets to Better Skin \u003cbr data-mce-fragment=\"1\"\u003eB2 The Right Scream \u003cbr data-mce-fragment=\"1\"\u003eB3 Pocket Greek Chorus \u003cbr data-mce-fragment=\"1\"\u003eB4 Miranda \u003cbr data-mce-fragment=\"1\"\u003eB5 Leftover Blues \u003cbr data-mce-fragment=\"1\"\u003eB6 Contentedly… The Era Died\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD track list:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. The Correct Liar, 2. Barium Springs, 3. Founder's Day, 4. Occidental Florist, 5. Carry My Chin, 6. Secrets To Better Skin, 7. The Right Scream, 8. Pocket Greek Chorus, 9. Miranda, 10. Leftover Blues, 11. Contentedly...The Era Died, 12. Mrs. Baird's Bread, 13. Blood for a Vase (Kramer Version).\u003cbr\u003e\u003cbr\u003e\"Robert Pollard of Guided by Voices has credited NRSK as a major influence on his songwriting, and listening to the title track, “Winter’s Kill,” one can imagine that it is GBV.\" -- Barbara Manning, Sacramento News and Review\u003cbr\u003e\u003cbr\u003e\"I can see how this album is a consciously constructed 'grower.' It's not the work of a band trying to capture some quick attention with clumsy stabs at the latest trends, and in some ways, with its lack of laptop glitchery and primal screaming, it does come off somewhat conservative. But maybe it's for this very reason that this album could prove to hold up better than the recent work of some other members of indie rock's illustrious Class of '92.\" -- Pitchfork\u003cbr\u003e\u003cbr\u003e\"One of the most consistent groups to come out of the crowded alternative rock scene of the early ’90s.\" -- Blurt\u003cbr\u003e\u003cbr\u003e\"New Radiant Storm King had hit its stride in 1996 with \u003cem\u003eHurricane Necklace\u003c\/em\u003e, its fourth and most mature album to date. However, the indie rock band went downhill from there, struggling to find a drummer and struggling with the realities of life -- marriage, money, career opportunities, geographic locale, and so on. It was perhaps no surprise then that \u003cem\u003eSingular No Article\u003c\/em\u003e (1999), the band's fifth album, failed to reconnect with New Radiant Storm King's fan base and went relatively unheard. And that's too bad, since \u003cem\u003eSingular, No Article\u003c\/em\u003e was a respectable album; granted, it was no \u003cem\u003eHurricane Necklace\u003c\/em\u003e, but it still met an undeserving fate. It's perhaps fitting, then, that \u003cem\u003eWinter's Kill\u003c\/em\u003e follows suit in terms of style. On this album, released in 2002, the band seems to have put extra effort into making sure that \u003cem\u003eWinter's Kill\u003c\/em\u003e wouldn't meet the same unfortunate fate as \u003cem\u003eSingular, No Article\u003c\/em\u003e. The songwriting is similar -- incredibly varied and informed by indie rock precedent -- but the production is far more considered: these guys obviously devoted substantial effort in making sure these songs sound as wonderful as possible. And, thankfully, they do indeed sound wonderful; this is a beautiful sounding indie rock album, lo-fi yet a crystal-clear sort of lo-fi where none of the instruments -- guitar, bass, Rhodes piano, Hammond organ, synth -- sound the same from song to song. New Radiant Storm King have done everything possible to make Winter's Kill the best album it can possibly be, and the results are undoubtedly glorious. The only thing really lacking here -- besides the band's one-time fan base and critical following -- is the naïvete that masterminds Matt Hunter and Peyton Pinkerton had in the early to mid-'90s. Back then you could sense the duo's passion and enthusiasm; they were coming of age as indie rockers. Here you can sense their experience and patience; they know how to make a perfect indie rock album at this point in their career. It's this aim for perfection that ironically prevents this album from being the true masterpiece it perhaps should. After all, can you -- or, perhaps, should you -- perfect indie rock? Part of its beauty is its sense of accident; you can't create spontaneity and you can't revisit naive discovery, two of the qualities that still make \u003cem\u003eHurricane Necklace\u003c\/em\u003e New Radiant Storm King's crowning achievement, even if \u003cem\u003eWinter's Kill\u003c\/em\u003e is indeed a near-perfect indie rock album. Either way, though, it's great to see this band pull itself back together after its late-'90s turmoil.\" -- All Music Guide\u003cbr\u003e\u003cbr\u003eNew Radiant Storm King signed to Homestead\/Dutch East India in 1993. The indie label\/distributor shared office and staff with sister label Grass. When Homestead couldn't pay for recording of NRSK's third record \u003cem\u003eAugust Revita\u003c\/em\u003el (1994) Grass could, acquired rights and released the record. CD One Stop Owner Alan Meltzer purchased Grass in 1996, which changed Grass' modus operandi as the Meltzer-owned Grass set out to be a major indie. Grass released NRSK's most popular and most critically acclaimed record \u003cem\u003eHurricane Necklace\u003c\/em\u003e (1996). This title and \u003cem\u003eAugust Revital\u003c\/em\u003e unfortunately remain out-of-print.\u003c\/p\u003e","brand":"Darla","offers":[{"title":"LP","offer_id":40882176098393,"sku":"DRL284-1","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":35556674244,"sku":"DRL284-2","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL284.jpeg?v=1487700844"},{"product_id":"new-radiant-storm-king-winters-kill","title":"New Radiant Storm King - Winter's Kill","description":"\u003cp\u003e\u003cstrong\u003eLimited edition of 300 CD in mini-gatefold eco-wallet from Discmakers.\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Darla Records presents a newly remastered and expanded reissue of \u003cem\u003eWinter's Kill\u003c\/em\u003e (2002), the sixth full length and comeback album by indie rockers New Radiant Storm King. It isn't often, if ever, that a band is so resilient and returns in such good form after the loss of two founding members, two label bankruptcies and a third major-indie label taking their best and most popular record out-of-print making it unavailable to this day. \u003cem\u003eWinter's Kill\u003c\/em\u003e is a testament to the strength of the Storm King.\u003cbr\u003e \u003cbr\u003e \u003cem\u003eWinter's Kill\u003c\/em\u003e is New Radiant Storm King's second most popular album after their pinnacle \u003cem\u003eHurricane Necklace\u003c\/em\u003e, which is out of print. \u003cem\u003eWinter's Kill\u003c\/em\u003e is perhaps their sunniest moment. The guitars pile on, the synths abrase and the harmonies sooth in a batch of songs as good as any core members Peyton Pinkerton and Matt Hunter ever wrote.\u003cbr\u003e \u003cbr\u003e \u003cem\u003eWinter's Kill\u003c\/em\u003e was produced by Thom Monahan (Pernice Brothers, Lilys).\u003cbr\u003e \u003cbr\u003e Six bonus tracks have been added. Four bonus tracks, now remastered, were previously featured on the compilation \u003cem\u003eLeftover Blues 1991-2003\u003c\/em\u003e (Contraphonic): \"Mercy\", \"Untenable\", \"Quicksand Under Carpet (UK Single Version)\" and \"Scrimshaw\". Two previously unreleased studio tracks from the period: \"?\" and \"Doppelganger in Tow\" have been selected from the Storm King archive.\u003cbr\u003e \u003cbr\u003e All material has been lovingly remastered from the original master tapes by longtime New Radiant Storm King Engineer Mark Allan Miller at his Sonelab Studio, Easthampton, MA.\u003cbr\u003e \u003cbr\u003e1. In The Spirit Of Distance\u003cbr data-mce-fragment=\"1\"\u003e2. Golden Parachute\u003cbr data-mce-fragment=\"1\"\u003e3. Lesslie Skyline\u003cbr data-mce-fragment=\"1\"\u003e4. Colony Falls\u003cbr data-mce-fragment=\"1\"\u003e5. Vieja\u003cbr data-mce-fragment=\"1\"\u003e6. Montague Terrace\u003cbr data-mce-fragment=\"1\"\u003e7. Constellation Prize\u003cbr data-mce-fragment=\"1\"\u003e8. Bombs And Broccoli\u003cbr data-mce-fragment=\"1\"\u003e9 Winter's Kill\u003cbr data-mce-fragment=\"1\"\u003e10 Small Broken Words\u003cbr data-mce-fragment=\"1\"\u003e11 Your Better Half\u003cbr data-mce-fragment=\"1\"\u003e12. View Of A Wedding Through The Hubble Telescope\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBonus Tracks:\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e13. Mercy\u003cbr data-mce-fragment=\"1\"\u003e14. Untenable\u003cbr data-mce-fragment=\"1\"\u003e15. Quicksand Under Carpet (UK Single Version)\u003cbr data-mce-fragment=\"1\"\u003e16. ?\u003cbr data-mce-fragment=\"1\"\u003e17. Scrimshaw\u003cbr data-mce-fragment=\"1\"\u003e18. Doppelganger In Tow\u003cbr\u003e\u003cbr\u003e \"Robert Pollard of Guided by Voices has credited NRSK as a major influence on his songwriting, and listening to the title track, “Winter’s Kill,” one can imagine that it is GBV.\" -- Barbara Manning, Sacramento News and Review\u003cbr\u003e \u003cbr\u003e \"I can see how this album is a consciously constructed 'grower.' It's not the work of a band trying to capture some quick attention with clumsy stabs at the latest trends, and in some ways, with its lack of laptop glitchery and primal screaming, it does come off somewhat conservative. But maybe it's for this very reason that this album could prove to hold up better than the recent work of some other members of indie rock's illustrious Class of '92.\" -- Pitchfork\u003cbr\u003e \u003cbr\u003e \"One of the most consistent groups to come out of the crowded alternative rock scene of the early ’90s.\" -- Blurt\u003cbr\u003e \u003cbr\u003e \"New Radiant Storm King had hit its stride in 1996 with Hurricane Necklace, its fourth and most mature album to date. However, the indie rock band went downhill from there, struggling to find a drummer and struggling with the realities of life -- marriage, money, career opportunities, geographic locale, and so on. It was perhaps no surprise then that Singular No Article (1999), the band's fifth album, failed to reconnect with New Radiant Storm King's fan base and went relatively unheard. And that's too bad, since Singular, No Article was a respectable album; granted, it was no Hurricane Necklace, but it still met an undeserving fate. It's perhaps fitting, then, that Winter's Kill follows suit in terms of style. On this album, released in 2002, the band seems to have put extra effort into making sure that Winter's Kill wouldn't meet the same unfortunate fate as Singular, No Article. The songwriting is similar -- incredibly varied and informed by indie rock precedent -- but the production is far more considered: these guys obviously devoted substantial effort in making sure these songs sound as wonderful as possible. And, thankfully, they do indeed sound wonderful; this is a beautiful sounding indie rock album, lo-fi yet a crystal-clear sort of lo-fi where none of the instruments -- guitar, bass, Rhodes piano, Hammond organ, synth -- sound the same from song to song. New Radiant Storm King have done everything possible to make Winter's Kill the best album it can possibly be, and the results are undoubtedly glorious. The only thing really lacking here -- besides the band's one-time fan base and critical following -- is the naïvete that masterminds Matt Hunter and Peyton Pinkerton had in the early to mid-'90s. Back then you could sense the duo's passion and enthusiasm; they were coming of age as indie rockers. Here you can sense their experience and patience; they know how to make a perfect indie rock album at this point in their career. It's this aim for perfection that ironically prevents this album from being the true masterpiece it perhaps should. After all, can you -- or, perhaps, should you -- perfect indie rock? Part of its beauty is its sense of accident; you can't create spontaneity and you can't revisit naive discovery, two of the qualities that still make Hurricane Necklace New Radiant Storm King's crowning achievement, even if Winter's Kill is indeed a near-perfect indie rock album. Either way, though, it's great to see this band pull itself back together after its late-'90s turmoil.\" -- All Music Guide\u003cbr\u003e \u003cbr\u003e New Radiant Storm King signed to Homestead\/Dutch East India in 1993. The indie label\/distributor shared office and staff with sister label Grass. When Homestead couldn't pay for recording of NRSK's third record August Revital (1994) Grass could, acquired rights and released the record. CD One Stop Owner Alan Meltzer purchased Grass in 1996, which changed Grass' modus operandi as the Meltzer-owned Grass set out to be a major indie. Grass released NRSK's most popular and most critically acclaimed record Hurricane Necklace (1996). This title and August Revital unfortunately remain out-of-print.\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556674372,"sku":"DRL283","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL283.jpg?v=1487700699"},{"product_id":"harold-budd-jane-1-11","title":"Harold Budd - Jane 1-11","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRelease date: 5\/27\/2013\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJane 1-11 is at least among Harold's very best work and may be his all-time best. Start to finish, this is Harold at his most inspired and most tapped in to his unique gift. There is no other Harold Budd record on which he so strongly expresses his singular avant sensibility. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in one day... Brad Ellis was my guide through this: An untiring day, ready to go again... To quote a letter to me from Mark Tobey: ... \"It fell off the edge of my brush.\"\" -- Harold Budd\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFile under Avant-garde, Electronic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecommended if you like The Plateaux of Mirror, The Pearl, Lovely Thunder, The White Arcades.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWho is Jane? Check out Jane Maru, Artist.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCover art by Jane Maru.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e1. Jane 1, 2. Jane 2, 3. Jane 3, 4. Jane 4, 5. Jane 5, 6. Jane 6, 7. Jane 7, 8. Jane 8, 9. Jane 9, 10. Jane 10, 11. Jane 11\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556674500,"sku":"DRL281","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL281.jpg?v=1487679364"},{"product_id":"various-little-darla-has-a-treat-for-you-vol-28-lucky-2013","title":"V\/A - Little Darla Has A Treat For You, Vol. 28, Lucky 2013","description":"\u003cp\u003e\u003cstrong\u003e3xCD in six panel Eco Wallet limited to 2000 or download now for instant gratification.