1. Vault, 2. Node, 3. Ghosts, 4. Absolution, 5. Paradoxon, 6. Scream, 7. Darkness, 8. Fear, 9. Steps, 10. Mortification, 11. Farwell
Thomas P. Heckmann's career smacks of diversity, ingenuity, and a stubborn refusal to adhere to genre. First gaining notoriety in the early 90s as a vital cog in the German techno machine, he founded the Trope Recordings label and set about firming up a beachead in the already splintering electronica scenes of the time. Juggling a well-respected DJ/producer career with his own admirable musical talents made labels such as Force Inc., Mille Plateaux and Pete Namlook's Fax +49-69/450464 sit up and take notice. Now, with Ghosts, his third release on Carpe Sonum, Heckmann's blended his various influences into a veritable tour de force of textural girth and grit.
Ghosts is as unlikely a 'follow-up' to his previous Lost Tales volumes as you're likely to find. Trading in what is euphemistically termed dark ambient on this go-round, Heckmann seems to have inadvertently or intentionally forged a modern post-industrial statement of extraordinarily powerful intent. Largely eschewing the easily recognizable horizontal hold of electronica's well-trodden beat structures, Heckmann augments his mildly abrasive tones and brittle atmospheres with pulses carved from an aural wood of drift rather than driftwood. The eleven pieces on Ghosts cackle and glee with an almost demonic abandon, percussive accents bouncing throughout the stereofield in an often wild display of vivid color schemes. Nowhere is this more evident than across the eight minute panoptic nerves of "Absolution", where Heckmann's many years of adept rhythm programming blossom forth in an explosive rush of digital swing.
But what gives Ghosts its most unique flavor is the schizophrenic paradox of styles that lies at its core. "Vault" and the title track work that post-industrial mojo to satisfying, if acrid, ends, conjuring up such contemporary voices as Andy Stott and some of the motley Mordant Music crew. Heckmann's hauntological soundworld here is so complex that Ghosts is one of those rare records that bares repeated visits, deeper listening, undivided attention; after the headcrack sensations felt during the first spin, successive replays are necessary to absorb everything Heckmann's compositions painstakingly reveal. It's that kind of freaky mindtrip.
$8.00
Release date: 03/29/24 Dyad’s Carpe Sonum debut should well standout in our illustrious catalog simply by dint of its unpredictable sound design. Need one almost...
$8.00
Release date: 5/24/2024 Newcomer David Michael Matuch proclaims on the first track to his debut Carpe Sonum long-player “Soft, In the Head”, but as this...
$8.00
Release date 1/12/2024 Contemporary space music can take many forms, trading in the clichés of all things TD and Schulzian, working out its collective Namlook/Eno...
$10.00
Release date: 1/12/2024 Tracks Intro (Drone #1) E60 Nada Brahma Bad Rain R2R Lonelineness Outburst (TB-303 in Kingston Mix) La Paz Rufiyaa All is Quiet...
$8.00
Release date: 11/17/2023Why would anyone build bridges in a Peruvian desert? No doubt this is the first question that comes to mind when encountering "Bridges...
$8.00
Release date: 10/27/2023Shawn Locus is a new addition to the Carpe Sonum roster, but Locus' obvious alacrity with all things softly synthetic and sequenced heralds...
$11.40
Release date: 9/15/2023Reflective Records label head Jonah Sharp aka Spacetime Continuum & Tasho Nicolopulos aka Its Infinite Flower began playing together Halloween 2015 on a...
$8.00
Release Date: 5/5/2023 Multicast is back! Remember the heyday of IDM, circa 1995-2005? Well, here at Carpe Sonum we sure do, and we fairly revel...