\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e The World’s most popular compilation series! The 28th volume of Darla Records' compilation series Little Darla Has A Treat For You features 35 new tracks (26 exclusive tracks, 9 key album tracks) plus a 50 minute interview with \u003cstrong\u003eHarold Budd\u003c\/strong\u003e.  \u003cbr\u003e\u003cbr\u003e1-1.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e17 Pygmies –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eIsabel III (Darla Mix)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e5:44 \u003cbr\u003e1-2.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBeth Kleist –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAlarm Clock Set\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2:30 \u003cbr\u003e1-3.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBlack To Comm –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSwimming Pools\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:31 \u003cbr\u003e1-4.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe Blood Of Heroes –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEverything Undone\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2:55 \u003cbr\u003e1-5.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBroken Little Sister –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eA Fade In\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:49 \u003cbr\u003e1-6.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe Brother Kite –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFather To Son (Demo)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2:54 \u003cbr\u003e1-7.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHarold Budd –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJane 5\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:09 \u003cbr\u003e1-8.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHarold Budd, Clive Wright –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFrailties Of Phobos\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:11 \u003cbr\u003e1-9.\u003cspan data-mce-fragment=\"1\"\u003e b\u003c\/span\u003evdub –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHow Quickly You Forget\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e9:07 \u003cbr\u003e1-10.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCokiyu –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eYour Thorn (Moshimoss Remix) 4:04 \u003cbr\u003e1-11.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCult With No Name –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBreathing (Acoustic Version)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:20 \u003cbr\u003e1-12.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCuushe –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e9125 Days Of Sleep Waves (Federico Durand Vocal Mix)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:31 \u003cbr\u003e1-13.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDomotic –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSweeping\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:51 \u003cbr\u003e1-14.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eElika –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWe Are Always Outsiders\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:38 \u003cbr\u003e1-15.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEpic45 –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWeathering II\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e6:00 \u003cbr\u003e1-16.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFlowerss –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHalo (Alternate Version)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e5:17 \u003cbr\u003e1-17.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFredericson –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLuuumore\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:03 \u003cbr\u003e\u003cbr\u003e2-1\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eGeskia! –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSplit Spirit\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:32 \u003cbr\u003e2-2.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe History Of Colour TV –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eViolence\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:46 \u003cbr\u003e2-3.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eI Am Robot And Proud –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eUnfinished Buildings (Darla Version)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:19 \u003cbr\u003e2-4.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eKnock Knock –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWild \u0026amp; Blue (Alternate Mix)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:06 \u003cbr\u003e2-5.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLowered –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMovement Of Circles\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e7:42 \u003cbr\u003e2-6.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMaymay And The Spookfish –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAnastasia\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2:14 \u003cbr\u003e2-7.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMomus –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWhere Are We Now?\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:23 \u003cbr\u003e2-8.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMonnone Alone –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe Business World\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:14 \u003cbr\u003e2-9.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJonas Munk –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDriving Through The Country\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2:53 \u003cbr\u003e2-10.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNyam Nyam –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDoubt\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:08 \u003cbr\u003e2-11.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePeyton Pinkerton –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePharmacies And Bars\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:27 \u003cbr\u003e2-12.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSavage Republic –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHippodrome\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:21 \u003cbr\u003e2-13.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMartin Schulte –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSummer Breeze\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e5:04 \u003cbr\u003e2-14. Section 25 –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eColour Movement Sex \u0026amp; Violence (Outernational Mix)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e4:58 \u003cbr\u003e2-15.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSet In Sand –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFor The Time Beeing (Aus Remix) 4:44 \u003cbr\u003e2-16.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eRhian Sheehan–\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLittle Sines\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:33 \u003cbr\u003e2-17.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSoft Science –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePlease Won't You Let Me Go (Alternative Mix)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e3:40 \u003cbr\u003e2-18.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe Wedding Present –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDeer Caught In Headlights (Live In Los Angeles 2012)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e5:44 \u003cbr\u003e\u003cbr\u003e3-1.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHarold Budd–\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHarold Budd Interviewed By Jason Hoffer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e50:25\u003cbr\u003e\u003c\/p\u003e","brand":"Darla","offers":[{"title":"3xCD","offer_id":35556674564,"sku":"DRL280","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/Little_Darla_Has_A_Treat_For_You_Vol._28.jpeg?v=1487735120"},{"product_id":"jonas-munk-searching-for-bill-original-soundtrack","title":"Jonas Munk - Searching For Bill: Original Soundtrack","description":"\u003cp\u003eSearching For Bill is the debut film by Danish director Jonas Poher Rasmussen. The film delves into the meaning of life for those living on the edge of modern American society by taking a documental trip through America where reality and fiction sway in a sensual pas de deux down mythological highways. It is a tantalizing and impressionistic depiction of America and Americans as seen with a northern European sensibility. From the overgrown and tattered streets of Detroit through to the off-the-grid desert settlement of Slab City in the Colorado Desert, the film's journey through the underbelly of America allows a fascinating glimpse into the lives of America's have-nots. It's a subtle and sensitive film, as much about hope and beauty as it is about decay.\u003cbr\u003e \u003cbr\u003e With his experience in ambient music (as Manual, Billow observatory) as well as being a seasoned producer of psychedelic rock and folk-rock (Causa Sui, Sun River and others) Danish producer Jonas Munk was an obvious choice for the composing the soundtrack, and he sets the perfect backdrop for this journey through America by blending analog synthesizer drones with twangy guitars and his signature atmosphere. These 13 tracks can best be described as \"Ambient Americana\". Heavily inspired by the American rural ambient music from the last two decades (think Labradford, Windy \u0026amp; Carl, Landing and Auburn Lull) as well as motoric krautrock and more traditional folk-rock sounds, this album feels like a journey through cities and shifting landscapes. It channels the beauty and wonder of America as seen through the eyes of a Dane but like the film itself it has strong undercurrents of darkness.\u003cbr\u003e\u003cbr\u003e1. Intro, 2. Car Pickup, 3. Motel Room, 4. Funeral, 5. No Way Home, 6. Bob's Blues, 7. Junitaki, 8. Driving Through the Country, 9. Prison Drone, 10. Slab City, 11. Los Angeles, 12. Venice Beach, 13. End of the Road\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556674628,"sku":"DRL274","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL274.jpeg?v=1487700269"},{"product_id":"rhian-sheehan-stories-from-elsewhere","title":"Rhian Sheehan - Stories From Elsewhere","description":"\u003cp\u003eA series of enchanting instrumental works, Stories From Elsewhere is Rhian Sheehan’s most evocative album to date - an excursion into a soundscape of tender ethereal textures, brooding cinematic string arrangements, and playful experimental lullabies. Sheehan has encapsulated a world of serenity and melancholia within this 12-track album. Stories From Elsewhere is a musical landscape to get lost in.\u003cbr\u003e \u003cbr\u003e His first full-length album since Standing in Silence (2009), Sheehan transgresses Ambient and Post-Rock genres and moves deeper into a unique world of haunting atmospheres, reflective ambient electric guitar washes, childlike melodies, and stirring moments of elation.\u003cbr\u003e \u003cbr\u003e Principally conceived by Sheehan in his Wellington, New Zealand based home studio; his strong sense of vision for the album’s live representation informed key collaborations, which are bound to extend to the performance of Stories From Elsewhere. Contributing artists included: Jeff Boyle (Jakob), Raashi Malik (Rhombus), Andy Hummel (Rosy Tin Teacaddy), Steve Bremner (The Adults), Ryan Prebble (The Nudge), and string players from the NZSO. Sheehan also enlisted the talents of Lee Prebble to help him put finishing touches on the album.\u003cbr\u003e \u003cbr\u003e Sheehan describes how some of the music from the album came about:\u003cbr\u003e \u003cbr\u003e “The album as a whole came about via experimentation. I’ve been moving further away from computer made electronica over the last few years and tinkering away in my home studio with old children’s musical toys and gadgets I’ve collected over the years, working out ways to make interesting and unusual sounds. I mixed half of the album with Lee Prebble, which was good fun. We ran the drums and strings through an old 60’s plate reverb to get a more nostalgic atmospheric tone. Most of the textures on this album were made with electric guitars and vocals run through various outboard effects. I wanted to make an album that sounded very natural and organic - a collection of sonic stories that hopefully will be listened to as one body of work.” \u003cbr\u003e\u003cbr\u003e1. Sileo, 2. The Upper Sky, 3. La Boite a Musique, 4. Little Sines, 5. Nocturne 1985, 6. Creation Myths, 7. A Thimble Full of Sorrow, 8. Nusquam, 9. Imber, 10. Thoughts on Nature, 11. Somnus, 12. Lullaby Machine\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556674692,"sku":"DRL272","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/Rhian.jpeg?v=1487702882"},{"product_id":"peyton-pinkerton-peyton-pinkerton","title":"Peyton Pinkerton - Peyton Pinkerton","description":"\u003cp\u003e\u003cspan class=\"album_info\"\u003ePeyton Pinkerton's solo debut album comes after more than twenty years as well respected and renowned guitarist\/songwriter with beloved Indie Rock antiheroes \u003cstrong\u003eNew Radiant Storm King\u003c\/strong\u003e -  plus as an integral member of both \u003cstrong\u003eThe Silver Jews\u003c\/strong\u003e and \u003cstrong\u003ePernice Brothers\u003c\/strong\u003e.\u003cbr\u003e \u003cbr\u003e Guitar geeks marvel at Peyton's absolute mastery of guitar tunings, sounds, arrangements and textures. No other Guitarist can mix a little Nokie Edwards, a little more Dave Gregory and a whole lot of John McGeoch in one album with such a fine result.\u003cbr\u003e \u003cbr\u003e Fans of his other work will still find all of the uniqueness, nuance and six-stringed dexterity Pinkerton has come to be known for, and yet there is a marked departure from his work in other projects.\u003cbr\u003e \u003cbr\u003e As a songwriter Peyton has the innate and rare ability to take the personal and make it universal; and to take the universal and make it personal.  The songs on \"Peyton Pinkerton\" are some of the strongest he's ever written - angular, hook-filled, heartfelt and yet still stamped with his unmistakable and charismatic sonic intuition. \u003c\/span\u003e \u003cspan class=\"album_info\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e1. The Current, 2. The Good for Nothing, 3. Pharmacies and Bars, 4. Eleven Stations, 5. Arshile Gorky, 6. On the Relay, 7. The Ostrich, 8. The Three of Me, 9. Blackout '77, 10. Popes and Kings\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556674756,"sku":"DRL271","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/peyton-pinkerton-peyton-pinkerton.jpeg?v=1487700563"},{"product_id":"bvdub-a-careful-ecstasy","title":"bvdub - A Careful Ecstasy","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eA Careful Ecstasy, the sequel to Serenity, sees bvdub tread a notably more autobiographical and thus, perhaps unsurprisingly, melancholic path than its predecessor while still holding fast to the promise of hope.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePerhaps the clearest melding of his ambient, chillout, and deep house roots to date, A Careful Ecstasy tells a story of love found and lost, the life we live in and out of its throes, and the beauty that is its eternal, yet often tragic pursuit… for without that pursuit, life would have no meaning – and without sorrow, there would be no ecstasy.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA Careful Ecstasy tells the story of a heart broken, but a heart that still remembers love – and a heart that while never forgetting its past, never stops dreaming of tomorrow.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003e1\u003c\/span\u003e. Another Love, 2. My Hinami, 3. It Was For You, It Was For Us, 4. If I Had Been A Better Man, 5. Through The Lower Room, We Rise Higher, 6. A Careful Ecstasy\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556674820,"sku":"DRL263","price":10.0,"currency_code":"USD","in_stock":true},{"title":"mp3","offer_id":44917529604,"sku":"DRL263-3","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL263.jpg?v=1490231911"},{"product_id":"harold-budd-bandits-of-stature","title":"Harold Budd - Bandits of Stature","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRelease date: 11\/27\/2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"hide_mobile\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eVINYL RE-PRESS! Preorder limited edition re-press of 500 black vinyl LP to ship by June 19. Instant download with LP pre-order. CD, download available now.\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eDarla is pleased to offer a new record of string quartets by Harold Budd. Bandits of Stature is a first as it comprises 14 compact Budd composed string quartets played by the Formalist Quartet.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHarold Budd is a one-of-a-kind, modern neo-classical artist with a career spanning 40 years. Bandits of Stature has the characteristic Budd minimalism one may expect, yet in new, or classical, form. On Bandits of Stature, he has created 14 elegantly simple, avant-garde string quartets, each with his own unique and subtle tension and abstraction and sometimes-pastoral but as-often otherworldly mood shining through. This is also Budd's most melancholic work ever. It is a work that can only come from an artist with such unique vision and maturity as he. Whether deep dark or bright light, the listener is as always transcended to an enlightened state within the balance of empty space and substance, presented at times with wistful nostalgia, often with great idealism and persistently with love and beauty.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the classic Brian Eno and Robin Guthrie-produced Harold Budd records, lush with studio-as-instrument creativity and singular ethereal guitar work respectively, up to his most recent album In The Mist, Harold's piano is always recognizable within the first three notes of any song. His style is just that unique. That same melancholic, thoughtful style is present as well in the Budd composed string quartets on Bandits of Stature. He effortlessly manifests more feeling in one album than most artists do over the course of a decade, gives at least as much attention to the negative space as to each phrase and as always exercises a sense of economy in which less is a great deal more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll Music Guide calls Harold \"an American ambient\/neo-classical composer\". He is absolutely the World's number one minimalist, ambient, modern classical composer. That said, he abhors the word ambient. \"Ambient: Every time I read this word I cringe: I've been kidnapped by something I neither know of nor care about; it's better by 1000 times than \"New Age\" from 2 decades ago, but still...\" Although his work is often called ambient, minimal and classical, these labels do no justice to the quiet beauty and singularity of his work.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Harold is a California original. His music resides where the desert meets the ocean, and a cool, dusty melange emerges; it's sparse, stripped of unnecessary decoration, devoid of sentimentality, yet exploring the deepest emotional verity. Each new piece from Harold arrives like a postcard from some out-of-the-way place where Truth and Beauty are rapturously articulated without uttering a single unnecessary word.\" - Scott Fraser\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMerry-Go-Round\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. The Dream of the Girl at the Lonely Desert Cafe\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Claude Lorrain Avoids the Cinder Block Motel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Nicolas Poussin Near 29 Palms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Perfume Doesn't Dance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Shout (for Jane Maru)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. The Moss of Imagination\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Puvis Startled By Joy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Seven Colonnades\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Veil of Orpheus (Cy Twombly's) - Mark Menzies, violin; Harold Budd, piano\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eString Quartet 2003\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e10. Haru Spring\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. From the Sea of Changes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Bandits of Stature\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. Llano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14. Babylon Balboa\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFormalist Quartet:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAndrew Tholl, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMark Menzies, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAndrew McIntosh, viola\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAshley Walters, cello\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Scott Fraser, Architecture, Mt Washington (Los Angeles)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Scott Fraser with Harold Budd\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComposed by Harold Budd, Toyon Music (BMI)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTitle excerpted from \"Blazing Firms\" by Sandro Chia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover painting, Ellen, by Billy Al Bengston\u003c\/span\u003e\u003c\/p\u003e","brand":"Darla","offers":[{"title":"LP","offer_id":35556675012,"sku":"DRL262-1","price":27.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":35556674948,"sku":"DRL262-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":46763627268,"sku":"DRL262-3","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL262square.jpg?v=1490325415"},{"product_id":"manual-awash","title":"Manual - Awash","description":"\u003cp\u003eJonas Munk's work as Manual has never sought to radically reinvent itself. Rather, he has spent the time since his debut ep in 2000 perfecting and refining the sound that is so distinctly his own - with each successive album meticulously exploring certain aspects of the Manual sound. There's an ongoing insistence that there's originality and beauty in his finely crafted productions, even in times when they seem terribly out of tune with the current trends. In Munk's view originality isn't so much a constant renewal of oneself but rather the creation of a unique and confident style that is continuously relevant.\u003cbr\u003e \u003cbr\u003e Following 2010's magnum opus, Drowned in Light, as well as a full-length collaboration with German producer Ulrich Schauss from last year, Awash sees Munk dive into a more synth-heavy sound than usual. Electronic music from the 1990s seems to be more present on this mini LP than ever before: the title track nods gently to mid-1990s Compost Records and early Air; Glide floats into early IDM territory with classic drum machines, analog basslines and thick atmospheric pads, while Saudade is Munk's ultimate perfection of the combination of hand played instruments and programmed synthesizers, and displays his singular skills for songwriting.\u003cbr\u003e \u003cbr\u003e At the heart of Munk's music there's a fascination with basic natural phenomena: light and sky, the ebb and flow of the ocean, the change from seed to bloom. By now Munk has become a true master of his craft and these six tracks are prime examples of his unique vision.\u003cbr\u003e \u003cbr\u003e There's so much absorbing detail in this music, words don't seem adequate enough to describe its soothing melodies, pulsating rhythms \u0026amp; post chill-out majesty. Existing beyond any pigeon hole, Manual straddles 40 years of blissed alternative sounds \u0026amp; is an absolute labour of love.\u003cbr\u003e (Norman Records)\u003cbr\u003e \u003cbr\u003e Think of what Air's soundtrack to The Virgin Suicides might have been like if they spent more time at the beach. Or think about Brian Eno, if he surfed and liked drinks with exotic names and umbrellas in them. Think about Tangerine Dream: their name even more than their sound… and you've got a beautiful, awe-inducing force of nature.” (Erasing Clouds Magazine)\u003cbr\u003e \u003cbr\u003e As intoxicating as incense, Munk's music sometimes feels like the best instrumental bits of Cocteau Twins and Slowdive melded together into epic settings drawn from psychedelic, ambient, electronic, and shoegaze genres. (Textura)\u003cbr\u003e \u003cbr\u003e1. Glide, 2. Awash, 3. Floating World, 4. Water and Light, 5. Saudade, 6. Shrine\u003c\/p\u003e","brand":"Darla","offers":[{"title":"12\" EP","offer_id":35556675204,"sku":"DRL261-1","price":12.0,"currency_code":"USD","in_stock":true},{"title":"CD EP","offer_id":35556675140,"sku":"DRL261-2","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/manual-awash.jpeg?v=1487702047"},{"product_id":"manual-isares","title":"Manual - Isares","description":"\u003cp\u003e\u003cstrong\u003eReissue of the long out of print mini LP, originally released on Static Caravan in 2003.\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Isares served as a bridge between the two genre-defining albums on Morr Music in the beginning of the new millennium and what was to come in the following years. The four track mini LP points in different directions simultaneously: both towards the ambient works that would soon take up such a  prominent place in the Manual discography, as well as towards the epic, 1980s-influenced Azure Vista, released in 2005.\u003cbr\u003e \u003cbr\u003e The warm and swirling sound of Isares betrays Jonas Munk's admiration for the sound of the late 1980s and early 1990s. The gentle repetitions of Seefeel and the dreamy, spacious sound of Pygmalion-era Slowdive are more apparent here than ever, as oceanic guitars roll over analog synthesizers and found-sound samples. The blissed-out closing track, Horizon, nods towards Brian Eno's Apollo and David Sylvian's ambient works from the 1980s. As is so characteristic for Jonas Munk's work as Manual (and so uncharacteristic for so much of the electronic music of the past two decades) these four pieces reveal not only an interest in sound, but also in structure and songwriting.\u003cbr\u003e \u003cbr\u003e Although the works of Manual were highly regarded by critics in this period, Jonas Munk remained in obscurity. But the influence of these sounds can still be heard in following acts such as M83 or Tycho as well as in recent styles such as neo-shoegaze and chill-wave.\u003cbr\u003e \u003cbr\u003e Press:\u003cbr\u003e \u003cbr\u003e Munk has consistently proved himself as a unique voice who disregards current trends and formula in favor of maintaining his own personal vision. (Stylus Magazine, February 2004)\u003cbr\u003e \u003cbr\u003e If Ascend established Manual's Jonas Munk as a producer who should be half as recognized as Four Tet or Fennesz, this four-song, half-hour release renders him deserving of equal recognition. (…) At some point -- hopefully sooner than later -- this consistent, prolific producer will be thought of in more proper terms.  (All Music Guide, September, 2003)\u003cbr\u003e \u003cbr\u003e It's hugely inspiring when an artist appears who has no obvious debt to any specific genre, or, combines so many different styles as to overcome typecasting (…) Electronica, it turns out, was just another color, and artists have only recently begun to paint traditional canvases with it. Jonas Munk, as Manual, leads a second generation of masters. The sonorous rebirth of electronica written on Manual's first two albums is neither luck nor accident; it's artistry, creativity and poise at their apex, and we're talking about a guy barely into his twenties. His signature stereo-panned percussion, for its chiming chaos, can't distract from the spectral, oceanic guitar work central to Manual's sound: with Ascend, Jonas Munk dispatched about half the electronic music released in the last five-plus years, filling the chill-out void left in Seefeel's wake. The musings of so many of his peers feel conceptually thin and prefabricated in comparison to Manual's wandering, curious anthems. (Pitchfork, September 2003)\u003cbr\u003e\u003cbr\u003e1. Awake, 2. Stealing Through, 3. Wake, 4. Horizon\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD EP","offer_id":35556675268,"sku":"DRL260","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/manual-isares.jpeg?v=1487701785"},{"product_id":"death-by-chocolate-bric-a-brac","title":"Death By Chocolate - Bric-a-Brac","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBric-a-Brac is Death By Chocolate's third full-length release, following their eponymous debut and follow-up album, Zap the World, which was nominated for the 2002 Shortlist Prize by Iggy Pop. This album is the result of a collaboration between band members based in Santa Barbara, Bristol and Colchester. Bric-a-Brac comprises thirteen tracks - eleven self-penned and two covers - as diverse as the title suggests.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDeath By Chocolate's aesthetic foundation corners are firmly planted in an idealized novelty of mid-century modernism, especially early 60s abstract expressionism, definitely swinging 1967 Carnaby Street, a bit of the more fun elements of late 70s new\/no wave and the work of the BBC Radiophonic Workshop. There's also more than a hint of foodie-ism.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBric-a-brac is an aural scrapbook written, performed, recorded and produced by Death By Chocolate. Open it up...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere's a trip around East Sussex on a BSA Bantam... we even stop for chips on the way home! Missing your departed heroes? They're back for one night only (although probably not quite as you'd care to remember).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor some, the album may well prove a useful study aid: How many Kosmonauts can you name? What are the principle uses of Xenon? What was Vincent Price eating in the early 60s? How do you plan the layout of a department store?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMusically-speaking, Death by Chocolate's third album is just as eclectic, fusing together electronica, spoken-word, jazz and psychedelia, with a dash of swingle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSouvenir rulers, umbrellas, cricket pads... even Spit the Dog gets a look-in at the House of Bric-a-brac.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e1. The Royal Danieli -1964, 2. Are You Being Served?, 3. Bric-a-Brac, 4. The Periodic Table, 5. Something for Jez, 6. My New Old Organ, 7. Amstel Hotel - 1963, 8. Kosmonaut, 9. Bantam Motorbike, 10. Hotel de la Poste - 1961, 11. Dining with Death, 12. (Another. Day Out, 13. The Antigua Hotel - 1960, 14. Untitled bonus track\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556675972,"sku":"DRL251","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL251.jpg?v=1490233876"},{"product_id":"bvdub-resistance-is-beautiful","title":"bvdub - Resistance Is Beautiful","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBrock Van Wey adds beats to loops this time and creates a record more active yet right in keeping with his solid body of ambient work.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eResistance is Beautiful, the newest album by San Francisco’s bvdub, sees his return to a more beat-driven style, while still traversing his trademark ambient terrains. Through quieter and more subdued ambient fields, he weaves an almost uncharacteristically gritty and unabashed rhythmic journey drawing from his life and history within early-90’s deep house, deep techno, and chill-out music, resulting in possibly his most clear narrative to date, telling a story of beauty, sacrifice, defiance, and love.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFans of his emotive and hypnotic soundscapes will feel at home – but while many of his past works center around sadness, it’s now time for strength to prevail. There’s a much more pronounced feeling of strength and determination than ever before: there are times in life to let sadness envelop us… and there are times to make our lives our own… and to fight for what’s right.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn an increasingly negative and fatalistic world, Resistance is Beautiful reminds us of those days when there was nothing we wouldn’t fight for – and nothing we feared.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e1. What Happened to Us, 2. Nothing Like You, 3. Gone Tomorrow, 4. This is Why You'll Never Win, 5. Fall\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556676036,"sku":"DRL250","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL250.jpg?v=1487677532"},{"product_id":"harold-budd-in-the-mist","title":"Harold Budd - In The Mist","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003e\u003cspan\u003eRelease date: 6\/15\/2011\u003cbr\u003e\u003cbr\u003ePreorder limited edition re-press of 500 black vinyl 2xLP \u003c\/span\u003e\u003cspan\u003eto ship by June 19\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cspan\u003eInstant download with 2xLP pre-order. CD, download available now.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eHarold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood. \u003cbr\u003e\u003cbr\u003eWithin the first three notes of a Budd composition, with trademark fresh-as-improvisation sound, whether deep dark or bright light, the listener is transcended to an enlightened state within the balance of empty space, sometimes wistful nostalgia, frequent idealism and always persistent love and beauty.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn The Mist is the artist purely distilled. It is the music of Harold Budd at its most raw, emotive and minimalist. In addition, Harold is writing for string quartet. In The Mist is comprised of three distinct movements. Tracks 1-5, The Whispers, are minimalist, tonal, sometimes tone-bending piano compositions. Tracks 6-8, The Gun Fighters, are more dramatic piano compositions with sparse electronic effects and percussive elements. Tracks 9-13, Shadows, are new Harold Budd string quartets, which add an additional component of interest - minimal, abstract, moody compositions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll Music Guide calls Harold \"an American ambient\/neo-classical composer\". He is absolutely the World's number one minimalist, ambient, modern classical composer. That said, he abhors the word ambient. \"Ambient: Everytime I read this word I cringe: I've been kidnapped by something I neither know of nor care about; it's better by 1000 times than \"New Age\" from 2 decades ago, but still...\" Although his work is often called ambient, minimal and classical, these labels do no justice to the quiet beauty and uniqueness of the work.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"First impressions. VERY empty. A sad edge to a lot of the pieces. Nice choice of synthetic sounds.... Damn that's an empty landscape. De Chirico must be shitting himself.\" --Andy Partridge\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Tone bending: Interesting. Mike and I spent a lot of time getting a particular feel or sound I thought should be there. It all began with the 4tets on the first day's recording. I love string music but I hate the sceeching sound of string 4tets, thus we got to work after lunch. Took the highs out, softerned some attacks... very slight chorus reverb... then I asked for a harmonizer set at 101: no harmonizer, so: on Mike's program we simulated that, or close to it, and that was it. In fact, except for the first piece, we used it for the entire mix (not every piece \"harmonized\", however, -- piece-by-piece adjustments, alterations...).\" --Harold Budd\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Whispers\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. Haru Spring\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. The Whispers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. The Startled\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. The Foundry (for Mika Vainio)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. The Art of Mirrors (after Derek Jarman)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGunfighters\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e6. Three-Fingered Jack\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Greek George\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Black Bart\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShadows\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e9. Come Back To Me In Dreams\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Parallel Night\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Sun At 6 Windows\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. The Panther of Small Favors\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13. Mars and the Artist (after Cy Twombly)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Michael Coleman at Orangewood Studio, Mesa, Arizona, March 2011.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eString Quartet (9-13):\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLinda J. Lambie, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHisami Lijima, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeter Rosato, viola\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRichard Bock, cello\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpecial thanks: Cameron Allan, Linda J. Lambie.\u003c\/span\u003e\u003c\/p\u003e","brand":"Darla","offers":[{"title":"2xLP","offer_id":35556676100,"sku":"DRL248-1","price":38.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":37180731332,"sku":"DRL248-2","price":13.0,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":43186698027097,"sku":"DRL248-3","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL248.jpg?v=1487679040"},{"product_id":"robin-guthrie-harold-budd-bordeaux","title":"Robin Guthrie \u0026 Harold Budd - Bordeaux","description":"\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e2xLP TEST PRESSING.\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eThis title is now otherwise out of print\/deleted.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDarla Records is proud to offer \u003cem\u003eBordeaux\u003c\/em\u003e, a new album by Robin Guthrie and Harold Budd; unquestionably the two masters of sonic beauty, minimalism and modern ambient. We feel there is nothing better than an artist with a sound so completely original and unique unto himself that it is instantly recognizable. This gift is widely acknowledged to be one bestowed on both Mr. Guthrie and Mr. Budd. What's even more significant, however, is how the signature style of each combine to create a complimentary union so rare and sublime.\u003cbr\u003e\u003cbr\u003eSince meeting in 1986 when they recorded \u003cem\u003eThe Moon And The Melodies\u003c\/em\u003e they have joined occasionally for albums, soundtracks and live performances. Each has forged a very independent music career and become firmly established in his own right. Mr. Budd’s 1984 album \u003cem\u003eThe Pearl\u003c\/em\u003e, a collaboration with Brian Eno, remains an ambient minimalist milestone that set the scene for a whole generation of copyists. Likewise Mr. Guthrie’s guitar and production work, from his roots in Cocteau Twins, has broken entirely new ground and has had a significant impact on alternative music for over 30 years.\u003cbr\u003e\u003cbr\u003eWith the twin albums \u003cem\u003eAfter The Night Falls\u003c\/em\u003e and \u003cem\u003eBefore The Day Breaks\u003c\/em\u003e released in 2006, Mr. Guthrie and Mr. Budd received acclaim without parallel. However, \u003cem\u003eBordeaux\u003c\/em\u003e, recorded in the hazy Summer of 2010 in a studio near Bordeaux, France, has a further degree of elegance, poise and sheer breathtaking romance, which shows these two fine gentlemen at their best.\u003cbr\u003e\u003cbr\u003eEvident, as one would expect, is a maturity, intensity and depth of character, magnificently understated, which no others in the field can even come close to matching. Its dense richness makes \u003cem\u003eBordeaux\u003c\/em\u003e a striking work of ambient impressionism. 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Clive plays live for Mojave Desert Land Trust while the Southern California Desert Video Astronomer team equipped with deep space telescopes project live images on the domed surface of The Integratron.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe event is a Perseid Meteor shower party hosted at the mysterious Integratron; a large wooden dome built by George Van Tassle in the 1950s in the high desert of Southern California with construction materials provided by the eccentric aviation tycoon Howard Hughes. An outdoor Summer party held under a clear velvet-black sky detailed with stars and straddled from horizon to horizon with The Milky Way, Clive Wright uses the color pallet of sound emanating from his guitars to create an other-worldly live score spontaneously interpreting the live visuals of stars, galaxies and other deep space images projected before him and the audience. Clive clearly reflects the presence of deep space objects shining on the building and enhances the listener's experience of the colorful nebulae and star fields from within ours and distant galaxies.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSince 2008 Clive Wright has collaborated and produced three critically acclaimed albums with ambient music artist and legend Harold Budd, A Song for Lost Blossoms, Candylion and Little Windows. He is currently producing a new studio album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. Taqsim to Antlia, \u003c\/span\u003e\u003cspan\u003e2. Plateau of Mendas, \u003c\/span\u003e\u003cspan\u003e3. Vulpecula, \u003c\/span\u003e\u003cspan\u003e4. Cassiopias Necklace, \u003c\/span\u003e\u003cspan\u003e5. Sine Nomine, \u003c\/span\u003e\u003cspan\u003e6. 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The result is a surreal, mood elevating sound combined with a fine pop sensibility that makes it easy to understand.\u003cbr\u003e \u003cbr\u003e You could say that artists like Animal Collective, Ariel Pink, Deerhunter \u0026amp; Panda Bear influenced some production elements on this album but at the same time it does not sound like those artists. It sounds like Keith Canisius.\u003cbr\u003e \u003cbr\u003e 1. People’s Faces\u003cbr\u003e 2. First Tambourine Love\u003cbr\u003e 3. Inner Blue, Outer Red\u003cbr\u003e 4. This Time it’s Our High\u003cbr\u003e 5. Kill Your Systems for Earth\u003cbr\u003e 6. The Beach House\u003cbr\u003e 7. Imagery\u003cbr\u003e 8. Gentle Guys\u003cbr\u003e 9. Jimmy","brand":"Darla","offers":[{"title":"CD","offer_id":35556676420,"sku":"DRL239","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/keith-canisius-this-time-it-s-our-high.jpeg?v=1487701539"},{"product_id":"modern-english-soundtrack","title":"Modern English - Soundtrack","description":"\u003cp\u003eDarla Records is proud to offer the seventh album by iconic post-punk\/new wave pop craftsmen Modern English, best known for their hit song “I Melt with You”. Their classic album \u003cem\u003eAfter the Snow\u003c\/em\u003e (4AD: 1982) featured what became a radio\/club mega-hit and MTV staple, “I Melt with You”, which was used in the film \u003cem\u003eValley Girl\u003c\/em\u003e, in more than one TV advertisement and became the flagship track on the popular \u003cem\u003eNouvelle Vague\u003c\/em\u003e covers album.\u003cbr\u003e \u003cbr\u003e Now as then, Modern English is smart, modern pop, firmly rooted in post-punk yet undeniably Beatle-esque. Described by Robbie Grey as, “Some real music for real people with real emotions”, \u003cem\u003eSoundtrack\u003c\/em\u003e marks the convincing return of a band with a solidly recognizable, signature sound and pop sensibility. The songs ranging from the uplifting, jangle-pop with infectious, sing-along chorus and dance-able beat of “It’s Ok”, the record’s obvious single, and the equally inspired “Blister” and “Up Here in the Brain”, to dark, downtempo grooves with somber keyboard washes in which Grey sings of never-far-off blackness and suicide, “Soundtrack”, “Bomb”, “The Lowdown”, are all characteristically introspective and consistent with Modern English’s best work.\u003cbr\u003e \u003cbr\u003e Modern English now is Robbie Grey (vocals), Steven Walker (guitar), Nik Williams (bass), Matthew Shipley (keyboards) and Jon Solomon (drums). Modern English’s George Martin, Producer Hugh Jones (“I Melt With You”, \u003cem\u003eAfter The Snow\u003c\/em\u003e, \u003cem\u003eRicochet Days\u003c\/em\u003e, plus Simple Minds, Echo \u0026amp; The Bunnymen, That Petrol Emotion, Pale Saints, The Charlatans, etc.) produced \u003cem\u003eSoundtrack\u003c\/em\u003e. The album was recorded residential style - living, eating and sleeping music at Chapel Studios in the English countryside over a two month period, then mixed at Pete Townsend’s studio, The Barge, on the Thames in London and mastered at Metropolis Studios, London.\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eAlbum design by Vaughan Oliver, 23 Envelope.\u003cbr\u003e\u003cbr\u003e1. It's Ok, 2. Blister, 3. Bomb, 4. Soundtrack, 5. Call Me, 6. Here Comes the Failure, 7. The Lowdown, 8. Up Here in the Brain, 9. Deep Sea Diver, 10. Antique Future, 11. 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His third LP, The Electricity in Your House Wants to Sing, was released on respected indie label Darla in early 2006, followed by Uphill City in 2008.\" -- iTunes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. The Everything Machine, Pt. 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Making a Case for Magic (Oorutaichi remix)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Train Station Lullaby (Lullatone remix)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Island Life (Dot Tape Dot remix)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. 401 Circuit (Shugo Tokumaru remix)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. The Build\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Storm of the Century (Watchman remix)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Something to Write Home About (Montag remix)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. The Everything Machine, Pt. 2\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e* 1, 6 \u0026amp; 9 by I Am Robot and Proud and Yuri Miyauchi.\u003c\/span\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556676548,"sku":"DRL237","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL237.jpg?v=1487682749"},{"product_id":"manual-drowned-in-light","title":"Manual - Drowned In Light","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCD re-press with instant download.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eManual, aka Jonas Munk, is a producer from Odense, Denmark specializing in a unique brand of warm, organic music that fuses elements of new and old, electronic and hand-played, analogue and digital. He made his debut 10 years ago with an EP on Hobby Industries, followed by a handful of releases on Morr Music, both as Manual and with Icebreaker International, as well as his band Limp. Later, Munk signed with Darla and expanded his work into the area of minimalist ambient music while still perfecting the original Manual sound.\u003cbr\u003e\u003cbr\u003eWhile completely unknown in his native Denmark, Munk is considered an influential artist in the circles of dream pop and electronica, and he has toured all over the world, and collaborated with artists including Ulrich Schnauss, Robin Guthrie (Cocteau Twins), Auburn Lull and, perhaps more surprisingly, members of Tortoise and Sunburned Hand of the Man.  He has also scored a number of documentary films and undertaken production work for other bands and artists. Aside from collaborations, two minimalist ambient albums and a rarities collection from 2007, Drowned in Light is the first Manual album in five years.\u003cbr\u003e \u003cbr\u003eManual’s style has been described as \"one of the most recognisable in electronica\".  At the core of this lies an ongoing desire to fuse electronic music with the structures and compositional elements of rock and pop and an insistence that electronica can be fresh and innovative without flowing with the latest trends. Never have Munk’s unique strategies been more apparent than on his new album Drowned in Light, an ambitious work that showcases Munk’s talent for adventurous compositions, his finely-tuned production skills and aptitude for sound-design. On this latest album, drum machine loops and shimmering guitars (electric, acoustic, 12-string and flamenco) are bathed in analogue synth and modular effects, creating a lush, intoxicating sound that looks back to the 1970s and 1980s without a hint of the usual sleek irony or hip retro-revivalism, whilst simultaneously looking forward to a time when boundaries between programmed and played, and synthetic and organic, have become obsolete.\u003cbr\u003e\u003cbr\u003eThe family tree of Drowned in Light begins with Harmonia, Ash Ra Temple and Ennio Morricone in the 1970s, Durutti Column and Cocteau Twins in the 1980s, through to Seefeel and Slowdive in the 1990s. Manual continues this lineage and pushes into new territories. A prime example is “Biarritz”, where analog synth sequences that could belong in a Tangerine Dream excursion blend with elements of modern electronica, exotica and echoes of 80s’ synth pop. In a similar fashion “Phainomenon” rolls along like a mid-70s Ash Ra Temple jam until halfway, where the mood breaks and the track enters classic dream pop territory, leading to a dizzying climax. “Blood Run” and “Afterimages”, meanwhile, arguably possess some of Munk’s finest guitar playing, whilst “Pulsations” is, without doubt, the most cosmic, distorted and swirling psychedelic moment in the Manual catalogue.\u003cbr\u003e\u003cbr\u003eIn some ways Drowned in Light reaches back to the early Manual days of Ascend, a result of Munk’s rediscovered love of working with analogue gear. It is a diverse set, though, bound together by a warm, crystalline production and Munk’s signature guitar playing.  Composition and craftsmanship on this level is such a rarity in an overcrowded sea of electronic music.  This is the perfect album to accompany any journey into spring…\u003cbr\u003e\u003cbr\u003e1. Warm Circuits\u003cbr\u003e2. Afterimages\u003cbr\u003e3. Biarritz\u003cbr\u003e4. Phainomenon\u003cbr\u003e5. Drowned In Light\u003cbr\u003e6. Empty Inside\u003cbr\u003e7. Pulsations\u003cbr\u003e8. Morning Glass 1982\u003cbr\u003e9. Slow\u003cbr\u003e10. Blood Sun\u003cbr\u003e11. Sabishisa\u003cbr\u003e12. Issa\u003cbr\u003e\u003cbr\u003ePast press praise for Manual:\u003cbr\u003e“...Sonically, it’s Seefeel meets Sons And Fascination era Simple Minds meets Kevin Shields meets David Sylvian; in other words, it inhabits a world where boundaries blur and where sounds collide and move within and around each other to make something instantly, comfortingly recognizable yet with an abstract sense of the new.” -- Tangents Magazine\u003cbr\u003e\u003cbr\u003e“The musings of so many of his peers feel conceptually thin and prefabricated in comparison to Manual's wandering, curious anthems.” –- Pitchfork\u003cbr\u003e\u003cbr\u003e“Think of My Bloody Valentine, but lighter than air. Or think of what Air's soundtrack to The Virgin Suicides might have been like if they spent more time at the beach. Or think about Brian Eno, if he surfed and liked drinks with exotic names and umbrellas in them. Think about Tangerine Dream: their name even more than their sound… and you've got a beautiful, awe-inducing force of nature.” -- Erasing Clouds Magazine\u003cbr\u003e\u003cbr\u003e“A painstaking labour of love that principally takes Durutti Column and the Cocteau Twins as its key templates and weaves their chiming matrix into a celebratory carnival of lush colour coded ambient structures of the type so rarely heard these days. All at once sensual, invigorating, heart stopping and quite simply perfect.” -- Losing Today Magazine\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD (2025 Re-press)","offer_id":35556676676,"sku":"DRL236","price":13.0,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":41418083565657,"sku":"DRL236-3","price":8.0,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":41418092871769,"sku":"DRL236-4","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/manual-drowned-in-light.jpeg?v=1487701925"},{"product_id":"stafraenn-hakon-sanitas","title":"Stafraenn Hakon - Sanitas","description":"\u003cp\u003e\u003cstrong\u003eLimited edition of 1000 packaged in a deluxe, six panel, tri-fold \"Old style\" Stoughton Press 5\" CD mini-jacket with satin finish.\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Catchy melodies and euphoric compositions constitute Stafrænn Hákon´s sixth album, Sanitas. The songs are yet intense and powerful and an adventurous continuation of Stafrænn Hákon´s last release, Gummi that Gaz – eta described as a wild ride the band again took the listener on. Stafrænn Hákon has through the last years been described as a mix of post-rock, lo-fi, ambient guitar \u0026amp; electronica which still holds true to some extent though he with each album takes a giant leap and keeps growing as a musician. On Sanitas, Stafrænn Hákon travels to the other side of the sound spectrum, gradually moving further from electronica, subtle compositions and soothing melodies towards more straight forward, rock orientated compositions which the artist himself often describes as Power-Ambient, currently only audible to left handed polar bears. On Sanitas, Stafrænn Hákon continues his explorative journey, this time by taking another daring but natural step towards more pop oriented and singalong melodies, something that a few years ago sounded unlikely for the ambient post-rock\/electronica band.\u003cbr\u003e \u003cbr\u003e Stafrænn Hákon continues sliding a comic or surreal twist to the songtitles as in previous records, challenging the epic and dreamy connotations his music has always been ascribed with. Humour in combination with sincerity has long been some of Stafrænn Hákon´s driving forces, a twisted combination that reflects a personal nuance for those curious to dig deeper into the mindworld of the man behind the band.\u003cbr\u003e \u003cbr\u003e The songs on Sanitas build on certain elements from Stafrænn Hákon´s last album, Gummi, songs like “Second to none” with heavy guitars, layers of instruments and vocals that this time are further explored, thickened and hardened. Stafrænn also takes a step into a more darker place where elements of doom metal can be heard on the track “Val Kilmer” who was a huge inspiration for the recording sessions of Sanitas. The last album, Gummi, was described by Angry Ape as “a grandiose statement from an immensely talented musician. Rich in instrumentation and choc full of gorgeous, chiming melodies”, and “stuff so wonderfully blissed out, I'm not sure how it could be improved upon. This stuff is way beyond quality”, by Black and White magazine”. On Sanitas, the compositions move from subtle background music towards more aggressive and up front music with popular references and a faster tempo. The melodramatic atmosphere has stepped aside for upbeat songs with sloppy guitar solos and a sharp focus on the songs´ structures, again inviting the listener on a new and most rewarding journey.\u003cbr\u003e \u003cbr\u003e The Icelandic born Ólafur Josephsson has been recording music since 1999 and is the mind behind Stafrænn Hákon. Since his first release that created a hype around it´s lo-fi DIY production in 2001, Olafur has travelled from Iceland to Scotland, to Denmark with his mobile home studio and is to take another journey in the following months, resettling in Iceland where ...\u003cbr\u003e \u003cbr\u003e Samuel White and Olafur Josephsson continue their close collaboration – a childhood friendship, that developed into a creative partnership keeps growing and developing. Samuel composed 4 tracks on this record that are in line with his former compositions, but this time more upbeat. As the producer of Sanitas, Daniel Lovegrove has undeniably become a vital part of Stafrænn Hakon, with his intense drumming and extensive arrangements, including vocals on 2 tracks as well as playing bass. On Sanitas we see fantastic contributions from Lárus Sigurðsson (a member of the side-project Calder) with his rich acoustic instrumentations, as well as vocals from Minco Eggersman and Magnús Freyr Gíslason. Stafrænn Hákon has collaborated with a broad range of artists and musicians and was aired at the late John Peel´s radio sessions amongst others. He has released material on The U.S based indie label Secret Eye, Resonant Records, Awkward Silence, Chat Blanc, Japanese Nature Bliss, and now for the first time on Darla Records (U.S \u0026amp; EU) and Happy Prince (ASIA).\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e1. Minning um Deig, 2. Second to None, 3. Emmer Green, 4. Ratio 8-3 (at least., 5. Unwind, Tender Dog!, 6. Bright, 7. Val Kilmer, 8. Sanitas, 9. You Have to Let Me Borrow This, 10. Temporality, 11. Provisional Meat, 12. The Jerker\u003cbr\u003e \u003cbr\u003e Packaged in a deluxe, six panel, tri-fold \"Old style\" Stoughton Press CD mini-jacket.\u003cbr\u003e \u003cbr\u003e Produced by Daniel Lovegrove \u0026amp; Olafur Josephsson. Recorded at Daniel Lovegrove´s studio, August 2009 and at home various times 2007-2009. Mixed by Daniel Lovegrove. Mastered by Arnar Helgi Aðalsteinsson.\u003cbr\u003e \u003cbr\u003e All songs written by Olafur Josephsson except Samuel White wrote Second to None, Ratio 8-3 (at least), Bright \u0026amp; Provisional Meat.\u003cbr\u003e \u003cbr\u003e Published by Olafur Josephsson\/KODA\/NCB.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eStafrænn Hákon on this album:\u003c\/strong\u003e\u003cbr\u003e Olafur Josephsson: Guitars and guitar treatments, pianos, percussion, harmonium, bells, bass,  keyboards, banjo, acoustic guitars.\u003cbr\u003e Daniel Lovegrove: Bass, Drums, guitar, synths, harmonium, vocals on Post \u0026amp; Unwind tender dog!\u003cbr\u003e Samuel White: guitar on Sanitas.\u003cbr\u003e Lárus Sigurðsson: acoustic instruments.\u003cbr\u003e Minco Eggersman: vocals on Second to none, Sanitas \u0026amp; Temporailty.\u003cbr\u003e Magnús Freyr: vocals on Emmer Green \u0026amp; Provisional Meat.\u003cbr\u003e Þórður Hermannsson: Cello on Bright and Second to none.\u003cbr\u003e Rob: Backing Vocals \u0026amp; Trombone.\u003cbr\u003e Ingibjörg Sigurjónsdóttir: piano on Bright.\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556676932,"sku":"DRL235","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/Sanitas.jpeg?v=1487703463"},{"product_id":"harold-budd-clive-wright-little-windows","title":"Harold Budd \u0026 Clive Wright - Little Windows","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDarla is pleased to offer a new album from Harold Budd and Clive Wright.  \u003c\/span\u003e\u003cem\u003eLittle Windows\u003c\/em\u003e\u003cspan\u003e completes the trilogy begun with \u003c\/span\u003e\u003cem\u003eA Song for Lost Blossoms\u003c\/em\u003e\u003cspan\u003e and carried through their previous album \u003c\/span\u003e\u003cem\u003eCandylion\u003c\/em\u003e\u003cspan\u003e.  Part of \u003c\/span\u003e\u003cem\u003eLittle Windows\u003c\/em\u003e\u003cspan\u003e was recorded especially for Echoes, the nightly music soundscape from Public Radio International heard on over 120 public radio stations and online at www.echoes.org.  These recordings were first heard on Echoes Radio in Fall 2009.  The other part of \u003c\/span\u003e\u003cem\u003eLittle Windows\u003c\/em\u003e\u003cspan\u003e was recorded by Clive and Harold working together at Clive's studio. \u003c\/span\u003e\u003cem\u003eLittle Windows\u003c\/em\u003e\u003cspan\u003e showcases these Artist's individual talents more so than their two previous albums. Only two of the nine tracks are collaborative Budd\/Wright works. Four tracks are fully fleshed out Clive Wright solo compositions recorded at his Desert Sky Studio. Three tracks are Harold Budd solo at the piano -- just Harold with a beautiful sounding piano in a beautiful sounding room at Knobworld Studios, Silverlake.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLittle Windows\u003c\/em\u003e\u003cspan\u003e is a fresh collage of aural landscapes and moods just the same as \u003c\/span\u003e\u003cem\u003eA Song For Lost Blossoms\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eCandylion\u003c\/em\u003e\u003cspan\u003e. Clive's work evokes the desert landscape of his Joshua Tree, California home -- silent, serene, pristine and austere yet opulent in unique beauty and humble spirit. As it has often been said, \"You can identify Harold's piano playing in just three notes\". It is that unique, always -- minimalist yet glowingly warm and glistening, meditative and alive. For my ears, there's absolutely no better way to enjoy Harold Budd's music than to hear it just Harold and piano solo -- delightfully minimal, subversive, beautiful and without distraction.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLittle Windows\u003c\/em\u003e\u003cspan\u003e reminds the listener first of the best of Harold Budd's previous solo work and his collaborations with Brian Eno. Clive creates a genuinely colorful, enchanted and ornate moodscape, which also works as a framework evoking Eno, Fripp and most certainly The KLF's ambient classic \u003c\/span\u003e\u003cem\u003eThe Chill Out\u003c\/em\u003e\u003cspan\u003e to showcase Harold's Minimalist Master work. Art beautiful Art!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHarold Budd is recognized as \"The Godfather of Ambient Music\".  His works are the cornerstones of the modern Minimal and Ambient canon.  Clive Wright is a founding member of the platinum selling pop\/rock band Cock Robin and has worked as writer, producer and guitarist with Human Drama, Tears for Fears members, Montell Jordan, The Black Eyed Peas and Peter Gabriel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLittle Windows\u003c\/em\u003e\u003cspan\u003e\u003cspan\u003e was recorded and mixed for the most part at Clive Wright's Desert Sky Studio, Joshua Tree, CA. during the last quarter of 2009. Harold's three solo Piano pieces were recorded by Jim Lang at Knobworld Studio, Silverlake, CA.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Plumade\u003cbr\u003e2. Prelucid\u003cbr\u003e3. Procession of Moons\u003cbr\u003e4. Queen of Cydonia\u003cbr\u003e5. Numismatic\u003cbr\u003e6. Drifting Cities\u003cbr\u003e7. Tong War\u003cbr\u003e8. Sweet Earth Flying\u003cbr\u003e9. Damask, Then\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCover art painting JPL, 2000 by Billy Al Bengston.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePERSONNEL: Harold Budd: Piano, Keyboards. Clive Wright: Guitar, Roland Guitar Synth. Cleodelle Williams: Voice on \"Queen of Cydonia\". Harold Budd solo piano tracks 7-9 recorded by Jim Lang at Knobworld. Clive Wright: Engineering, Production, Mastering.\u003c\/span\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556677124,"sku":"DRL234","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL234square.jpg?v=1490303753"},{"product_id":"lowlights-further-free","title":"Lowlights - Further\/Free","description":"\u003cp\u003eSinger\/songwriter Dameon Waggoner and band Lowlights create haunting Western soundscapes; songs of windswept, lyrical aloneness with sweet melancholic melodies. There's even a couple murder ballads here; one new, one traditional. A backline of guitar, bass, drums, fiddle, banjo and pedal steel keep it real behind the maestro's gravely voice, harmonica, guitar \u0026amp; keys.\u003cbr\u003e \u003cbr\u003e \u003cem\u003eFurther\/Free\u003c\/em\u003e is Lowlights third record and picks up right where the last album, critic's favorite \u003cem\u003eDark End Road\u003c\/em\u003e, left off. This time, however, Lowlights is a bit more like The Band than The Church and much more like Graham Parsons than Spiritualized. Lowlights are more stone cold, rock solid and earthy than ever. Their musical roots are definitely Country. With the addition of trumpet on the album's key track \"Under the Sun\" Lowlights feel like Ennio Morricone backing The Pogues. A nice touch.\u003cbr\u003e \u003cbr\u003e Dameon Lee Wagoner is a native of Albuquerque, New Mexico who spent his formative years behind the Redwood Curtain in the northern California college town of Arcata up in Humbolt County. He now resides in Los Angeles where he works with his Country\/Rock band Lowlights and Bluegrass band Big Eagle. Both bands play out live often and pick up and once a year do a week or two of live dates throughout the west and beyond.\u003cbr\u003e \u003cbr\u003e --Digipak printed with soy based ink on 100% recycled board with aqueous coating. No oil used! Even our plastic trays are made from 100% recycled material. Packaging made by Ross Ellis, a Forest Service Council certified business.\u003cbr\u003e\u003cbr\u003e1. Lighthouse Keeper, 2. Under the Sun, 3. Dirty Little Town, 4. Down in the Mines, 5. California Home, 6. Summer’s Gone, 7. My Revolver, 8. Red Tail Lights, 9. It’s Over Now, 10. Willow Garden, 11. So Unkind, 12. Second Chance\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e Reviews:\u003c\/strong\u003e\u003cbr\u003e \u003ca href=\"http:\/\/www.popmatters.com\/pm\/review\/116267-lowlights-furtherfree\/\"\u003e\u003cbr\u003e Popmatters\u003c\/a\u003e\u003cbr\u003e \u003ca href=\"http:\/\/www.erasingclouds.com\/wk0210lowlights.html\"\u003eErasing Clouds\u003c\/a\u003e\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556677380,"sku":"DRL229","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/further_free.jpg?v=1490336544"},{"product_id":"piano-magic-ovations","title":"Piano Magic - Ovations","description":"\u003cp\u003e\u003cstrong\u003eLP+LP TEST PRESSING: Limited to 4.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e10th official album by London-based Anglo-French coldwave group, Piano Magic. \u003cstrong\u003eFeatures special guests Brendan Perry and Peter Ulrich of Dead Can Dance.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's difficult to know what propels Piano Magic. Here's a group that despite releasing over 30 records since their debut in 1996 have managed to sidestep anything resembling accolades. Though it was they who coaxed Vashti Bunyan out of a 30 year retirement for their 2001 album, Writers Without Homes, the credit went to the hipper Devendra Banhart and Animal Collective. Further collaborations with the likes of Low and Cornershop were quickly papered over. A beautiful soundtrack for Spanish film director, Bigas Luna, was lost to all but Spain's video stores. Regular tours and festival headlines throughout Italy, France, Germany and Spain may have paid off with a devout Continental following but haven't particularly translated into press or record sales. Records for the likes of 4AD, Morr Music and Darla have anchored them in \"cult\" status. Even so, after 13 years beneath a cloud of indifference Piano Magic have made some of the most compelling, poetic, dynamic and romantic records of our time.\u003cbr\u003e \u003cbr\u003eOvations, released October 12th is no exception. Recorded May through August of 2009 by Gareth Parton (The Go-Team, The Breeders, Pete \u0026amp; The Pirates) at his petite La Planque studio and The Fortress in London, Ovations is the Anglo-French group's 10th album proper. Typically for a Piano Magic record it's a restless beast; a record that swings wildly between Marrakesh, Eastern Europe, Sevilla and early 80s Manchester without breaking a sweat. Piano Magic have always worn their influences on their sleeves. The Chameleons, Joy Division and The Cure rub shoulders with Turkish darabuka, hammered dulcimer, viola, cello, flamenco claps. 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The reclusive Perry, himself, a very recent convert to Piano Magic's music was only happy to sing with a group that by his own admission, were making \"the most beautiful music\" he's heard for a long time.\u003cbr\u003e\u003cbr\u003eWhether this new album is quickly consigned to a dusty drawer in the museum of musical curios like so many other Piano Magic records is yet to be seen but there's more depth, soul, variety, dynamic, romance, emotion here than many groups manage in their entire careers.\u003cbr\u003e\u003cbr\u003e1. The Nightmare Goes On, 2. March of the Aetheists, 3. On Edge, 4. A Fond Farewell, 5. The Blue Hour, 6. Recovery Postition, 7. La Cobardia De Los Toreros, 8. You Never Loved This City, 9. The Faint Horizon, 10. 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Packaging made by Ross Ellis, a Forest Service Council certified business.\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThe World’s most popular compilation series!  Features work by Darla family artists and labels.  Package design is made to look like Dr. Bronner's Peppermint Soap.  Features 250 quotes by and about music and music people. 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Doug Easley of Easley Studios Memphis played bass and did final production and Grifters drummer, Stan Gallimore, laid down the Bastard beat. TBS don't sound too much like The Grifters and this is no side project. This is high-fidelity, American rhythm \u0026amp; blues, spiked 100 proof as if Bolan, Bowie, Cale and Lennon had holed up at Stax and made their first record together ...Holy Sinsemilla!\u003cbr\u003e \u003cbr\u003e Those Bastard Souls touring band consisted of Grifter Dave Shouse, Red Red Meat bassist Matt Fields, Trenchmouth drummer and then future Saturday Night Live cast member Fred Armisen, longtime friends Joan Wasser of The Dambuilders on violin, The Flaming Lips' multi-instrumentalist and drummer Steven Drozd and Steven Golub on Saxophone.\u003cbr\u003e \u003cbr\u003e Tracks:\u003cbr\u003e \u003cbr\u003e 1. Introducing Those Bastard Souls\u003cbr\u003e 2. These Things Will Slay You Every Time\u003cbr\u003e 3. Curious State I'm In\u003cbr\u003e 4. Subterranean Death Rides Blues\u003cbr\u003e 5. The Train From Terminal Boredom\u003cbr\u003e 6. !#*#!* (I'm Takin' Off)\u003cbr\u003e 7. Dirty Looks\u003cbr\u003e 8. Good Luck Split Town Today\u003cbr\u003e 9. Remembering Sophie Rhodes\u003cbr\u003e 10. What Am I Gonna Do Now\u003cbr\u003e 11. The Top Ten Zen Offenders\u003cbr\u003e 12. 21st Century Chemical\u003cbr\u003e \u003cbr\u003e Bonus Tracks:\u003cbr\u003e \u003cbr\u003e 13. Spaced Out --previously released on Darla 100 compilation CD (2000)\u003cbr\u003e 14. Here in the Ocean --previously unreleased\u003cbr\u003e 15. Mercury --previously unreleased\u003cbr\u003e 16. The Golden Age of Paranoia --previously unreleased\u003cbr\u003e 17. Venus in Rags --previously unreleased\u003cbr\u003e 18. All You Get --previously unreleased\u003cbr\u003e 19. The Coldwater Freak Show --previously unreleased\u003cbr\u003e \u003cbr\u003e Liner notes:\u003cbr\u003e \u003cbr\u003e I made this record during the last months of 1995 with help from Doug Easley, DavisMcCain, Stan Gallimore \u0026amp; Jim Spake. Also gotta send out a thank you to Sherman Willmott who allowed me to cut all the lead vocal tracks in the bathroom at Shangri-La Records. At some point during the recording I decided that fiction would trump reality, and I concocted the world of Those Bastard Souls: a lone, young American brings his Harmony guitar Hoochie-Koo to a gang of glam-worshippin' Amsterdam punks.\u003cbr\u003e \u003cbr\u003e By March of '96 I was busy touring with my main gig, The Grifters, for our Sub Pop debut, Ain't My Lookout. As much as I loved making 20th Century Chemical I really had little or no expectations for it commercially, or as the catalyst for live shows. Over the summer I got a call from my friend Matt Fields, who I knew from his days in God \u0026amp; Texas and Red Red Meat. He wanted to put together a Those Bastard Souls touring band. Seems Lou Barlow of Sebadoh had heard the record and wanted \"The Souls\" to support his band on a two-week east coast tour. Meanwhile The Grifters were getting  the cold shoulder from promoters about securing similar support slots on other fall tours. (We would later turn down a two-month winter tour with Weezer.)\u003cbr\u003e \u003cbr\u003e So Matt \u0026amp; I put a band together: The Dambuilders' Joan Wasser, Steven Drozd from The Flaming Lips, Matt's old friend Steve Golub \u0026amp; a drummer I'd never even met named Fred Armisen. Matt \u0026amp; Joan would continue with me through four more personnel changes and a major label record deal.\u003cbr\u003e \u003cbr\u003e As for the bonus material: \"Spaced Out\" appears in demo version, recorded to 4-track cassette in the lounge at Easley\/McCain Studio in 97 as Sub Pop pressed me for more Grifter songs. Both bands would end up recording their own versions. \"All You Get\" \u0026amp; \"Coldwater Freak Show\" were written during '99 touring. \"Venus in Rags,\" \"Mercury\" \u0026amp; The Golden Age of Paranoia\" were written in 2000 between Memphis \u0026amp; Woodstock, NY as I tried to escape that major label deal (gone wrong), and recover from a vexing state of depression \u0026amp; illness. The 99\/00 tunes were recorded at Easley\/McCain between Dec 99 and Nov 00 with Stuart Sikes engineering. Matt \u0026amp; Kevin March were the rhythm section on these cuts. Thanks Jared \u0026amp; Lori McStay for singing. Thanks Doug Easley for playing a bunch of stuff.\u003cbr\u003e \u003cbr\u003e I would also like to thank Michael Tighe, Kate Hyman, Kevin Salem, Miche Jette, Dan Ball, Suzanne McCarthy, Marc Attenberg, Liza Wakeman, Bob Pollard, Wayne Coyne, Sam Kraker, John Floyd, Richard Grabel \u0026amp; the handful of folks whose aid \u0026amp; comfort I was too self-absorbed then to now remember.\u003cbr\u003e \u003cbr\u003e A very special thanks to James \u0026amp; Chandra at Darla Records and to my wife, Tammy, for sharing \u0026amp; bearing my ups \u0026amp; downs.\u003cbr\u003e \u003cbr\u003e --Dave Shouse, February 2009\u003cbr\u003e \u003cbr\u003e ***Digipak printed with soy based ink on 100% recycled board with aqueous coating. No oil used! Even our plastic trays are made from 100% recycled material. Packaging made by Ross Ellis, a Forest Service Council certified business.\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e Reviews:\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"http:\/\/www.blurt-online.com\/reviews\/view\/1670\/\"\u003eBlurt\u003c\/a\u003e\u003ca href=\"http:\/\/www.blurt-online.com\/reviews\/view\/1670\/\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/www.erasingclouds.com\/wk0609tbs.html\"\u003eErasing Clouds\u003c\/a\u003e\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556678084,"sku":"DRL223","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL223.jpg?v=1487703075"},{"product_id":"desario-zero-point-zero","title":"Desario - Zero Point Zero","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDesario take their name from the character Daniel Desario in the cult TV show Freaks \u0026amp; Geeks. In previous bands (Holiday Flyer, California Oranges, Rocketship) the members of Desario contributed their fair share of joy and happiness to the indie pop cause. But as Desario’s debut release, Zero Point Zero (signifying a clean start for members John Conley, Mike Carr, Jim Rivas and Michael Yoas) materialized over a four year period, something happened... a slow fermentation took place as their poppier elements decomposed into something a little more dangerous. The glistening guitars and melodies are still there but change has manifested. Desario plays dark and sometimes threatening, punchy indie-pop rock like The Smiths with balls or Felt if they were from the West Coast or Modern English stripping down to Wedding Present vulnerability.\u003c\/p\u003e\n\u003cp\u003eEARLY PRESS: \"I’m quite enamored with a self-titled three-song disc by Desario, and if this is a taste of the forthcoming album the band’s still working on (Zero Point Zero, due in October from once-local indie Darla Records), it’s gonna be a real peach. “Cane Cola” is all gleaming chrome over pastoral sweetness, more melodic and soaring than the reworked Joy Divisionisms of Interpol, with John Conley’s friendly and inviting voice surfing over his and Michael Yoas’ intertwined clean electric guitars, with bassist Mike Carr underpinning the song while drummer Jim Rivas splatters around like Moby Grape’s Skip Spence on “Omaha.” The second track, “Fine Time,” continues the feel, while “Nautical Ways” has more jangle along with shouted background vocals. All three are winners; Desario has a sense of melody and dynamics that is captivating.\" --Jackson Griffith, Sacramento News and Review\u003c\/p\u003e\n\u003cdiv id=\"review_links\"\u003e\n\u003ch3\u003eReviews\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.sacbee.com\/entertainment\/story\/1108362.html\"\u003eSacramento Bee\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e1. Nautical Ways, 2. Late Sedan, 3. Cane Cola, 4. Fine Time, 5. Drama Club, 6. Smile with Your Mouth Closed, 7. Houston, 8. Rain and Gold, 9. As I Recall, 10. Sequoia Gee\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556678212,"sku":"DRL219","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL219.jpg?v=1487678226"},{"product_id":"i-am-robot-and-proud-grace-days","title":"I Am Robot And Proud - Grace Days","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBased in Toronto, I Am Robot And Proud is the name Shaw-Han Liem works under to create his singular brand of hypnotic, beguiling electronic pop music.  Grace Days is the full-length follow-up to his 2000 debut album The Catch.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing the initial burst of colour and texture that The Catch offered, Grace Days amplifies and extends it, allowing form and structure to be abstracted, as on tracks like 'Mexico City' and 'Friction On Teeth', with fantastic results.  Shaw-Han also manages to invest an even more depth and emotion to the melodies than before.  The beautiful delicate harmonies on 'Her Version' lull you into a warm, inviting trance, and the title-track opener brings together acoustics and electronics in a way that would make you re-consider how the two styles could ever have been divorced from each other for so long.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt nine tracks, Grace Days is a compact, perfectly formed fabergé-egg of a record.  A sweet, fragile, opulent work that will subtly draw you in, making you wonder how you lived without I Am Robot And Proud before.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e1. Grace Days, 2. The Mood You're In, 3. Winter at Night, 4. Friction on Teeth, 5. Mexico City, 6. A List of Things that Quicken the Heart, 7. Quick Life, 8. Her Version, 9. Learn from Mistakes\u003c\/p\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556678276,"sku":"DRL217","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL217.jpg?v=1487680499"},{"product_id":"i-am-robot-and-proud-uphill-city","title":"I Am Robot And Proud - Uphill City","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLimited edition 140 gm colored vinyl LP with download coupon.\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan class=\"mainCopy\"\u003eI Am Robot And Proud is the name Toronto native Shaw-han Liem works under to create his singular brand of hypnotic, beguiling electronic pop music. Uphill City is the highly anticipated full-length follow-up to his very popular 2006 album The Electricity in Your House Wants to Sing. Like the previous record, Uphill City is electronic pop music that energizes the listener and refreshes the ear yet Shaw-han's skill as clever pop composer has grown even more mesmerizing. Shawn-han says the theme of the new record is that of struggle and achievement in the big city. IARAP is syncopated multi-instrumental rhythms and playful, repetitive multi-dimensional melodies -- just the elixir your head needs. Shaw-Han mixes acoustic instrumentation; piano, guitar and drums seamlessly with his unique electronic keyboard sounds and percussive elements. This isn't difficult, experimental IDM that pulls the listener off the left side of the dial. This is complex composition that manages to simply delight. It’s an exciting sound that gives one the feeling of flying fast \u0026amp; free through a heavenly modern green world of pop, beauty, and sunshine. Your brain chemicals are sure to be balanced after the first minute into the title track. “Since the 2006 album, i have done some traveling and playing shows around the world and visiting many cities. Its interesting for me to see how everyone is living in different ways but there are still similarities. In English, the word \"Uphill\" has a kind of a double meaning. It can be positive like \"things are looking up\", or it can mean something is very difficult like \"uphill battle\". I thought the city was like a symbol for the challenges that happen in your life.” --Shaw-han Liem\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e1. Something to Write Home About, 2. Uphill City, 3. Making a Case for Magic, 4. The Melt, 5. 401 Circuit, 6. Island Life, 7. Storm of the Century, 8. The Risk, 9. Song for Two Wheels, 10. Train Station Lullaby\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eReviews\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.playgroundmag.net\/disco\/1216\/uphill-city-i-am-robot-and-proud\"\u003ePlayground\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/obscuresound.com\/?p=2194\"\u003eObscure Sound\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.erasingclouds.com\/wk1208robot.html\"\u003eErasing Clouds\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.babysue.com\/2008-Oct-LMNOP-Reviews.html#anchor152495\"\u003eBabysue\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/laist.com\/2008\/10\/05\/i_am_robot_and_proud_uphill_city_so.php\"\u003eLAist\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.textura.org\/reviews\/iamrobotandproud.htm\"\u003eTextura\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556678404,"sku":"DRL215-2","price":12.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":35556678468,"sku":"DRL215-1","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL215B.jpg?v=1487682598"},{"product_id":"ariel-abshire-exclamation-love","title":"Ariel Abshire - Exclamation Love","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"site_container\"\u003e\n\u003cdiv id=\"body_container\" class=\"clearfix\"\u003e\n\u003cdiv id=\"content_container\" class=\"clearfix\"\u003e\n\u003cdiv id=\"merch_content_container\" class=\"clearfix\"\u003e\n\u003cdiv id=\"home_right_column\"\u003e\n\u003cdiv id=\"product_container\" class=\"snippet_content_container\"\u003e\n\u003cdiv id=\"track_table_container\"\u003e\n\u003cdiv id=\"album_description\"\u003e\n\u003cdiv data-offset-key=\"c6us5-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"c6us5-0-0\"\u003e\u003cspan data-offset-key=\"c6us5-0-0\"\u003e1. Exclamation Love\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"5vd4a-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"5vd4a-0-0\"\u003e\u003cspan data-offset-key=\"5vd4a-0-0\"\u003e2. Goddamn New Mexico\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2h1m4-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2h1m4-0-0\"\u003e\u003cspan data-offset-key=\"2h1m4-0-0\"\u003e3. Nervous\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"dbckb-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"dbckb-0-0\"\u003e\u003cspan data-offset-key=\"dbckb-0-0\"\u003e4. I Didn't Know People Could Do That\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"645q-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"645q-0-0\"\u003e\u003cspan data-offset-key=\"645q-0-0\"\u003e5. Unknown Encounter\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"1fi8g-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"1fi8g-0-0\"\u003e\u003cspan data-offset-key=\"1fi8g-0-0\"\u003e6. Thin Skin\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"c7kdn-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"c7kdn-0-0\"\u003e\u003cspan data-offset-key=\"c7kdn-0-0\"\u003e7. Spots\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"ac20q-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"ac20q-0-0\"\u003e\u003cspan data-offset-key=\"ac20q-0-0\"\u003e8. Hotel Hallway\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"2ak44-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"2ak44-0-0\"\u003e\u003cspan data-offset-key=\"2ak44-0-0\"\u003e9. Subscriptions and Lies\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"bbh9c-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"bbh9c-0-0\"\u003e\u003cspan data-offset-key=\"bbh9c-0-0\"\u003e10. Picking Up\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-offset-key=\"du42s-0-0\" data-editor=\"fk1ng\" data-block=\"true\" class=\"\"\u003e\n\u003cdiv class=\"_1mf _1mj\" data-offset-key=\"du42s-0-0\"\u003e\u003cspan data-offset-key=\"du42s-0-0\"\u003e11. Everybody Does\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"mainCopy\"\u003eWe at Darla Records haven’t been this excited about a new release by a new Pop\/Americana artist since My Morning Jacket. Seventeen-year-old Ariel writes her own songs and performs at venues across Austin, Texas both solo and with music legend Alvin Crow. Ariel has recorded on soundtracks for Robert Rodriguez and Trevor Romain films, and she is the youngest female singer to perform before thousands at the Austin Music Awards. Music critic Margaret Moser has compared her voice to that of Brenda Lee and Lou Ann Barton. Ariel has been called the “authentic foil to Britney Spears,” by National Geographic’s Traveler Magazine. On her debut, Exclamation Love, Ariel showcases her songwriting and singing abilities equally. Her melodies superglue to your brain and you find yourself instantly hooked, even breathless at the end of the opening title track. Soon, you’re singing along to teen themes of love and discovery, doubt and delight, innocence and wisdom, all the while marveling at a talent far beyond her years. This young woman was born to sing. \u003cbr\u003e\u003cbr\u003e“Ariel Abshire from Austin, Texas - she’s got pipes, range, and songwriting skills- She reminds me of Hope Sandoval, Janis Ian and Pasty Cline- back in the day- ‘Society’s Child’, ‘Crazy’ talented, and ‘She Shines Brightly.’ You know the score - Pop, soul, country and screen- Triple Threat here- ingenue ala Glen Campbell-esque.” --Charles Slomovitz, Happy Parts blog\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e1. Exclamation Love, 2. Goddamn New Mexico, 3. Nervous, 4. I Didn’t Know People Could Do That, 5. Unknown Encounter, 6. Thin Skin, 7. Spots, 8. Hotel Hallway, 9. Subscriptions and Lies, 10. Picking Up, 11. Everybody Does\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eReviews\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.boston.com\/ae\/music\/articles\/2008\/10\/24\/sound_off\/\"\u003eBoston Globe\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.textura.org\/reviews\/abshire.htm\"\u003eTextura\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.erasingclouds.com\/wk1208abshire.html\"\u003eErasing Clouds\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/adequacy.net\/review.php?reviewID=9025\"\u003eDelusions Of Adequacy\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/leonardslair.wordpress.com\/\"\u003eLeonard's Lair\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556678596,"sku":"DRL214","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL214.jpg?v=1487676183"},{"product_id":"robin-guthrie-3-19-bande-originale-du-film","title":"Robin Guthrie - 3:19 Bande Originale Du Film","description":"3:19 is the title of the original soundtrack recording by Robin Guthrie for the acclaimed Spanish film of the same name. This is the former Cocteau Twins Guitarist's second soundtrack following Mysterious Skin and it features all the trademark Guthrie, ethereal soundscape you'd expect. This time, however, Robin has added piano, just a bit a strings and a few sound effects that nicely communicate the film's mood. Robin Guthrie's talent should need no introduction. As co-founder and guitarist of Cocteau Twins and producer of bands like Lush and Chapterhouse, he has created some of the most beautiful music of recent times and is widely regarded as a musical visionary, his sound influencing a generation. After Cocteau Twins broke up in 1997 he has made a series of instrumental recordings including ‘Imperial’, ‘Continental’, ‘Everlasting’ and ‘Waiting for Dawn’. Recently he has collaborated with Harold Budd on the twin albums, ‘After the Night Falls’ and ‘Before the Day Breaks’ as well as the soundtrack to Greg Araki’s ‘Mysterious Skin’. His latest soundtrack is for the Spanish cult hit film 3:19 which will be released in the fall. His recent production and collaboration duties include Mahogany, Ulrich Schnauss, Manual, Apollo Heights, Heligoland and Resplandor. At ATP Robin will be performing, for the first time in the US, with ‘Galerie’, his second animated film following the award winning ‘Lumière’ from 2004. Robin’s approach to animation remains in keeping with his approach to sound, very rich, emotive, layered and treated. He creates distinctive landscapes, both sonic and visual, that have become his trademark throughout his recorded work and his live performance.\u003cbr\u003e\u003cbr\u003e\n\u003cdiv data-contents=\"true\"\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"3m400-0-0\"\u003e\n\u003cdiv data-offset-key=\"3m400-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"3m400-0-0\"\u003e1. 3:19 intro\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"6kctf-0-0\"\u003e\n\u003cdiv data-offset-key=\"6kctf-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"6kctf-0-0\"\u003e2. comprensión\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"7kajn-0-0\"\u003e\n\u003cdiv data-offset-key=\"7kajn-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"7kajn-0-0\"\u003e3. alma\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"1v7b2-0-0\"\u003e\n\u003cdiv data-offset-key=\"1v7b2-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"1v7b2-0-0\"\u003e4. cuanto tiempo?\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"5dfpm-0-0\"\u003e\n\u003cdiv data-offset-key=\"5dfpm-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"5dfpm-0-0\"\u003e5. en mi punto. en ti punto. y miy en ti punto.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"40ogm-0-0\"\u003e\n\u003cdiv data-offset-key=\"40ogm-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"40ogm-0-0\"\u003e6. lisa@dixo.com\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"dm5oi-0-0\"\u003e\n\u003cdiv data-offset-key=\"dm5oi-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"dm5oi-0-0\"\u003e7. lucia’s lament\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"bqqvm-0-0\"\u003e\n\u003cdiv data-offset-key=\"bqqvm-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"bqqvm-0-0\"\u003e8. explaining the game\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"276lf-0-0\"\u003e\n\u003cdiv data-offset-key=\"276lf-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"276lf-0-0\"\u003e9. a la eternidad...\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"c23el\" data-offset-key=\"8r0o9-0-0\"\u003e\n\u003cdiv data-offset-key=\"8r0o9-0-0\" class=\"_1mf _1mj\"\u003e\u003cspan data-offset-key=\"8r0o9-0-0\"\u003e10. 3:19 outro\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556678852,"sku":"DRL213","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/3-19.jpeg?v=1487704392"},{"product_id":"new-radiant-storm-king-drinking-in-the-moonlight","title":"New Radiant Storm King - Drinking In The Moonlight","description":"\u003cdiv id=\"album_description\"\u003e\n\u003cp\u003eNorthampton, MA\/New York city indie rockers New Radiant Storm King deliver the tightest, hookiest and most diverse record in their distinguished career. Recorded over six months in deep, rural Massachusetts, Drinking in the Moonlight proves once again that guitarists\/vocalists Peyton Pinkerton and Matt Hunter along with bassist Caleb Wetmore and drummer J.J. O'Connell write some of the most imaginative and memorable American rock. Approaching their twentieth year as a band, NRSK have gracefully matured as song smiths while retaining their prowess at crafting unconventional yet infectious melodies. Drinking in the Moonlight is a sonic mix of urban and rural, sporting distorted yet wiry pop with a marked focus on narrative within their song writing -- trademarks gratifying to longtime fans. Time spent in other bands (Pinkerton in The Silver Jews and The Pernice Brothers; Hunter in J. Mascis \u0026amp; The Fog and The Wharton Tiers Ensemble) has honed the Pinkerton\/Hunter attack musically and lyrically. Over the course of thirteen songs, Drinking in the Moonlight addresses topics as varied as random street violence, infidelity and subsequent pregnancy, exorbitant winter heat bills and even an open condemnation of organized religion (Thank God -Ed). Drinking in the Moonlight was recorded with longtime NRSK engineer Mark Alan Miller (Cordelia's Dad, J. Mascis \u0026amp; The Fog) at his Slaughterhouse Studios in Westhampton, MA.\u003cbr\u003e\u003cbr\u003e1. Sophomoroc Slump, 2. Undignified, 3. Senseless, 4. Islander, 5. Little Ice Age, 6. Anything Can Happen, 7. New Paltz Waltz (In 8\/4., 8. 8 Steps Closer, 9. After The After Hours, 10. Midnight Comes, 11. Eraser, 12. Clouds Cover Everything, 13. Fall Prey\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"review_links\"\u003e\n\u003ch3\u003eReviews\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.bradleysalmanac.com\/2008\/08\/preview-mp3-new-new-radiant-storm-king.htm\"\u003eBradley's Almanac\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/blog.kexp.org\/blog\/2008\/08\/28\/song-of-the-day-new-radiant-storm-king-undignified\/\"\u003eKEXP Song of The Day blog\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.babysue.com\/2008-Sept-LMNOP-Reviews.html#anchor16694\"\u003eBabysue\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/leonardslair.wordpress.com\/2008\/09\/11\/review-new-radiant-storm-king-drinking-in-the-moonlight\/\"\u003eLeonard's Lair\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.popmatters.com\/pm\/review\/64359\/new-radiant-storm-king-drinking-in-the-moonlight\/\"\u003ePopmatters\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.allmusic.com\/cg\/amg.dll?p=amg\u0026amp;sql=10:jpfuxzlkldke\"\u003eAll Music Guide\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/habloennui.blogspot.com\/2008\/11\/new-radiant-storm-king-drinking-in.html\"\u003eHablo Ennui\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556679108,"sku":"DRL201","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/DRL201square.jpeg?v=1487701232"},{"product_id":"isol-zypce-sima","title":"Isol \/ Zypce - Sima","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCD Digipak with 16 page booklet featuring the artist's illustrations.\u003c\/p\u003e\n\u003cp\u003eDarla Records is proud to present the debut from Argentinian singer\/songwriter\/illustrator Isol and her brother Zypce.  Isol is a singer, composer, ex-vocalist of the electronic pop band Entre Ríos who released three records on Elefant and Darla, singer with the baroque group The Excuse and member of the synthpop American band Alsace Lorraine.  She’s also an internationally renowned illustrator of books and printed media.  For the first time here on Sima, she composes melodies and lyrics.  Zypce is a musician and composer.  In 1994 he released his CD Nuevo Muerto (New Dead. on which he and his ensemble play his own works of contemporary classical music tainted with industrial reminiscences, although these are very dubious labels.  He has also composed music for film, dance and theatre in Argentina and abroad and has performed his experimental compositions with pianist Adriana de los Santos, among others, in concert.  He builds his own musical instruments and has an extremely elaborate approach to the stage.  On Sima he composes and arranges songs,   clearly faithful to his peculiar aesthetics as he works within the pop song format, always with very experimental results.  Isol and Zypce are siblings, born and raised in Buenos Aires, Argentina.\u003cbr\u003e\u003cbr\u003eVoice: Isol. Instrumental arrangements: Zypce.  Lyrics: Isol.  Music: Isol \/ Zypce (except “La primera vez” and “Vos me llamás”, by Dani Umpi \/ Adrián Soiza..  Artistic production: Zypce (in “Vos me llamás”: Zypce-Cecinini..  Mastering: Nicolás Cecinini. \u003cbr\u003e\u003cbr\u003eSima: f. abyss, precipice, crag, depth, chasm.\u003cbr\u003e\u003cbr\u003e1. La Primera Vez, 2. Romance Fatal, 3. La Culpa, 4. Mi Formula Para Llorar, 5. Tal Vez Mejor, 6. La Calandria, 7. Palabritas Flojas, 8. Si De Verdad, 9. Doppelganger, 10. Vos Me Llamas, 11. El Dia Llego\u003c\/p\u003e\n\u003cdiv id=\"review_links\"\u003e\n\u003ch3\u003eReviews\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.barcodezine.com\/\"\u003eBarcodezine\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.babysue.com\/2008-June-LMNOP-Reviews.html#anchor2196\"\u003eBabysue\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=91167529\"\u003eNPR\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.popmatters.com\/pm\/review\/60055\/isol-zypce-sima\"\u003ePopmatters\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/leonardslair.wordpress.com\/\"\u003eLeonard's Lair\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.erasingclouds.com\/wk1308isol.html\"\u003eErasing Clouds\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Darla","offers":[{"title":"CD","offer_id":35556679748,"sku":"DRL195","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/sima.jpg?v=1491653789"},{"product_id":"ponies-in-the-surf-see-you-happy","title":"Ponies In The Surf - See You Happy","description":"\u003cp\u003ePonies In The Surf are quietly one of a kind.  Siblings and indie music aficionados Alex \u0026amp; Camile live in Cambridge, MA though they’re originally from Bogota, Colombia.  The Ponies make pan-American pop songs with elements Samba, Beatles and the more sophisticated folk set.  They're Pop Vocal traditionalists and very much akin to The Violent Femmes and Johnathan Richman in terms of song craft, subtle humor and vulnerability.  The Ponies' work is uniquely comforting and highly addictive.  It is served with a rare passion and grace.  It evokes nostalgia while remaining firmly planted in its own special, almost timeless place.  These are simply great songs. \u003cbr\u003e \u003cbr\u003e The first 1000 copies of See You Happy CD come with a limited edition bonus CD, entitled Noche Noche, featuring Ponies in The Surf covering six favorite all-time classics Ponies style plus two demos.\u003cbr\u003e\u003cbr\u003e1. 16a, 2. Walkin' In The City, 3. Sweet \u0026amp; Low, 4. My Crack-Up, 5. Another Mind, 6. Bad Crowd, 7. What's In a Smile, 8. See You Happy, 9. Holes In The Walls, 10. Ventricle, 11. Out-There Friends, 12. Once In A While, 13. Johnny Rebel, 14. Joao, 15. Te Extraño Tanto, 16. Nothing to Lose, 17. Poor Jenny, 18. Heaven, 19. Te Extraño Tanto #2, 20. A Bunch of Lonesome Heroes, 21. Another Mind (Demo., 22. Holes in the Walls #2\u003cbr\u003e \u003cbr\u003e \"After playing in rock bands for some time, Alexander McGregor decided at some point that he simply wanted to make some music that could even appeal to his grandmother. Joined by his sister Camille, the duo plays stripped-down folkish type music that sounds like it could have been created at any point in the past 40 years yet still feels fresh.\" --ALMOST COOL.\u003cbr\u003e \u003cbr\u003e \"These powerfully quiet traditionalists perform folk songs with a pan-American touch. It's only a shame that music this delicate and warm doesn't garner more notice.\" --POPMATTERS\u003c\/p\u003e\n\u003cdiv id=\"site_container\"\u003e\n\u003cdiv id=\"body_container\" class=\"clearfix\"\u003e\n\u003cdiv id=\"content_container\" class=\"clearfix\"\u003e\n\u003cdiv id=\"merch_content_container\" class=\"clearfix\"\u003e\n\u003cdiv id=\"home_right_column\"\u003e\n\u003cdiv id=\"product_container\" class=\"snippet_content_container\"\u003e\n\u003cdiv id=\"track_table_container\"\u003e\n\u003cdiv id=\"album_description\"\u003e\n\u003cdiv id=\"review_links\"\u003e\n\u003ch3\u003eReviews\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.weeklydig.com\/arts-entertainment\/music\/cd-reviews\/200806\/ponies-surf\"\u003eBoston's Weekly Dig\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.erasingclouds.com\/wk0908ponies.html\"\u003eErasing Clouds\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/theyellowstereo.com\/?p=2777\"\u003eThe Yellow Stereo\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/thephoenix.com\/Boston\/Music\/63634-PONIES-IN-THE-SURF-SEE-YOU-HAPPY\/\"\u003eBoston Phoenix\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.almostcool.org\/mr\/2261\/\"\u003eAlmost Cool\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/leonardslair.wordpress.com\/\"\u003eLeonard's Lair\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.digitalisindustries.com\/foxyd\/reviews.php?which=3557\"\u003eFoxy Digitalis\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/www.exclaim.ca\/musicreviews\/generalreview.aspx?csid1=124\u0026amp;csid2=850\u0026amp;fid1=32682\"\u003eExclaim!\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/thesilentballet.com\/dnn\/Home\/tabid\/36\/ctl\/Details\/mid\/384\/ItemID\/1816\/Default.aspx\"\u003eThe Silent Ballet\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darla","offers":[{"title":"2xCD","offer_id":35556680004,"sku":"DRL192","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0961\/0594\/products\/Ponies.jpeg?v=1487702766"}],"url":"https:\/\/darla.com\/collections\/cds.oembed?page=32","provider":"Darla Records","version":"1.0","type":"link"}